in B-Dur / Bb Major-German composer Carl Stamitz wrote more than 60 concertos for Violin Viola Viola d'amore Cello Clarinet Basset Horn Flute Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically Stamitz's music is not too far removed from the works of the young Mozart or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785 which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century where most of the important musical material was given to the strings while the winds were left to fill in the harmony. Carl Stamitz's style is pleasant and free-flowing as nicely illustrated in this concerto.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Carl Stamitz's Concerto No. 10 for Clarinet & Piano Reduction is part of the 2018 - 2021 ABRSM Clarinet syllabus grade 7. This is a challenging yet rewarding work for the intermediate-advanced Clarinettist.

The dover edition scores of Carl Maria Von Weber's Clarinet Concertos Nos.1 And 2

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Includes ten of the best hits from the seventies by Elton John, Paul McCartney, Carly Simon, and more! The Guest Spot books include a practical playing guide and a CD of backing tracks and accompaniments to play along with. There is a full performance version of the music on the first set of tracks and the Clarinet part is then omitted from the second set, allowing you to play along with the recorded accompaniments. / Clarinette

Carl Baermanns Klarinettenschule op. 63 ist ein international bekanntes Standardwerk für den anspruchsvollen Klarinettenunterricht. Unsere dreisprachige Neuausgabe behält den Notentext und den Aufbau der Methode bei, korrigiert aber einige wenige Fehler und Unstimmigkeiten in der Artikulation. Die Schule wurde behutsam erweitert um gezielte Zusatzübungen (Atemübungen, Staccatoübungen) und praxisbezogene Erklärungen zur Spieltechnik und zum Gebrauch der Methode. Die altertümliche Sprache der Originalausgabe wurde modernisiert und an das heutige Sprachempfinden angepasst. Eingelegte Grifftasbellen für die Böhmklarinette und das deutsche System machen die Schule universell verwendbar. Beide Schulbände enthalten die Begleitungen zu den Vortragsstücken als Voll- und Halbplayback. Die Klavierbegleitungen zu den Vortragsstücken sind außerdem in zwei separaten Spielbüchern enthalten, die erstmals die Klavier- und Klarinettenstimme als Partitur abdrucken und eine eingelegte Klarinettenstimme anbieten / Clarinette

11 Songs Arranged in Jazz Styles with Written-Out Improvisations Arr. Carl Strommen Each collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the variation section to accommodate the ranges and unique characteristics of the instruments. Titles: Ain't Misbehavin' * As Time Goes By * But Not For Me * Embraceable You * I Got Rhythm * My Funny Valentine * Over the Rainbow * Strike Up the Band * Summertime * Sweet Georgia Brown * 'S Wonderful.

Stamitz: Concerto No. 3 in B Flat for Clarinet-Performed by Keith Dwyer clarinetAccompaniment: Stuttgart Festival OrchestraConductor: Emil KahnNo composer likes to write music without feeling that an artist exists both capable of and willing to playit to good advantage. When Carl Maria von Weber met Heinrich Joseph Baermann one of the greatest clarinetists of the early nineteenth century he delightedly began writing all sorts of work for him including several chamberpieces and the two famous clarinet concerti. In his F-minor Concerto No. 1 it is clear that Weber knew the virtuosity of his player-he makes the soloist range over the entire compass of his instrument and such quiet moments asdo occur are invariably surrounded by runs leaps and passagework of the utmost brilliance. A fantastic concerto. Also in this edition is Carl Stamitz's lovely B-flat-major concerto a most beautiful Classical-era work. Includes aprinted solo part for B-flat clarinet and two compact discs containing a complete version with soloist in digitally remastered stereo; then a second version of the orchestral accompaniment minus the soloist; and a -20%slow-tempo version of the accompaniments for practice purposes.

for Clarinet and Piano-Performed by Anton Hollich clarinet Accompaniment: Harriet Wingreen piano Here is a spectacular collection of classic pieces arranged for clarinet with piano accompaniment penned by the greatest composers of all time. Symphonic excerpts concert-pieces and themes from famous concerti combine to create an album filled with material for the advancing clarinetist. Drawn almost entirely from the golden age of classical and romantic German repertoire you will find thrilling music by Carl Maria von Weber Mozart Mendelssohn Beethoven Schumann and many more. These classic pieces have been assembled for early-intermediate and higher-level players to help develop a wide range ofinterpretational and technical skills. Listen to virtuoso clarinetist Anton Hollich perform these masterpieces then you step front-and-center with the illustrious Harriet Wingreen as your accompanist. Bravo! Includes a newly engraved authoritative printed solo part and two compact discs containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

Lontanamente - Fragments Of A Waltz for Clarinet solo was composed by Bent Sørensen in 2012. Commissioned by the 5th Carl Nielsen International Clarinet Competition in Odense Denmark in 2013.