Mozart's Divertimento No.3 K.439b is in 5 short and delightful movements edited and arranged for Clarinet with Piano Accompaniment by Georgina Dobree. Dobree has taken this splendidly mature work which originallycomposed for Clarinet Trio and arranged the parts for a solo clarinet with piano accompaniment. The clarinet takes the 'first' part while the 'second' and 'third' parts are arranged for the piano.The solo clarinetpart is also included on a separate insert.

29 Repertoire Pieces for Clarinet With Piano Accompaniment. Compiled and Ed-Repertoire Classics for Clarinet is a comprehensive and progressively graded collection of 29 classic solos for Clarinet with Piano accompaniment. The book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the Clarinet The collection is graded in difficulty from moderate to advanced and is ideal material for concerts and recitals. There is a wide variety of music from all style periods and by some of the greatest composers of all time. As an added bonus included is a data CD that contains MP3 audio files of the Piano accompaniments to make practicing more fun. The data CD also includesall of the Piano accompaniment parts for all the pieces in the collection as printable PDF files. This way you can print out only the piece you are currently playing reducing the bulk of printed material you have to carry around. This feature also allows this large and useful collection to be presented at a very attractive price.

Arranged for Clarinet and Piano-Taking inspiration from Jascha Heifetz masterful transcription of George Gershiwns wonderfully original Three Preludes Charles Neidich has created a work that functions as a real duet between the clarinet and piano. Rather than simplytranspose the Heifetz violin part Neidich adapted the work to fit the clarinet taking what works well and changing other parts often returning to Gershwins original to fit the character of the clarinet. The transcription includes an A clarinetpart in E minor for those who find the 2nd Preludes original key of D# minor daunting.

This fantastic volume contains a unified set of three Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849 he linked each piece harmonically but compounded this by directing players to follow on to the next with performance notes: indicating that these were intended as a whole.From a mood of delicate expression through eloquent and lively to fiery and urgent this is a compelling and intriguing work. Perhaps it isn’t the finest composition by this talented writer but it is infused with more than enough Romanticism and thoughtfulness to make it an important and entertaining work.This version has beenskillfully arranged for Clarinet in A (or B Flat) with Piano Accompaniment by H. Bading and has been edited by Issay Barmas. The solo Clarinet in A and Clarinet in B Flat parts are also included on separate inserts.

The most beautiful and significant Clarinet Concerto in the history of music is now appearing in a Henle urtext edition. The Piano reduction is accompanied by two separate parts: an urtext edition of theoriginal Clarinet part as found in the early prints and a reconstruction for Basset Clarinet the instrument for which the work was originally written. The editor Henrik Wiese provides a preface and commentary with an in-depthdiscussion of the work’s unusual source materials. Mozart’s concerto has become the indispensable audition piece. As a special bonus this edition also includes the text of the autograph fragment for Basset Horn in G.

Clarinet and Piano-The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forcedSchumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet theywere accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

A Tchaikovsky Collection-This collection presents melodies from across the range and includes passages which clarinettists will find in Tchaikovsky's own orchestral clarinet parts. The pieces should be treated as duets for Clarinet and Piano with theplayers listening carefully to one another. Arranged by Thea King and Alan Frank. Includes score and part.

This 'hit' is even popular among learners! Now it opens Henle?s new series of Weber?s works for Clarinet and Orchestra in Piano reduction. This edition includes two separate parts: the urtext of Weber?sversion and the widely known version by Carl Bärmann.

As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Composed by M. Dautremer for the Paris Conservatoire contest  Récit Et Impromptu is a piece for Bb Clarinet and Piano accompaniment. Dedicated to Auguste Périer Professor at the Conservatoire and inspired from Page d’Exil this piece requires advanced skills to be executed perfectly. Starting as a recitation and lasting approximately 6 minutes the melodious piece features a Cadenza and is divided as per below: 1. Recitative 2. Moderato 3. Cadenza 4. Largo Mastering breathing technique and the accidentals is quite important for thiswork which will demonstrate all your abilities during a contest. The book feature score and parts. M. Dautremer (1906-1978) was a French musician and pedagogue. He was director of the Conservatoire in Nancy and conductor for the Symphonic Orchestra of the city.

Score and Parts-Stephen Albert died in 1992 and is remembered for a boy of work at once powerful dramatic colourful and deeply emotive. 'Wind Canticle' for Clarinet (in A) and Orchestra was first performed in 1991 by David Shifrin with thePhiladelphia Orchestra. Approximately fourteen minutes long its single-movement form adheres roughtly to the design of an extended Sonata-Allegro form: Introduction Exposition Development Recapitulation and Coda. This editioncontains a piano reduction of the orchestral score by Lawrence Rosen for rehearsal only.

This book contains a set of rhythmically orientated compositions which take into account the range and particular character of the clarinet. the solo parts oare of moderate technical difficulty but they all repay close study by players of any standard.

Clarinet and Piano. Par LOPEZ ALAIN. 'Le vent emporte les feuilles jaunies tombées sur les trottoirs, les cafés rentrent tables et chaises... J'évoque ici une balade automnale qu'il est bien difficile de faire tranquillement à Paris. Comment prendre son temps dans cette ville avec tant de rues à traverser (phrases musicales de 3 mesures), tant de voitures ou de bus à esquiver (départs des phrases musicales sur le 2ème temps). Certes, les vendeurs de marrons font leur apparition aux bouches de métro, mais comment ne pas presser le pas comme les autres (thème B) pour 'attraper' le métro...' - Alain LOPEZ Une Pièce originale adaptée pour une audition ou un examen de 1er Cycle C/ Répertoire / Clarinette en Sib et Piano

Une matière sonore qui circule sans cesse au sein de l'orchestre, des échos multiples qui jaillissent de toutes parts, une recherche de textures sonores aux couleurs les plus diverses : c'est avant tout ce qui caractérise ce concerto, poème symphonique concertant qui se déploie d'un seul tenant bien que structuré en trois mouvements. Le premier s'ouvre sur des espaces sonores aux couleurs sombres et inquiétantes d'où émerge la clarinette avant de se diffuser en échos multiples dans les bois de l'orchestre. Entre ces éléments de flux et de reflux scandés par de denses accords répétés, la clarinette impose progressivement des mélismes aux contours néo-baroques avant que ne s'engage une partie plus motorique en crescendo constant conduite par un martèlement obsédant de motifs staccatissimo. Après une lente transition où le discours s'apaise, le second mouvement débute par une longue mélodie descendante de clarinette ponctuée par un accompagnement chromatique lentement égrainé au piano. Cette mélodie semble dialoguer avec son double dans un enchevêtrement de lignes contrapontiques comme si l'on regardait au loin se déployer des polyphonies de la Renaissance. Après un renforcement expressif de cet épisode plus mélodique, commence une longue passacaille, au thème mécanique presque burlesque, distribué à tout l'orchestre comme dans une gigantesque Klangfarbenmelodie, qui avec ses différentes variations exploitera de multiples combinaisons instrumentales entre la clarinette et des groupes instrumentaux de l'orchestre comme les cuivres bouchés ou les percussions - bref une sorte de concerto grosso en perpétuel renouvellement, passant de réminiscences jazzy à des bouffées expressionnistes. / Clarinette Et Piano

for B-flat Clarinet and Piano-Aurelio Magnani's Mazurka-Caprice for Clarinet and Piano. Duration: 7 minutes