SKU: AY.CC3681PM

ISBN 9790543578050.

Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.

SKU: AY.CC3168PM

ISBN 9790543577480.

This Canzon was originally included as part of the collection Canzoni per sonare con ogni sorte di stromenti, a volume of 36 canzoni by 13 different composers, first published in 1608. The publisher, Alessandro Raverii, was based in Venice, and though he only printed music between 1606 and 1609, more than 50 of his volumes have survived until today. This Canzon à 16 for four SATB choirs, has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a quadruple clarinet quartet.

SKU: SU.50030370

Published by: Seesaw Music Score &

Parts (score is of the choral version).

SKU: AY.CC3680PM

ISBN 9790543577442.

Thomas Tallis composed Spem in alium nunquam habui around the year 1570 based on the Latin text from a response (at Matins for the 3rd lesson, during the 5th week of September) in the Sarum Rite, adapted from the Book of Judith. The first line translates as I have never put my hope in any other but in Thee, God of Israel. Originally scored for eight 5-part choirs, has been arranged here for clarinet choir by Matt Johnston. The 40 core parts for soprano and bass clarinets are provided in the set. Additional parts for E-flat Clarinet, Alto Clarinet, Basset Horn, Contralto Clarinet and String Bass are available upon request.

SKU: SU.50031310

Copyright 1979. Published by: Seesaw Music.

SKU: IS.CC6295EM

ISBN 9790365062959.

Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Find your way Home' is a clarinet octet (or choir), dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.

SKU: IS.CC6326EM

ISBN 9790365063260.

Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Three in Five' is a playful clarinet octet (or choir) in alternating time-signatures 3/4 and 2/4, dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.

SKU: IS.CC6294EM

ISBN 9790365062942.

A 'hayashi' is a group of performers who provide musical accompaniment for Japanese Noh or kabuki theatre. In Noh, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small taiko, set on a stand before him, with two drumsticks. To his right is the ōtsuzumi hip drum, followed by the kotsuzumi shoulder drum, and the Noh flute. In kabuki, a number of shamisen players are added, along with, depending on the play, taiko drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. This composition for clarinet choir includes Eb clarinet, 3 Bb clarinets, alto clarinet, bass clarinet, contra alto and contrabass clarinets and optional percussion.

SKU: AY.CC237

ISBN 9790302116165.

The Piano Concerto No. 24 in C Minor of Wolfgang Amadeus Mozart was composed in Vienna during the winter of 1785-86. It was premiered at the Vienna Burgtheatre in April 1786 only one month before the premiere of his opera The Marriage of Figaro in the same theatre. This piano concerto is one of his few works composed in a minor key, and is also the only one of the solo piano concerti he wrote to include clarinet parts. It is in three movements, (Allegro, Larghetto, Allegretto) and approximately 30 minutes in length.

SKU: IS.CC6317EM

ISBN 9790365063178.

Hans Aerts (°1958) studied at the conservatory of Antwerp (clarinet), the conservatory of Brussels (counterpoint and fugue) and the Lemmens Institute in Leuven (composition). His oeuvre consists of over 100 pieces for just about any instrumental line up. Many of these pieces are specifically written to be used in music education. In his work Hans Aerts seeks to create a clear form and an alluring melodical and harmonical style. Hans Aerts lives and works in Turnhout (Belgium), where he is associated with the city’s musical academy.