Grade 3

SKU: CL.011-4777-01

Composed by Galvin. Young Concert Band. Extra full score. C.L. Barnhouse #011-4777-01. Published by C.L. Barnhouse (CL.011-4777-01).

Among the Stars is an exciting composition, perfect for a concert opener, feature or closer! The dotted rhythms and interesting syncopation will coax your developing young band into sounding like a much more advanced ensemble. The lyrical middle section begins with a brass quartet, providing an opportunity to showcase some of your outstanding players. A perfect choice!

Concert Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cornet 1, Cornet 2, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Snare Drum, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.11540193F

March - Concert Band Edition. Composed by John Philip Sousa. Arranged by Roy Weger. Full Score. With Standard notation. Duration 2:45. Theodore Presser Company #115-40193F. Published by Theodore Presser Company (PR.11540193F).

UPC: 680160020355.

Brass Band (Full Score)

SKU: HL.48023979

Full Score. Composed by Martin Christoph Redel. Boosey & Hawkes Concert Band. Classical. Softcover. 12 pages. Bote & Bock #M202534496. Published by Bote & Bock (HL.48023979).

Tristanesque sounds, on the one hand, and a bossa nova rhythm, on the other hand, constitute, with a strong edge, the cells for this almost 3-minute piece for 3 trumpets, 4 horns, 3 trombones and tuba. It was premiered in Detmold in 2000 and can be used as a fanfare or encore for concerts of many kinds. Don't be afraid of contemporary music! Set of parts - trumpet I (C), trumpet I (Bb), trumpet II (C), trumpet II (Bb), trumpet II (C), trumpet III (Bb), horn I (F), horn II(F), horn III (F), horn IV (F), trombone I, trombone II, trombone III, tuba - 11 brass instruments.

Grade 2

SKU: CL.011-1835-02

Composed by R. Foster. Young Concert Band. Command Series. Audio recording available separately (items CL.WFR324 & CL.WFR195). Extra score. Composed 1985. C.L. Barnhouse #011-1835-02. Published by C.L. Barnhouse (CL.011-1835-02).

A brilliant opening fanfare by trumpets and trom bones is followed by the primary melody utilizing the low brass and low woodwinds as melodic instruments. This melody, in different forms and voicings, alternatives with the fanfare throughout, providing harmonic, rhythmic, and orchestration variety that is refreshing, and somewhat unusual in a work which is playable by young bands of even limited instrumentation.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2555-00

Composed by Olson. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Score and set of parts. Composed 1993. C.L. Barnhouse #011-2555-00. Published by C.L. Barnhouse (CL.011-2555-00).

Feature your young F Horn or Alto Saxophone sections with this original ragtime piece by Wisconsin composer, Brian Olson. Skillfully arranged to help your young students attain a genuine ragtime feel.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band - Grade 1.5

SKU: AP.39606S

Composed by Chris M. Bernotas. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. 4th of July; Patriotic; Summer. Score. 20 pages. Alfred Music #00-39606S. Published by Alfred Music (AP.39606S).

UPC: 038081454641. English.

This piece was inspired by the 10th anniversary of 9/11 and the heroic acts of the first responders. Heroes surround us in life; this piece pays tribute to our everyday heroes, such as our parents, teachers, and peers. (2:10) Correlates to Sound Innovations for Concert Band Book 2, Level 3. This title is available in MakeMusic Cloud.

By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Growing Band Series. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Concert band (FLGH1B/DIR)

SKU: HL.49023468

Composed by Mundo. Arranged by Bruno Doering and Wilhelm Lutz. Sheet music. Edition Schott. Individual part. 2 pages. Schott Music #BSS 40586-11. Published by Schott Music (HL.49023468).

ISBN 9790001110587.

(2 Floten (2. auch Piccolo), 2 Oboen, 2 Fagotte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, 2 Tenorhorner in B, 4 Horner in Es, 4 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, Bariton, 2 Tuben, Schlagzeug (Glockenspiel, kleine Trommel, grosse Trommel, Becken)).

Concert Band/Harmonie (Score) - Grade 3

SKU: HL.44007249

Composed by Jacob De Haan. De Haske Concert Band. Score Only. Composed 2007. 48 pages. De Haske Publications #1074231. Published by De Haske Publications (HL.44007249).

UPC: 884088244347. 8x11.6 inches. English-German-French-Dutch.

Composer Jacob de Haan has based The Heart of Lithuania on five folk melodies from Lithuania, a country that despite its small size has a rich cultural heritage. The choice and diversity of emotions, largely determined by the characteristic melodies, take the listener straight to the heart of the Lithuanian people.

Litouwen, de grootste van de drie Baltische staten, is gezegend met een rijk cultureel erfgoed. Componist Jacob de Haan heeft The Heart of Lithuania gebaseerd op vijf volksmelodieen die met name geliefd waren in de tweede helftvan de twintigste eeuw. Hoewel alle vijf de liederen afkomstig zijn uit de Auk1taitija-regio, zijn ze populair in heel Litouwen, ze worden nog altijd gezongen door jonge mensen in de steden en dorpen. Dit schitterende werk voertde luisteraar rechtstreeks naar de ziel van het Litouwse volk.

In The Heart of Lithuania verwendete Jacob de Haan Volkslieder aus Litauen, das trotz seiner relativ geringen Grosse doch uber ein vielfaltiges kulturelles Erbe verfugt. Eine sehr reichhaltige Quelle der Inspiration fur Jacob de Haan, der sich funf traditionelle Lieder, die voller Freude, Hoffnung oder auch Melancholie von der Liebe erzahlen, als Basis fur seine Komposition wahlte. Diese Musik wird den Zuhorer direkt ins Herz des litauischen Volkes fuhren!

La Lituanie est dotee d'un riche patrimoine culturel. Petit territoire situe sur la rive orientale de la mer Baltique, la Lituanie est divisee en cinq regions ethnographiques : la Samogitie, la Haute Lituanie, la Sudovie, la Dzūkija et la Petite Lituanie. Chaque region a son dialecte, son costume traditionnel, ses coutumes, son artisanat, ses fetes et jours feries et surtout ses propres chants traditionnels chantes depuis pres d'un millenaire. Pour composer The Heart of Lithuania (Au cœur de la Lituanie), Jacob de Haan s'est inspire de cinq melodies traditionnelles particulierement en vogue dans la seconde moitie du XXe siecle. Bien que ces chantsproviennent de Haute Lituanie, ils sont apprecies sur l'ensemble du territoire et sont encore chantes aujourd'hui. Le choix des chants et la diversite des emotions qu'ils expriment a travers des lignes melodiques typees emportent l'auditeur au cœur de l'ame lituanienne.

Composed by Jonathan McBride. Young band. Command Series. Score and parts. Duration 0:3:24. Published by C.L. Barnhouse (CL.011-4260-00).

(I. The Quest for Erebor, II. Winderland, III. Thrice Welcome, IV. In the Shadowof the Mountain and On the Doorstep). Composed by Howard Shore, lyrics by Philippa Boyens. Arranged by Victor López. Concert Band. Concert Band; Part(s); Score. Pop Concert Band. Form: Suite. Movie. Grade 3. Published by Alfred Music

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Composed by Rebecca Jarvis. Young band. Command Series. Score and parts. Duration 0:4:16. Published by C.L. Barnhouse (CL.011-4256-00).