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Concert Band/Harmonie
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Musical course - Solfege (190)
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Mezzo-Soprano voice, Piano (56)
Woodwind Quintet: flute, oboe,… (55)
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2 Clarinets (duet) (55)
Piano Quartet: piano, violin, … (53)
Trombone and Piano (53)
Choral SSATB (52)
Harpsichord (50)
Saxophone and Piano (50)
Treble (Alto) Recorder (50)
Saxophone Quartet: 4 saxophone… (50)
Educatif (46)
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Piano, Voice, Guitar tablature… (45)
2 Saxophones (duet) (45)
Tuba and Piano (44)
Partition de Poche (43)
Partie Séparée (43)
Double bass, Piano (duet) (41)
Exemplaire Complet (40)
Parties Supplémentaires (40)
Children choir (40)
Choral SSAATTBB (37)
Choral SSAA (37)
Violon Solo, Violoncelle Solo,… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Biography (36)
Voix et Instruments Divers (36)
Trio avec Piano (35)
Ensemble à Cordes (35)
Flute, Orchestra (34)
Voice and Orchestra (34)
Bassoon, Orchestra (33)
Piano Accompaniment (33)
2 Flûtes Traversières ou 2 F… (32)
String Trio: 2 violins, cello (32)
Clarinette et Orchestre (32)
Music Theory (32)
Euphonium (31)
Brass Quartet (31)
Solistes SATB, Choeur SATB, 2 … (30)
Recorder Quartet (29)
Travaux Pour Choeurs (29)
Concert Band/Harmonie (29)
Violin, Cello (duet) (29)
Choeur SAM (29)
3 Recorders (trio) (29)
2 Hautbois, 2 Clarinettes, 2 B… (28)
A Cappella (28)
Children choir, Piano (28)
Ensemble (28)
B Flat, E Flat and C Instrumen… (27)
Clavecin (26)
Solistes STBar, Choeur SATB, 2… (26)
Guitare ou Luth (26)
4 Parties Mixtes (26)
Choeur d'Enfants, Solistes, In… (26)
Recorder, Piano (25)
Vocal duet, Piano (25)
Guitare Electrique (25)
Quartette Pour Flûtes à Bec … (24)
Piano Quintet: piano, 2 violin… (24)
2 Trumpets (duet) (24)
Parties Orchestrales (24)
Pennywhistle (24)
Livret (24)
Descent (Soprano) Recorder, Pi… (24)
Choeur de Femmes (24)
Low voice (23)
Bass Clef Instruments (23)
Flute Trio: 3 flutes (23)
Cello, Orchestra (23)
Flexible Instrumentation (22)
Violin, Viola (duet) (22)
Brass Quartet: 4 trombones (22)
Flute ensemble (22)
2 Violons, Alto, Violoncelle e… (21)
4 Guitars (Quartet) (21)
Clarinette et Quatuor à Corde… (21)
Piano Quintet: piano, violin, … (21)
Solistes SATB, Choeur SATB, 2 … (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Violon, Ensembles de Cordes et… (21)
Clarinet, Orchestra (21)
Clarinet Quartet: 4 clarinets (21)
Piano, Guitar (duet) (21)
Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Flûte Traversière, Clarinett… (20)
Accordion ensemble (20)
Dulcimer (20)
Choral Unison (20)
Accessoire (20)
Soprano voice (20)
Trio (19)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Treble (Alto) Recorder, Piano (19)
Harpsichord and Strings (19)
Piano, Guitar (Chords) (19)
Flute, Clarinet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Flute, Cello, Piano (trio) (18)
Oboe, Organ (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Voix et Orchestre (18)
Choral SSATTB (18)
Oboe and Orchestra (18)
Trio à Cordes (18)
Big Note Piano (18)
Quatuor (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
DVD concert (18)
Musical Awakening (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
High voice (17)
2 Trombones (duet) (17)
Cor en Fa (17)
Voix Mixtes (17)
Flute, Basso continuo (17)
3 Guitars (trio) (17)
Choeur Mixte et Ensemble de Ch… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Flûte à Bec Soprano (Flûte … (16)
Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
2 Flutes, Piano (16)
Ensemble Mixte (16)
Instruments Cuivre (16)
Tenor voice (16)
Snare drums (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Piccolo, Piano (15)
Clavier Electronique et Ligne … (15)
Concert band, Choral (15)
Petit Ensemble Contemporain (15)
Tenor Saxophone and Piano (15)
Big band (15)
Percussions (15)
Violin, Basso continuo (15)
Recorder Ensemble (15)
Choeur D'Enfants (Ou De Jeunes… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes SB, Choeur SSATB, 2 T… (14)
