As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Bernhard Heiden (1910 - 2000) was a German conductor composer and music teacher who settled in the United States in 1935. He started composing pieces at the age of 6 and studied Piano Clarinet and Violin from an early age. Much of his music is for either chamber groups or solo wind or string instruments with Piano. His Sonatina For Clarinet And Piano is one of this most frequently played works. It is written in three movements: Con Moto Andante and Vivace.

Clarinette Sib Et Piano - Ou Harpe-Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Nocturne And Sicilienne for Clarinet and Piano or Harp accompaniment being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Nocturne And Sicilienne reflects Ghidoni's mastery of a range of instruments. With a typical performance lasting aboutfive minutes Nocturne And Sicilienne is a truly exquisite addition to the modern Clarinet repertoire.

Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Jazzy Celtic Suite for Clarinet and Piano or Harp being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Jazzy Celtic Suite reflects Ghidoni's mastery of a range of instruments suitable for intermediate players. With a typical performance lastingabout thirteen minutes Jazzy Celtic Suite is an exciting addition to the intermediate Clarinet repertoire with the option of Piano or Harp accompaniment.

Four Characters for clarinet and piano arranged by Angela Morley is intended for the intermediate player (Grade 1V). This selection of pieces has been chosen for players to bridge the gap between learning an instrument and playing 'real'music. This collection is part of a series for many different instruments with limited technical ability.

for clarinet and piano-La collection Platinum Series rassemble des œuvres classiques composées à l?origine pour divers instrument et idéalement adaptées pour des instruments à vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d?un compact disc (version intégrale + accompagnement) d?une grande qualité musicale. Pour vous offrir un excellent confort de jeu les accompagnements ont été confiés au piano au clavecin à un ensemble de musique de chambre et quelquefois même à un Orchestre Symphonique. Les oeuvres avec basse continue (adaptée pour le piano ou le clavecin) disposent d?une partie soliste et d?une partie pour violoncelle séparées afin de pouvoir constituer unensemble instrumental.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences  Bucolique for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic and spread chords in the Piano. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Bucolique for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.

Learn to play your favourite Film & T.V Themes with backing tracks. The book contains carefully selected and edited top line arrangements and chord symbols. Also includes fingering charts and a guide to notation. The CD contains full backing tracks professionally arranged and recorded and full demonstration tracks to help you learn the songs. Discover The Lead is an integrated series of easy arrangements. In each edition all the songs are in the same concert pitch key so the different instruments can play together. Suitable for players Grades 1-2 standard.

Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982.Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.

A suite of five melodies by Peter Warlock arranged by David Cox for the Clarinet and Piano. As a composer Warlock has long been remembered as a significant and prolific songwriter yet his purely instrumental pieces are few in number. David Cox has selected music from Warlock's best and most characteristic songs assembling a sumptuous suite that captures the Warlock sound for the Clarinet soloist.

Le chant de la clarinette accompagne les nuages annoncant le beau temps?Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d?oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Cumulus pourclarinettistes ayant environ une année de pratique dans un style musical accessible et coloré. De ce fait Cumulus est la pièce idéale pour tout examen ou audition de jeunes musiciens.

for Solo Bb Clarinet and Piano-Cette oeuvre en deux mouvements pour clarinette et orchestre fut commandée par Musica Reservata vof Belgique et est dédiée à Eddy Vanoosthuyse un bon ami et confrère du compositeur. Elle connut du succès à sa première mondiale le 10 décembre 2008à Salt Lake City (Etats-Unis) interprétée par l?orchestre Utah Philharmonia sous la direction de Robert Baldwin avec Eddy Vanoosthuyse comme soliste. Par la suite l?oeuvre fut mise de côté pendant quelques années surtout parce que les agendaschargés des deux protagonistes ne leur permettaient pas de trouver le temps pour un enregistrement discographique. Pour finir l?oeuvre fut enfin enregistrée en juin 2015 à Nagoya (Japon) avec le Central Aichi Symphony Orchestra mené par l?étoilemontante vénézolane SergioRosales. La même semaine le 12 juin l?oeuvre fut présentée en concert pour la première fois au Japon par les mêmes interprètes et connut ici aussi un grand succès. Après Concerto Doppio pour deux clarinettes et orchestre à cordes composé en 2001 voici la deuxième oeuvre de concert de Jan Van der Roost qui met la clarinette en vedette.Le premier mouvement Doloroso e Contemplativo transmet le côté sérieux de la clarinette et par conséquent il n?y figure presque pas de virtuosité ou de spectacle. Au contraire l?orchestration colorée et variée qui est entrelacée autour de lapartie solo est bien plus qu?un simple accompagnement et prend la forme de partenairemusical d?importance comparable au soliste. Une introduction un peu mystérieuse mène à une première apogée orchestrale en passant par des cellules musicales ascendantes. Ensuite on entend l?entrée du soliste d?abord par des idées musicales plusfragmentaires puis par des lignes mélodiques plus longues. L?orchestre entre en dialogue avec le soliste et son instrumentation délicate et colorée crée un parfait encadrement musical. Vers la fin l?atmosphère du début est réaffirmée et lesoliste finit par la même note par laquelle il avait commencé.Le deuxième mouvement Giocoso e Con Bravura est une toute autre histoire : ici le côté virtuose et parfois presqu?acrobatique de la clarinette est exploré. Des cascades imposantes et continuelles de notes demandent une dextérité exceptionnelleau soliste ce qui à un certain moment et « récompensé » par l?orchestre par un clin d?oeil au « Hallelujah » de Handel ? vraiment mérité après ces feux d?artifice ! De temps en temps l?instrument solo présente une phrase humoristique : laclarinette ne peut pas que chanter briller et pleurer mais aussi rire et plaisanter. Plusieurs passages sont presque caricaturaux ! La palette variée de cet instrument magnifique est démontrée parfaitement parfois avec un brin d?humour oud?ironie. En effet les deux mouvements contrastants de ce concerto démontrent les différentes facettes de l?instrument qui s?est établi sur la scène de musique classique ainsi que la musique légère (quel nom peu prom

Référence unique par son ISBN 9790043929352 cette partition musique n'est autre que LES CONTEMPORAINS ECRIVENT POUR LES INSTRUMENTS A VENT CLAR. 2 qui a été composée pour Clarinette Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est PN6185. / Clarinette Et Piano / Partition

The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished and composers often themselves virtuosoperformers found in the most popular arias ready material for their own sets of variations. Here is an outstanding example:Donato Lovreglio (1841-1907)played the flute and composed many pieces for his own instrument mainlyoperatic fantasias as well as a few for the clarinet. In Fantasia On The Opera 'La Traviata' he demonstrates his remarkable ability to write variations which whilst providing a dazzling display of notes neverthelessremain faithful to the character of the Verdi arias which inspired them.