Par WEDGWOOD PAM. Ce livre est est parfait pour ceux qui recherchent quelque chose de combler le fossé entre les grades. Style inimitable de PAM Wedgwood est garanti à insuffler une nouvelle vie à votre jeu violoncelle - les pièces variées dans cette nouvelle collection brillante varient de numéros jazzy toe-tapping à des styles plus classiques, tous conçus pour vous faciliter doucement sur vers l'année prochaine. Alors lighten up et aller de l'avant avec Up-Grade !/ Recueil / Clarinette et Piano

Par HARRIS PAUL. The Roaring Twenties and Thirties, a lost world of opulence and excess, of champagne parties lasting until dawn, where flappers and their partners danced to the vibrant new music of the latest jazz bands. Play Jazztime presents a selection of world famous hits from this brilliant, brittle era, from the seductive melodies of Gershwin to the archetypal Twenties hit Charleston . Relive the age of Gatsby and Play Jazztime ! / Niveau : Assez Facile / Jazz / Recueil / Clarinette et Piano

Pièces faciles pour les débutants, y compris la musique de différent styles, les cultures et les moments - classiques, pop, jazz et musique du monde. Peut être utilisé avec étapes 1-4 du livre Boosey clarinette méthode 1, ou comme un livre de répertoire par n'importe quel joueur débutant. Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire individuel et en groupe enseignement plus facile, plus intégrée et plus efficaces. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que deve... / Clarinette Et Piano

11 inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level clarinet with piano accompaniment, plus commentary from YolanDa anddownloadable backing tracks./ Recueil / Clarinette et Piano

12 Easy Zoological Pieces. Par RAE JAMES. In 'Zoo Time!” for clarinet and piano, James Rae has imagined how our friends in the zoo might perform on the dance floor! This has inspired some delightful pieces such as 'Tiger Tango”, 'Rhino Rumba”, 'Cobra Calypso” and many more. But it's not just fun for pupil and teacher alike - musical styles are explored even at this early (Grade 1) stage and the student will be inspired to try and interpret the music to portray the animals as vividly as possible. All the notes are below the break. Attractive, teacher-friendly piano accompaniments are provided, which include chord symbols for further musical possibilities. 'Zoo Time!” follows on naturally from James Rae's 'Child's Play” (UE21700) where all the beginners' notes are introduced one at a time, just as in a standard tutor book. - Easy pieces, all in a comfortable range, to inspire the young beginner - The piano accompaniments are designed to enhance the pieces and provide support for the clarinettist - Musical styles are explored even at this early stage - Illustrations can be downloaded for free for colouring in / Niveau : Très Facile à Facile / Recueil / Clarinette et Piano

To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising.The edition Mein erstes Konzert contains 23 easy pieces for clarinet and piano for music lessons and first auditions. The selection of the original works invites the performer on a trip through various music epochs - starting from classical via Romantic to contemporary music. Further highlights are pieces from the areas of klezmer, jazz, rock and pop music.Most pieces can be played after 1-2 years of music lessons. The first pieces in this volume are exclusively written in the low register - without overblowing.Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. / Clarinette Et Piano

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Par SCHUMANN ROBERT. These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73 . What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions). For the first time ever, the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke .All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasised by Alan Hacker in his Foreword where he comments on the superior strength of the original: 'greater assymetry, slightly varied harmony and many other touches all intensify passionate and impulsive instability, the main expression of the work.' / Niveau : Elémentaire / Répertoire / Clarinette et Piano

Les pièces en temps concerts sont amusantes et variées: elles ont été écrites dans des styles variés, et les signatures de temps différentes sont en vedette. Les accompagnements au piano sont inclus, surtout pour les performances live. Les accompagnements sont également sur ??le CD - joué sur un véritable piano à queue. Il ya une version de démonstration de chaque morceau ainsi. Ce livre sera sans aucun doute mener au succès sur scène! / Clarinette Et Piano / 52 pages / niveau : Elémentaire / Partition + Cd

Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ans après la mort de son principal représentant, Scott Joplin, le film 'The Sting' a rendu ce style une fois populaire bien connus et à la mode à nouveau. Cette petite select / Clarinette (En Sib) Et Piano

Par HARRIS PAUL / JOHNSON E.. Concert Repertoire for Clarinet combines imaginative arrangements with original pieces, all carefully selected and written for the Grade 4-7 player. From George Gershwin's jazz classic I Got Rhythm and Alec Templeton's Bach Goes To Town to Arnold, Reger, Puccini, Mozart and Penderecki, the pieces are guaranteed to give variety to your playing and to be a real hit on the concert platform. Paul Harris is one of the leading figures in music education, with many varied publications to his name. Emma Johnson has established herself as one of the world's foremost clarinet soloists, performing regularly in the USA, the Far East, and throughout Europe. / Niveau : Elémentaire / Date parution : 2003-03-20/ Répertoire / Clarinette et Piano

The complete resource for the Grade 5 clarinettist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey

Brahms had already announced his „retirement“ from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld’s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet’s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas‘ origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: “Performance Practices in Johannes Brahms‘ Chamber Music”, BA 9600