Clarinet, Cello, Piano (trio) (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
Solistes SATB, Choeur SATB, 2 … (14)
Euphonium, Piano (duet) (14)
Violin, Organ (14)
Choeur Mixte, Soprano et Orche… (14)
Voix Et Orff-Instruments (14)
Lute (14)
Flute Quartet: 4 flutes (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Quintette à vent (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Solistes, Choeur d'Enfants, 3 … (13)
String Quartet : 4 violas (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette ou Bugle ou Cornet o… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Woodwind Quintet (13)
Clarinet Ensemble (13)
Marimba (13)
Chorale (13)
Solistes SBar, Choeur SSATB, 2… (12)
Solistes SMSATB, Choeur SATB, … (12)
Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Solistes AT, Choeur SATB/SATB/… (12)
Solistes, Div. Instruments à … (12)
Trompette ou Cornet, Trombone … (12)
Bass Clarinet (12)
Solistes, Choeur d'Enfants, Fl… (12)
Choeur SATTB, (5 Instruments, … (12)
Flûte Traversière, Clarinett… (12)
Double bass, Orchestra (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Flute, Oboe, Clarinet, Bassoon… (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Soli and Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
String quintet (12)
Saxophone Baryton (12)
Fanfare Band (12)
Harp, Flute (duet) (12)
3 Choeurs (SATB, SATB et SATB)… (12)
Clarinette, Saxophone, Trompet… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
Choeur, Parties Solo, Narrateu… (12)
Violin, Guitar (duet) (12)
Choeur d'Enfants (12)
4 Cellos (12)
Contrebasse (Partie séparée)… (12)
Choeur SSATTB, (6 Instruments,… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solo S, Choeur SATB, 2 Trompet… (11)
Solistes SATB (Solo T, Auswahl… (11)
Choral, Orchestra (11)
Solo SA, Flûte Traversière, … (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Choeur Mixte et Orchestre (11)
Trumpet, Trombone (duet) (11)
Solistes SATB, Choeur SATB, 3 … (11)
2 Violas (duet) (11)
4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Baritone voice (11)
Solistes ATB, Choeur SATB, 2 H… (11)
6 Parties Mixtes (11)
Solo B, Trompette, Violon, Alt… (11)
Scores (11)
Solo B, Choeur SATB, 2 Hautboi… (11)
Saxhorn and Piano (11)
Solo instrument and Organ (11)
Organ, Trumpet (duet) (11)
Ocarina (11)
Guitar Ensemble (11)
Cornet and Piano (11)
Electric bass, Drums (10)
Solistes STB (SB/TB/SATB), Cho… (10)
Solistes SA, Choeur SATB, 2 Ha… (10)
String Quintet: 2 violins, 2 v… (10)
Choeur D'Hommes (TTBB) A Cappe… (10)
Gemischter Chor (SATB) und Orc… (10)
Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
2 Violins and Basso (10)
Orgue et Musique de Chambre (10)
Guitare et Voix (10)
Choeur SSATB, 2 Violons et Bas… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Solistes, 1-2stg Choeur d'Enfa… (10)
Solistes SSATB, Choeur SATB, 2… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Voice, Organ (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Percussion Ensemble (10)
School Ensemble (10)
Ensemble Instrumental et Petit… (10)
Mezzo-Soprano voice (10)
Nursery rhyme (10)
Cello, Guitar (duet) (10)
Viola and orchestra (10)
Solistes SATB, Choeur SATB, Ha… (9)
Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes SATB, Choeur SSATTB, … (9)
Oboe, Violin, Viola and Violon… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Soli (SATB), Choeur Mixte (SAT… (9)
Soli (SATB, Soprano Aussi Chor… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
Choeur Mixte (SATB) Avec Solis… (9)
Euphonium or Saxhorn and Piano… (9)
Organ, Piano (duet) (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, Ba… (9)
Quintette à Cordes (9)
Solistes SATB, Choeur SATB, 2 … (9)
Choeur SATB, (4 Instruments, C… (9)
Solistes S (A) TB, Choeur SATB… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Quintette (9)
Cordes, Basse Continue, Partie… (9)
Choeur SATB, 2 Hautbois, 2 Vio… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Violon, Ensembles de Cordes et… (9)
4 Compagnons, 4 Voleurs, Direc… (9)
Voix, Flûte à Bec et Percuss… (9)
Choeur d'Enfants, Flûte Trave… (9)
