Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

This fantastic volume contains a unified set of three Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849 he linked each piece harmonically but compounded this by directing players to follow on to the next with performance notes: indicating that these were intended as a whole.From a mood of delicate expression through eloquent and lively to fiery and urgent this is a compelling and intriguing work. Perhaps it isn’t the finest composition by this talented writer but it is infused with more than enough Romanticism and thoughtfulness to make it an important and entertaining work.This version has beenskillfully arranged for Clarinet in A (or B Flat) with Piano Accompaniment by H. Bading and has been edited by Issay Barmas. The solo Clarinet in A and Clarinet in B Flat parts are also included on separate inserts.

This chamber work by American composer Joan Tower who is known for her symbolic titles that draw on abstract action-filled imagery. Fantasy for Clarinet and Piano accompaniment is based on ...those Harbor Lights oneof Tower's own personal favourite pieces. This is an articulate and expressive piece styled in the same tradition as classical Sonatas like those of Brahms.

Ian Parrott’s 1979 work Fantasy-Sonata for B Flat Clarinet and Piano is a superb example of his deeply felt chamber music. This expansive and dynamic piece was commissioned by the Academi Sant Teilo with funds provided by the Welsh Arts Council.

Virtuosité a un nom: Alexander Rosenblatt. Né en 1956 à Moscou, le compositeur et le pianiste qui sait comment mettre cet instrument à la mise en scène avec brio et sort tous les registres techniques et musicales. Il prend également en charge des éléments de jazz et toujours assaisonnée sa musique avec une touche d'humour. Donc aussi dans le cas de la 'Fantasy Carmen' dans laquelle il a géré des thèmes bien connus de l'opéra de Bizet à une pièce de concert très efficace. Le fantasme peut être joué soit avec clarinette ou violon et piano et de jouer dans la compétition, 'le Concours international Tchaïkovski' à Moscou et à Saint-Pétersbourg en Juin 2011. / Clarinette En Si Bémol (Violon) Et Piano / 48 pages / niveau : Avancé / Partition

En plus de l'accompagnement jouables à la fois sur votre lecteur de CD et l'ordinateur, ces CD améliorés incluent un logiciel de réglage de tempo pour utilisation de l'ordinateur de CD-ROM seulement. / Clarinette Et Piano / 8 pages / Cd

clarinet part in B flat-Along with Robert Schumann?s identically titled op. 73 the Fantasiestücke of 1864 by the Danish composer Niels Wilhelm Gade are an essential part of the repertoire of all clarinettists. Gade lived in Leipzig for a long time andhad been among Schumann?s close friends. With this deeply romantic composition he made an important contribution to establishing the clarinet as a chamber-music soloist. The four pieces in this collection can of course beperformed separately and are ideal teaching material. Our editor the clarinettist Nicolai Pfeffer has drawn upon the German and Danish first editions and the autograph in Copenhagen as sources and consequently has been able toeliminate several discrepancies found in older editions.

A solo concert composed in traditional style for clarinet and piano. This piece is a challenge to every amateur clarinettist and very suitable for a solo contest.

The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works Published by the Carl Nielsen Edition The Royal Library Copenhagen Series IV; Juvenilia et Addenda. Volume 1. For a detailed account of the genesis and reception of the work a description of the preserved source materialand a detailed editorial commentary please refer to the Volume in question.The above mentioned texts are also accessible at the following website:https://www.kb.dk/da/kb/nb/mta/cnu/forord_kilder.html. Possible errata will also be documented on this website.The CN-number (CN00052) at the bottom of each music pagerefers to the Volume inquestion as does the pagina. The WH-number found below on this page(as well as on the music pages bottom right) identifies the present score.

Par SCHREINER ADOLF. Ce joyau par Adolf Schreiner (1847-1921) est parfaitement adapté comme encore ou même pour les concerts de l'enfant. Conformément aux instructions du compositeur, l'interprète progressivement désassemble l'instrument, commençant par la cloche, jusqu'à ce qu'en fin de compte il/ Recueil / Clarinette et Piano

Niels Wilhelm Gade (1817-1890) gauche du monde musical une vaste oeuvre d'orchestrale et de la musique de Chambre des oeuvres, des oeuvres pour orgue et piano, lieder et chants ainsi que musique de scène. Sa polyvalence comme instrumentiste, compositeur, chef d'orchestre et di / Clarinette Et Piano