La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). Voici une partition musicale pour Clarinette que vous pouvez acquérir pour moins de 10?. Classée dans la catégorie Classique cette partition a pour titre Giner Bruno : Lad. C'est l'éditeur Dhalmann sous la référence FD0224 qui a les droits pour éditer cette partition. / Clarinette

La référence MRB1145 de l'éditeur Billaudot dont l'auteur célèbre est Jolivet André, qui a pour titre ASCECES, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette En Sib. Cette partition musicale appartient à la catégorie Classique. / Clarinette En Sib / Partition

Forty-Five Exercises For Articulation is a volume of forty-five exercises by Hyacinthe Klosé for Clarinet. Written for intermediate players this edition is completed by twenty-seven exercises of modern technique. These exercises focus on the acquisition of a good agility to improve articulation and speed. The book also includes some descriptions and advice to practise each study correctly. It has been revised in terms of text articulations chords breathing movements and ornaments by Paul Jeanjean. Hyacinthe Klosé (1808-1880) was a French Clarinet player composer andprofessor at the Conservatoire de Paris and Paul Jeanjean (1874-1928) was a French composer known for his clarinet compositions.

A course for young beginners Pre-Grade 1-With Funky Flute fast becoming the country???s leading Flute tutor Heather Hammond???s winning approach has been applied here for the Clarinet. Cool Clarinet is the next generation of tutor featuring an effective style that childrenrespond to with fun-to-play pieces and vibrant artwork. Cool Clarinet shows young Clarinettist's everything they need to know including how to hold the clarinet getting a good sound and how to read music.

Music Minus One Clarinet-Carl Maria von Weber great innovator and orchestrator who paved the way for such Romantic giants as Wagner and Liszt wrote this famous and oft-performed 'little concerto' in 1811. Lovely sonorities beautiful themes - in short a great piece for clarinet and orchestra. Also featured in this MMO edition Beethoven's beautiful warm-toned Piano Trio No. 4 is a treasure-trove of possibilities for the clarinetist. Lovely themes - young Beethoven at his best! Includes a high-quality printed music score for B-flat clarinet and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of theorchestral accompaniment minus the soloist. Performed by Keith Dwyer clarinet Accompaniment: Weber Concertino: Stuttgart Festival Orchestra/Emil Kahn Beethoven Trio: Richard Mattson violoncello Robert Conway piano

Method for Clarinet-Look Listen & Learn - Clarinet Part 1 is an exciting method book filled with fun diagrams and illustrations. This book also includes an accompanying CD. Learn Clarinet technique music literacy and develop your musicianship all with one excellent tutor.

for Clarinet and Piano-Performed by Anton Hollich clarinet Accompaniment: Harriet Wingreen piano Here is a spectacular collection of classic pieces arranged for clarinet with piano accompaniment penned by the greatest composers of all time. Symphonic excerpts concert-pieces and themes from famous concerti combine to create an album filled with material for the advancing clarinetist. Drawn almost entirely from the golden age of classical and romantic German repertoire you will find thrilling music by Carl Maria von Weber Mozart Mendelssohn Beethoven Schumann and many more. These classic pieces have been assembled for early-intermediate and higher-level players to help develop a wide range ofinterpretational and technical skills. Listen to virtuoso clarinetist Anton Hollich perform these masterpieces then you step front-and-center with the illustrious Harriet Wingreen as your accompanist. Bravo! Includes a newly engraved authoritative printed solo part and two compact discs containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

For Henle's Urtext edition of the Clarinet Sonata op. 167 they were able to consult the autograph for the first time. 'At the moment I am putting my last ounce of energy into giving seldom considered instruments an opportunityto be heard' Saint-Saëns wrote to a friend in April of the year he died. A sonata for oboe one for clarinet and one for bassoon were thus composed; yet he was not to hear the premieres. As far as form and infl ection areconcerned the three wind sonatas op. 166 - 168 hark back to the gallant style of the 18th century and thus approach the neoclassicism movement around 1920. Humour wit and fine irony characterise these works for wind.

Clarinet teaching material-Part of the Trinity Performer's Series Musical Moments Clarinet Book 4 offers twelve newly-composed or arranged pieces with piano accompaniment.

Clarinet teaching material-A collection of Orchestral Extracts for Clarinet selected and edited by Keith Puddy.

An Introduction to Jazz Harmony Technique and Improvisation-This definitive book is designed for the intermediate clarinettist looking for an introduction to the world of jazz. Renowned jazz saxophonist Ollie Weston introduces key concepts step by step explaining clearly and simply throughout with the minimum of musical jargon. Improvisation is featured from the very beginning with authentic live jazz trio recordings on the accompanying CD for you to play along with. Key subjects covered include: modes swing playing melodic development the 2-5-1 progression jazz blues progressions pentatonic scales jazz chord extensions stylistic development unique clarinet sounds and many more.

This book contains ten pieces that reflect the diverse Jazz styles used by professional jazz musicians over the past fifty years or so. Each piece has been written specifically for the clarinet making best use of the range timbre and agility of the instrument.

Wider Opportunities with the new Debut seriesINDIVIDUAL OR GROUP LEARNINGAll of these pieces for young clarinettists in their earliest stages of learning can be performed as a solo or in unison with others. Some have an optional 2nd part and may also serve as ensemble material. MIXED ENSEMBLE OPTION Whilst written specifically for the clarinet and addressing the challenges beginner clarinettists would encounter a special section is included of four pieces which are key friendly for beginners on most instruments and are therefore ideal pieces for mixed instrumental groups. These same four pieces will appear in subsequent books for other instruments in theDebut seriesFor the pupil ..• Instrumental parts with fun cartoons for inspiration• A CD providing demonstration performances for listening as well as minus-one piano accompaniments for playing along at home• Cartoons can be DOWNLOADED FOR FREE for colouring in