Hautbois, Cor Anglais et Hecke… (9)
2 Euphoniums et Piano ou Orgue… (9)
3 Clarinets (trio) (9)
Choeur SSATTB, 4 Trombones, 4 … (9)
Alto et Orchestre (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Flûte Traversière, Hautbois … (9)
Choeur SATB et Basse Continue (9)
2 Clarinets, Piano (9)
Diverses Formations (9)
2 Bassoons (duet) (9)
Baryton (9)
Soli (AT), Choeur Mixte (SATB)… (9)
3 Saxophones (trio) (9)
String Trio: 3 violins (8)
Choeur SSATB, 2 Violons, Alto,… (8)
Solistes SATB, Choeur SATB/SAT… (8)
Solistes, Div. Instruments à … (8)
Solistes SSAT, Choeur SATB, 2 … (8)
Solo SATB, Choeur SATB, 2 Viol… (8)
Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
Violon, Viole de Gambe et Orgu… (8)
2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
Défilé et parade (8)
Choeur SATB, 3 Trombones, 2 Vi… (8)
2 Oboes, 2 Horns and 2 Bassoon… (8)
Clarinette, Basson, Violon, Vi… (8)
Choeur SSAM, Flûte Traversiè… (8)
Violon, Alto, Violoncelle et C… (8)
Solistes SB, Choeur SATB, Haut… (8)
Choeur d'Enfants 1 à 4 Partie… (8)
Octuor (8)
Soli (SB), Choeur Mixte (SATB)… (8)
Hautbois, 2 Flûtes Traversiè… (8)
2 Flûtes Traversières, 2 Hau… (8)
Choeur SATB, 2 Tubes en plasti… (8)
SATB, (4 InstrumentS Basse et … (8)
Solo Baryton, Choeur SATB, 2 H… (8)
Flûte, Hautbois et Clarinette… (8)
Clarinette, Violon et Piano (8)
Solistes SATB, Choeur SATB, Fl… (8)
Piano, Bass, Drums (trio) (8)
Solistes SSAATTB, Choeur SATB,… (8)
Solistes SAB, Choeur SATB, 2 F… (8)
Clarinette, 2 Violons, Alto et… (8)
Choeur Mixte (SATB) Avec Solis… (8)
Solistes STB, Choeur SATB, 2 H… (8)
Flûte à Bec et Piano (8)
Solistes SATB, Choeur SATB, 2 … (8)
4 Parties Mixtes (Ou 3 Parties… (8)
Solo B, Choeur SSATB, 2 Violon… (8)
Choeur Mixte (SATB, Partie(s) … (8)
Solistes SATB, Choeur SATB, 2 … (8)
Choeur TTBB, (2 Cors et 3 Trom… (8)
Trompette en Sib (8)
Horn Ensemble (8)
Choeur d'Enfants (SMez) avec I… (8)
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Choeur SSTBBar/ST (A) TBBar, 2… (8)
1 Piano, 6 hands (8)
Solistes SSA, Choeur SATB, Hau… (8)
Solistes SSA, Choeur SATB, 2 F… (8)
5 Instruments (Instruments à … (8)
SATB, 4 Parties Mixtes, 2 Viol… (8)
5 Instruments à Vent (8)
Flûte Traversière Hautbois, … (8)
Clarinette, Quatuor Pour Instr… (8)
Choeur De Jeunes (Ou De Femmes… (8)
Instruments A Vent (8)
Choeur Mixte et Basse Continue… (8)
Cor en Mib (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Solo Baryton, Choeur SSAAB, 2 … (8)
Solistes SSTTAB (SATTB), Choeu… (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Solistes SATTBarB, Choeur SATB… (8)
Solistes SSAATTBar, Choeur SSA… (8)
Choeur SSATTB, Violon, Violonc… (8)
Petit Orchestre: Récitant, So… (8)
Gemischter Chor (SSATB/SSATB/S… (8)
Choeur SSATB, 2 Violons, 2 Alt… (8)
Carte Postale (8)
Solistes SB (B), Choeur SATB, … (8)
Guitare Tablatures Electrique (8)
Cello Ensemble (8)
Flûte Traversière et Orchest… (8)
Dobro (8)
Piccolo (8)
Guitare Flatpick et Plectre (7)
Choeur SATB, Cor, 2 Violons, V… (7)
3 Violons, Instruments à Cord… (7)
Choeur SATB, 2 Violons, 2 Alto… (7)
Solo S, Choeur SATB, 2 Hautboi… (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Choeur de Jeunes à 1 à 3 Par… (7)
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Intrada for a Festive Occation
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par TORSKANGERPOLL IDAR. This piece was commissioned by Torskangerpoll Musikklag...
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Par TORSKANGERPOLL IDAR. This piece was commissioned by Torskangerpoll Musikklag as a massed-band item for their “Storm Festival” in 2016. The “Storm Festival” is a festival for from bands all over Norway with concerts, parades and a lot of fun in the small Western Norway town of Måløy. The music is built around two motifs used throughout the piece. This piece is a good concert-opener or a character piece. Beware of the changing articulations in this piece, the contrast between marcato and legato is a vital part of the character of the piece. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Pineapple Punch
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with ...
