Bb Clarinet. The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

Ten big blues numbers including Fever Harlem Nocturne and Round Midnight in melody line arrangements for Clarinet by Jack Long. A CD of specially recorded backing tracks allow you to take the lead or buildconfidence in practice.

Performed by Laurence Liberson clarinet Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn More excerpts from the symphonic repertoire displaying the clarinet's beauty. The player functions both as soloist and a member of the ensemble throughout this eclectic program. Any prospective first-chair clarinetist will find this training ground invaluable. Includes a high-quality printed music score for both B-flat and A clarinets and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment minus the soloist.

Carefully graded methods written by instrumental specialists that emphasize good tone production, build a strong rhythmic sense and develop well-rounded musicianship.

C. Paul Herfurth's classic series of tutor books have now been completely revised and updated with a host of innovations to suit a new generation of musicians. A New Tune A Day features the same logical gentlepace and keen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone technique andposture. The selection of music is fresh and exciting including duets and rounds to inspire the student and ensure that those vital practice hours are never boring!The book includes: Advice on yourinstrument and the equipment you will need Instructions for effective technique and comfortable playing Explanatory pages on reading and understanding music Tests to check your own progress andcomprehension The accompanying audio CD features a virtuoso performance and backing track for each pieces as well as recorded examples to support the lessons. Furthermore an edition of this book is availablefor Saxophone (BM11363) creating an ideal opportunity for duets.  

This award winning tutorial series is an essential stepping-stone for every young clarinetist and a vital tool for teachers and students alike. A New Tune A Day: Book 2 features the same logical gentle pace and keenattention to detail that made earlier editions so hugely popular and successful. Filled with easy-to-follow lessons and clear photographs and diagrams this will help you to achieve the very best in tone technique andposture. The selection of music is fresh and exciting including duets and rounds to inspire you and ensure that those crucial practice hours are never boring! Book 2 builds on the lessons and techniques learned in Book 1and delivers more advanced technique repertoire and theory all with the great variety of pieces and exercises that are the hallmark of the series.The accompanying audio CD features a virtuoso performance and backingtrack for each piece as well as recorded examples to support the lessons.

Mastering the Middle Register of the Clarinet. Crossing the break can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided into two parts: Part I contents: the clarinet overtone series - how new note names attach to previously learned fingerings - how to incorporate 'right hand down' as a developmental technique - one octave scales across the break - first melodies in the clarion register that teach basic musical concepts needed for advanced performance. Part II contents: studies from Rhythmical Articulation by Pasquale Bona, selected and edited for clarinet to prepare students for upper level performance.Rhythmical Articulation was originally written to assist singers with rhythmical and pitch accuracy. Range: The range is appropriate for developing clarinetists (low B to B just above the treble staff). Third-line B natural is often referred to as the break because it is the note where the register key is added to produce the middle register. These studies and exercises center around third-line B natural and provide a means to develop smooth connections between the lower and middle registers of the clarinet. Technique: The studies have been adapted for clarinet to cover nine key signatures. Appropriate articulations, dynamics, and expressive markings have been added to reflect common practice in the classical style. Advanced rhythms and time signatures are introduced with moderate tempos. Musical terms have been added to identify phrases and suggest expression. The Break also includes an introduction to the altissimo register. / Niveau : 2 / Etudes et exercices / Méthode / Clarinette

Paul Harris’s Clarinet Basics is well regarded as one of the best teaching methods of Clarinet for beginner Clarinet players and their teachers. The book offers a fresh design clear technical drawings fun illustrations creative activates pull-out fingering chart and of course a vast selection of original tunes for Clarinet.Paul Harris has established an international reputation as one of the UK's leading educationalists. As a composer and writer he has over six hundred publications to his name and is in great demand as a workshop leader and adjudicator around the world.

More Graded Studies For Clarinet brings together Clarinet study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core works from established Clarinet writers alongside specially composed studies by Paul Harris these comprehensive study collections apply the simultaneous Learning approach to instrumental technique. Two study books arranged in order of increasing difficulty according to carefully planned technical progression. The studies develop key aspects of style found in in repertoire from the 19th century onwards. Each study comes with a list ofSimultaneous Learning musical ingredients for players to explore in preperation for the music. Book One begins at elementary level and progresses to intermediate (approx. grades 1-5); Book Two takes the student from intermediate to advanced level (approx. grades 6-8). Paul Harris is one of the UK's most respected music teachers and educationalists known for his innovative Simultaneous Learning approach. He has over 600 publications to his name including the highly acclaimed Improve your teaching! Improve your sight-reading! Improve your aural! and Improve your practice! series. Harris writes frequently on music education and is in great demand as a workshop and seminar leader around the world.

in B-Dur / Bb Major-German composer Carl Stamitz wrote more than 60 concertos for Violin Viola Viola d'amore Cello Clarinet Basset Horn Flute Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically Stamitz's music is not too far removed from the works of the young Mozart or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785 which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century where most of the important musical material was given to the strings while the winds were left to fill in the harmony. Carl Stamitz's style is pleasant and free-flowing as nicely illustrated in this concerto.

Clarinette Seule - Collection Aurore-Contemporary clarinettist and composer Serge Dangain has been a prominent pioneer of modern music on the Clarinet. His Songe for solo Clarinet provides a fitting introduction to modern repertoire. Dangain born in 1947 has won many prizes for his performances and compositions. Published in 1985  Songe addresses extended techniques of the Clarinet including half tones flutter tonguing and varied articulation. A helpful key is included in order to explain performance directions and symbols. With a typical performance lasting around three minutes Dangain's Songe provides a brilliant introduction to modern repertoire suitable for advanced clarinettists.

Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used where three lines are weaved so they become one line here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet so they are heard as separate lines weaving into one another. On a different level there is three different sequences which are also weaved into one another; one which rises (for instance in the beginning) and one which falls and one which falls in parallels in severalregisters. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach’s pieces for solo strings where he in a marvellous way established several simultaneous melodic lines without simultaneous sounding notes. This happened by weaving parts which in other works would sound simultaneously into one another so that only one note was heard at the time. This meant that in that long line which was heard as the instrument’s development of the piece other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts’ Council.'

11 pieces in 11 styles from around the world. Par MOWER MIKE. All aboard for a musical tour of the globe with Mike Mower! Junior Musical Postcards contains eleven sparkling pieces in fascinating world music styles, tailor-made for developing musicians. The trip begins with a boisterous Cajun stomp, and concludes with an elegant Viennese polka, taking in stops in countries as varied as China, Jamaica, and Wales along the way. Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation. Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately. Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all eleven countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets. He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ? in addition to composing, arranging, and producing TV themes and commercial music albums. His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe. / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Clarinette

for Clarinet-An amazing selection from VH-1's 100 Greatest Songs Of Rock & Roll arranged for solo Clarinet.Includes the songs: All Along the Watchtower All Shook Up American Pie Beat It Blowin' in the Wind Blue Suede Shoes Bohemian Rhapsody Born to Be Wild Born to Run Bridge over Troubled Water California Dreamin' Dream On Every Breath You Take Fire and Rain Free Bird Gloria Good Vibrations Great Balls of Fire A Hard Day's Night Hey Jude Hotel California (I Can't Get No) Satisfaction I Heard It Through the Grapevine Imagine Jump Layla Let It Be London Calling Maggie May My Generation Piano Man Proud Mary Respect Rock Around theClock Roxanne Smells like Teen Spirit Stairway to Heaven Stand by Me Sunshine of Your Love Superstition We Are the Champions When Doves Cry Yesterday You Shook Me All Night Long and more.