Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Piano reduction with solo part-In 1947 Aaron Copland accepted a commission from Benny Goodman ‘The King Of Swing’ for a piece for solo Clarinet and Orchestra. Copland always wary of repeating himself welcomed the challenge of composing a Clarinet concerto – ‘it might stimulate some fresh ideas’. He knew from the start that a bow to jazz was called for and he hoped also to demonstrate the lyrical qualities of the Clarinet. Dedicated to Goodman the Concerto for Clarinet was finished by the end of 1948. Clarinettists were soon welcoming this new virtuoso piece and it has since become a standard in the Orchestral repertoire.The concerto consists of two movements played back-to-back connected by a Clarinet cadenza. The dreamy and melodic first movement is followed by a free rondo dominated by melodic Latin American jazz themes and is resolved in the end with an elaborate coda in C major that finishes off with a Clarinet glissando – or 'smear' in jazz lingo. Originally written for Clarinet and String Orchestra with Harp and Piano in this edition Concerto for Clarinet is arranged for Clarinet with Piano accompaniment by the composer. Along the published version with the changes requested by Benny Goodman ossias from the original 1948 manuscript are included as well. Comes with a separate insert of the Clarinet score.

Hywel Davies presents eight fresh interpretations of traditional British folk-tunes in this timeless new collection together with seven complementary folk-inspired original compositions for developing clarinettists to learn enjoy and perform.Folk Roots: For Clarinet With Piano Accompaniment is ideally suited for students of grade 1-3 standard this progressive album also contains helpful notes describing the lyrical character content and inspiration behind each piece equipping players to give informed authentic and stylish performances.A superb CD of performances backing tracks and slowed-down backing tracks for practice isincluded.Hywel Davies is an award-winning composer arranger and creative artist. His works have been performed on five continents and broadcast on three.

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime his concertos have found their way to the concert stage. This is hardly surprising considering theenchanting music with which Crusell himself a Clarinet virtuoso of international rank has enriched the early romantic repertoire.Crusell’s works needn’t shy from a comparison with Weber’s and Spohr’sClarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor andclarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice the works are in the best possible hands.

Introduction Theme and Variations for Clarinet-The work is based on two of Rossini's most moving dramatic arias and remains one of the most popular virtuosic works for clarinet to this day. This critical edition by celebrated clarinetist Charles Neidich takes a fresh approachto this work blending the 19th Century bel canto traditions which emphasize the emotional context of the arias in the musical notation with a master's perspective on modern clarinet technique. Detailed annotations and historicalbackground equip the clarinetist with an in-depth musical and technical facility to authentically convey the characteristic elegance and drama of Rossini's style. The edition also includes a new cadenza by Neidich selected fromfour of his original cadenzas as the one that best embraces the essence of the original work and aria inspiration.

20 Easy Solos with Piano Accompaniments-First Festival Solos: 20 easy Clarinet solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordingsfor the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

11 inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level clarinet with piano accompaniment, plus commentary from YolanDa anddownloadable backing tracks./ Recueil / Clarinette et Piano

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level clarinet with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.
1. Blinded By Your Grace (Part 1) [Stormzy]
2. Blue And Sentimental [Count Basie]
3. I Can See The Change [Celeste]
4. I Wish I Knew How It Would Feel To Be Free [Nina Simone]
5. In A Sentimental Mood [Duke Ellington]
6. Lady [Fela Kuti]
7. Million Billion Love [YolanDa Brown]
8. Misty [Erroll Garner]
9. TokYo Sunset [YolanDa Brown]
10. Total Praise [Richard Smallwood]
11. Wishing On A Star [Rose Royce]
/ Partitions jazz

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to present them with a true solo concerto. Even though Stamitz left it at just this one concerto, it has enjoyed great popularity since its rediscovery in the 20th century and has become a standard work in the concert repertoire. Due to its moderate technical demands, it is ideally suited for music students as a ?first? solo concerto, and as preparation for the more demanding solo parts of Mozart, Weber and Spohr. The newly prepared piano reduction was undertaken with a view to make it easy to play so that also less experienced piano players can undertake the accompaniment of the soloist; a renowned clarinettist, editor Nicolai Pfeffer also contributes suggestions for the cadenzas ? the result is an ideal Urtext edition for student recitals and music schools.

Grade 5-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others. This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 5 clarinettist and creates the perfect package for teaching exam preparation and performance. Each volume contains: 19 pieces& short studies each complemented by a useful practice and performance tip. Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises. Brand new sight-reading activities Newly-commissioned aural awareness tasks. A Piano accompaniment booklet. This book for Grade 5 Clarinet players includes the pieces In A Sentimental Mood by Duke Ellington Duettino by Hyacinthe Klose The Wistful Shepherd by Clarence Raybould and more. Janet Way: Grade By Grade – Clarinet (Grade 5) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.