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Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style. Pineapple Punch is entertaining and suitable for any concert. The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Cardigan Bay (DE HAAN JACOB)
Concert Band/Harmonie
[Score]
De Haske Publications
Fantasia on the Welsh Hymn Tune 'Aberystwyth'. Par DE HAAN JACOB. Cette œuvre e...
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Fantasia on the Welsh Hymn Tune 'Aberystwyth'. Par DE HAAN JACOB. Cette œuvre est fondée sur l’hymne « Aberystwyth », qui emprunte le nom d’une ville côtière à l’ouest du Pays de Galles. C’est l’hymne préféré de Jacob de Haan parmi les 120 Hymns for Brass Band. L’œuvre se compose de trois mouvements ininterrompus où le thème de l’hymne se présente sous diverses formes attrayantes pour former une pièce variée qui enchantera les musiciens autant que leurs auditeurs. / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
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Medelpadia
Concert Band/Harmonie
[Score]
De Haske Publications
Three Swedish Dances. Par VAN DER ROOST JAN. Dans cette suite variée, intitulé...
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Three Swedish Dances. Par VAN DER ROOST JAN. Dans cette suite variée, intitulée d’après la région suédoise de Medelpad, des danses populaires aux accents suédois entrent en scène sur divers tempi et dans une variété de styles. Pour Medelpadia, Van der Roost a combiné un thème existant et des airs nouveaux au ressenti folklorique. Une musique populaire fascinante sur une structure bien pensée ! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Medelpadia
Concert Band/Harmonie
[Score and Parts]
De Haske Publications
Three Swedish Dances. Par VAN DER ROOST JAN. Dans cette suite variée, intitulé...
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Three Swedish Dances. Par VAN DER ROOST JAN. Dans cette suite variée, intitulée d’après la région suédoise de Medelpad, des danses populaires aux accents suédois entrent en scène sur divers tempi et dans une variété de styles. Pour Medelpadia, Van der Roost a combiné un thème existant et des airs nouveaux au ressenti folklorique. Une musique populaire fascinante sur une structure bien pensée ! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Cantina Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was...
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Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Finale from The New World Symphony
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madla...
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Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023. The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled. Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion. The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part. Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible. This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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At the Zoo
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and ...
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Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and playful piece for the beginning musicians. Different animals and their characteristics are the theme of each movement, and the melody alternates between the different sections of the band to emphasize this. Trombones play glissandos and the percussionists are featured on percussion instruments, making the piece a fun to perform at any concert! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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When Nature strikes back
Concert Band/Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Five minutes to Twelve. Par SCHWARZ OTTO M.. Quand la nature se venge – cinq m...
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Five minutes to Twelve. Par SCHWARZ OTTO M.. Quand la nature se venge – cinq minutes avant minuit Périodes glaciaires, périodes de réchauffement climatique, impacts d'astéroïdes - le climat de notre planète a toujours été en mutation. La différence avec avant est que le changement depuis la révolution industrielle est maintenant de plus en plus causé par les êtres humains. Le dégagement de gaz à effet de serre en particulier favorise notamment le réchauffement de l'atmosphère et des océans. Certains experts prédisent même une augmentation pouvant atteindre 4,8 degrés d'ici la fin du 21e siècle. Le résultat d'un tel développement serait un gigantesque mouvement migratoire en plus de catastrophes environnementales difficilement prévisibles. Il est important de réduire les émissions de CO2 : il est minuit moins cinq. Les signes avant-coureurs de la catastrophe nous sont déjà parvenus. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Ballade fra Fantasistykker for Piano op
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe ...
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Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe Backer Grøndahl’s ‘Ballade’ can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grøndahl’s production, several of these are grouped under the term ‘fantasy pieces’. There are six collections with a total of 48 fantasy pieces on her opus list and ‘Ballade’ is from the first of these (Op. 36), published in 1895. ‘Ballade’ is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material. The arrangement is close to Backer Grøndahl’s original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Danser fra "Kosakkene"
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by ...
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Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba. “The Cossacs” was premiered in 1897 at Eldorado in Kristiania (the old name on Norway’s capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in it’s entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in it’s archives, but no complete performance is known to date. The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD “Norwegian Opera Overtures”. This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band. This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Diplodocus
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par VILHELMSEN INGEBJORG. Diplodocus is said to be one of the largest dinosaus t...
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Par VILHELMSEN INGEBJORG. Diplodocus is said to be one of the largest dinosaus to ever have lived. This plant munching beast weighted approximately 20 tons, and could measure up to 30 metres from head to tail. The dinosaur lived in North America during the Jurassic period. This piece describes the carefree nature of a Diplodocus. A life with no natural enemies, and with an exceptionally small brain. To the conductor: The drum set part (Perc. 1) can be played as written, or ad lib. There is also a simplified drum set part that can replace Perc 1. if needed. Perc 2. is optional, and can be omitted. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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