Beliebte Weihnachtslieder und internationale Christmas Songs. Par MAUZ RUDOLF (Arr.). Rudolf Mauz has arranged these pieces for clarinet and piano, some in a traditional style, others in an original way. All of the pieces are presented in a progressive order. The piano part is easy to play and quite varied. Texts are included providing interesting information and material for Christmas events. A great resource for Christmas concerts and fun around the Christmas tree at home! / Date parution : 2021-12-09/ Recueil / Clarinette et Piano

Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively for film and television, and his gift for musical characterisation illuminates every bar of My Family and Other Animals. Here is a delightful human menagerie, a family circle with its typical variety of awkward and amiable relatives, beautifully portrayed in music of beguiling simplicity by Edmund Jolliffe. Technically, for beginners and early-grade players, there is an important lesson that musical expression is in essence the expression of personality, often from the most basic musical resources. Brother is a cool repeated phrase - a bit detached. Mum is a gentle lullaby, and Grandmother a soothing, dependable tune. Grandfather turns sweet too, but not before a spiky introduction. From his breezy melody Dad seems on his way elsewhere. Perhaps off to wash the car! / Niveau : Facile / Recueil / Clarinette et Piano

French composer conductor and teacher Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery's works have been successful with many of his concertos being included in the Conservatoire's list of compulsory works. Rêverie Et Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950 Semler-Collery's Rêverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic exploiting rhythm tonality andharmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists Semler-Collery's Rêverie Et Scherzo provides an exciting performance work for performers and audiences alike.

For Clarinet and Piano.Quoting Karen Tanaka: Always in My Heart was commissioned by the Japanese clarinetist Yuji Murai. He told me he liked my piece for harpsichord Jardin des herbes. In that piece I tried tocreate the fragrance of aromatic herbs with sound. Murai asked me to write something sweet and similar to Jardin des herbes for his clarinet. Always in My Heart comprises of three pieces: Letter to you Tears in therain and Always in my heart. It was first performed in Tokyo on 26 October 26 1999.

This collection of 21 popular tunes has been carefully arranged and graded to provide attractive teaching repertoire for young clarinettists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice. The technical demands of the solo part increase progressively up to the standard of Associated Board Grades 1 and 2. The piano accompaniments are simple yet effective and should be within the range of most pianists.Jerry Lanning is a graduate of the Guildhall School of Music and Drama. He is a widely experienced arranger in both popular and classical fields with many published arrangements to his credit. He also teaches(mainly the piano) at Wycombe Abbey School and Bradfield College.

Par HAHN. Written for the Paris Conservatoire contest of 1903, Sarabande Et Thème Varie is a piece by Reynaldo Hahn for Clarinet and Piano. Quite challenging, this piece is perfect for advanced students and would work well for a contest or a recital. As the name mentions it, this work is composed with a main sarabande. It is dedicated to Charles Turban, a French clarinettist. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Clarinette et Piano

Easy popular Christmas pieces for young Clarinettists carefully arranged and graded to provide attractive teaching repertoire by Jerry Lanning and complete with a CD of accompaniments. New concepts and techniques areintroduced progressively and the familiarity with the material will stimulate pupils' enthusiasms and encourage their practice. The popular Christmas melodies will bring a smile to the face of every performer and listener especially when heard with the backing tracks! The CD also features a demonstration version of each piece to help you work through those tricky phrases.Suitable for players grades 1-2 standard.

Thea King and Alan Frank have selected and arranged beautiful themes derived from the vocal choral piano and orchestral works by Mendelssohn. This collection presents rewarding repertoire for players from grade 3 to 5 standard.

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgenössische Musik der letzten Jahre in völlig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Frühjahrstagung des Instituts für Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsätzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltäglichkeit oder Wirklichkeitsbezug in Musik überhaupt heißen können. Sie porträtierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jüngeren Generation ins Gespräch, die mit bestechender Energie und einer neuen Vielfalt an digitalen Möglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schüttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jörn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rüdiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Mörchen. / Livre

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of horns. The Adagio that follows is in the spare cold birdcall-riven style of other recent Davies slow movements exploiting first the clarinet's low register and then at its climax the instrument's high extremes. A cadenza leads to the coda where Davies introduces a Scots tune previously hinted at with which he brings the work to an end in F sharp major.Clarinet part with piano reduction of the orchestral score.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Virtuoso and Entertaining Pieces for Clarinet and Piano. À l'occasion de son 250e anniversaire, Schott Music a le plaisir de vous présenter Joy of Music. Des trésors découverts dans les archives historiques, réédités et présentés dans cette très belle collection. Des ?uvres en grande partie de l'époque romantique, pour des musiciens de niveau intermédiaire à confirmé à la recherche de nouveautés./ Recueil / Clarinette et Piano

The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished and composers often themselves virtuosoperformers found in the most popular arias ready material for their own sets of variations. Here is an outstanding example:Donato Lovreglio (1841-1907)played the flute and composed many pieces for his own instrument mainlyoperatic fantasias as well as a few for the clarinet. In Fantasia On The Opera 'La Traviata' he demonstrates his remarkable ability to write variations which whilst providing a dazzling display of notes neverthelessremain faithful to the character of the Verdi arias which inspired them.