Par CHARDONNENS SARAH. Evaluer ses compétences instrumentales en vue de les parfaire s'il en est besoin, ou de les consolider, c'est ce que propose au jeune musicien ce répertoire de 23 courtes pièces à caractère pédagogique. A chacun des titres sont associés 2, voire 3 objectifs relatifs aux modes de jeu, aux nuances, à l'habileté digitale, à la maîtrise des doigtés, à la justesse rythmique... Pour exemple, la pièce Bonimenteur est consacrée au tempo rapide, aux mordants, et à la précision des figures rythmiques. Sont également abordés les effets sonores contemporains. La chronologie dans laquelle les morceaux doivent être joués est aléatoire et se fera en fonction des objectifs instrumentaux et musicaux que l'élève souhaite atteindre. En début du recueil, l'auteur rappelle les quelques consignes élémentaires indispensables au bon déroulement du travail quotidien. En fin de recueil figure sur deux pages le tableau des objectifs avec auto-évaluation. Musicalement, une histoire relie toutes ces compositions : Zigana s'appelle en réalité Zeliona. Elle est née en 1876, dans la région des Carpates, en Roumanie, un des pays de l'Europe orientale. Son papa, Sandor était violoniste. Très jeune, la petite a été initiée aux rythmes de son peuple, à l'exubérance des chants de fêtes, à la mélancolie des musiques des anciens. Les yeux de sa maman étaient sombres comme l'ébène. C'est pour cette raison que Zéliona, à 8 ans, a choisi de jouer de la clarinette, cet instrument dont le son l'a immédiatement charmée. Chaque jour elle en a découvert les possibilités et elle s'est perfectionnée sans jamais se lasser. Les enfants, les grandes personnes, l'écoutaient avec admiration... la musique qu'elle faisait naître de son instrument leur allait droit au coeur. Elle a inventé des mélodies pour parler de Tchavoro Le Mannelier, des couleurs du crépuscule, de La Mouche qui la poursuivait par temps de grande chaleur. Puis un jour, une troupe de cirque a croisé son chemin et elle s'est émerveillée des prouesses des jongleurs, du Funambule et du charmeur de serpent. C'est ainsi qu'elle a décidé de quitter sa roulotte familiale, pour suivre Les Saltimbanques, de ville en ville, avec pour seule compagne sa clarinette. / Niveau : Assez Facile / classique / Répertoire / Clarinette et Piano

The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1(only whole, half, dotted half, and quarter notes and rests). The songs are: La Bamba * When the Saints Go Marching In * Eye of the Tiger * Peter Gunn * In the Midnight Hour * China Grove * Jeepers Creepers * Soul Man * Sweet Georgia Brown * Frosty the Snowman * Celebration.

Clarinet and Piano. Par LOPEZ ALAIN. 'Musique latine de forme AABA qui donne tout son sens au travail des nuances opposées. Coté pédagogique, quelques rythmes inhabituels à ce niveau sont abordés: double/croche/double et double/croche pointée.' - Alain LOPEZ Une Pièce originale adaptée pour une audition ou un examen de fin de Cycle 1/ Répertoire / Clarinette en Sib et Piano

This 'hit' is even popular among learners! Now it opens Henle?s new series of Weber?s works for Clarinet and Orchestra in Piano reduction. This edition includes two separate parts: the urtext of Weber?sversion and the widely known version by Carl Bärmann.

Novelty of form selected modulations strange tone colours the use of completely unexpected rhythms' this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Above everything is a charm that surrounds the whole work and makes the mass of average listeners accept the most surprising audacities as something entirely natural.The First Violin Sonata by Gabriel Fauré (1845 1924) was indeed an extraordinary composition which at the same time opened the way for the oeuvre of one of the most important French composers in the late 19th century and early 20th century: It was particularly with songs and Pianomusic that he could win the heart of the audience. In the 1870s Fauré wrote three songs which were originally not meant to be a unity but were later assembled under Opus Number 7. The first song is 'Après un rêve' a romantic rapturous song which like a 'Song Without Words' by Mendelssohn is perfect for making music with an accompanied solo instrument.

The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished and composers often themselves virtuosoperformers found in the most popular arias ready material for their own sets of variations. Here is an outstanding example:Donato Lovreglio (1841-1907)played the flute and composed many pieces for his own instrument mainlyoperatic fantasias as well as a few for the clarinet. In Fantasia On The Opera 'La Traviata' he demonstrates his remarkable ability to write variations which whilst providing a dazzling display of notes neverthelessremain faithful to the character of the Verdi arias which inspired them.

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

pour Clarinette et Orchestre ou Piano-Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challengingyet riveting piece for advanced clarinetists.

Pour clarinette en la (ou Alto ou Saxophone Alto) et Piano - extrait des Deux Sonatines Opposées

13 Stücke für Klarinette und Klavier. Female composers such as Germaine Tailleferre, Johanna Senfter and Grazyna Bacewicz are justifiably becoming increasingly popular. This new edition presents pieces for A and Bb clarinet from the classical, romantic and modern eras. / Niveau : 3-4 / Recueil / Clarinette et Piano

über ein Thema aus der Oper 'Silvana'-Carl Maria Von Weber's Variatonen Op.33 Ber Ein Thema Aus Silvana for Clarinet and Piano.

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Clarinet with aPiano accompaniment suitable for Grade 2-5 students as well as teachers. With a Piano score separate Clarinet part and performance hints and tips these fun pieces will hone yourskills and develop ensemble playing.These pieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classicslike Simon & Garfunkel's Bridge Over Troubled Water and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and KatyPerry's Firework. These 10 songs can be played in instrumental lessons in the classroom and of course on stage. The separate booklet with the Clarinet partfeatures tips by professional musicians with some fingering guidance while the Piano score also includes the tips along with chord symbols and helpful fingering suggestions.