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Concert Band/Harmonie
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Music Xperience (DE HAAN JACOB)
Concert Band/Harmonie
[Score]
De Haske Publications
Par DE HAAN JACOB. La ville de Zevenhuizen (Sept Maisons), dans la province née...
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Par DE HAAN JACOB. La ville de Zevenhuizen (Sept Maisons), dans la province néerlandaise de Groningen, a conçu l’idée de réunir 777 musiciens pour un concert expérimental à ciel ouvert. C’est dans ce contexte que Jacob de Haan a été prié d’écrire une œuvre pour célébrer le cinquantenaire de Concordia, l’association musicale locale. Le nombre total de musiciens n’a pas été tout à fait atteint, mais cela n’a pas empêché l’événement d’être un grand succès. Maintenant, la musique a été publiée dans une compilation qui rassemble les mélodies les plus attrayantes dans divers styles de rock et de ballades. Le thème de clôture captivant de Music Xperience persistera dans l’esprit de nombreux auditeurs et interprètes longtemps après la fin du concert. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
28.20 EUR - Sold by LMI-partitions
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Songs and Dances
Concert Band/Harmonie
Anglo Music
Par SPARKE PHILIP. Songs and Dances est une œuvre festive et énergique qui met...
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Par SPARKE PHILIP. Songs and Dances est une œuvre festive et énergique qui met l’accent sur une musique rythmée et dansante. Ses trois mouvements ininterrompus suivent la forme rapide-lent-rapide. Des thèmes fortement syncopés, des chorals fluides et de belles mélodies : que demander d’autre ? Cette pièce fera le bonheur des musiciens comme de leurs auditeurs. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
233.10 EUR - Sold by LMI-partitions
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Songs and Dances
Concert Band/Harmonie
[Score]
Anglo Music
Par SPARKE PHILIP. Songs and Dances est une œuvre festive et énergique qui met...
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Par SPARKE PHILIP. Songs and Dances est une œuvre festive et énergique qui met l’accent sur une musique rythmée et dansante. Ses trois mouvements ininterrompus suivent la forme rapide-lent-rapide. Des thèmes fortement syncopés, des chorals fluides et de belles mélodies : que demander d’autre ? Cette pièce fera le bonheur des musiciens comme de leurs auditeurs. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
43.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Carnival (DOSS THOMAS)
Concert Band/Harmonie
[Score]
Mitropa Music
Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelk...
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Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelkam pour célébrer son 170e anniversaire. Elle évoque la vie culturelle et l’animation de la ville de l’orchestre, Timelkam, en Autriche. Carnival dépeint une procession festive qui démarre sur la place du marché et se poursuit jusqu’à la nuit. Avec ses nombreux éléments carnavalesques, la pièce est une joie pour les interprètes. La musique communique des activités joyeuses – des gens bavardant gaiement dans l’auberge, d’autres qui chantent, qui dansent et s’amusent. Cette ambiance se calme pour faire place à un climat mélancolique évoquant d’éternels adieux et la recherche de l’amour. Avec la représentation musicale de jeux d’enfants, d’un beau lever de soleil, des églises et des institutions de la ville, cette œuvre ne se limite pas à décrire une fête de carnaval, mais constitue un portrait miniature de la vie. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
48.10 EUR - Sold by LMI-partitions
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Carnival (DOSS THOMAS)
Concert Band/Harmonie
[Score and Parts]
Mitropa Music
Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelk...
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Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelkam pour célébrer son 170e anniversaire. Elle évoque la vie culturelle et l’animation de la ville de l’orchestre, Timelkam, en Autriche. Carnival dépeint une procession festive qui démarre sur la place du marché et se poursuit jusqu’à la nuit. Avec ses nombreux éléments carnavalesques, la pièce est une joie pour les interprètes. La musique communique des activités joyeuses – des gens bavardant gaiement dans l’auberge, d’autres qui chantent, qui dansent et s’amusent. Cette ambiance se calme pour faire place à un climat mélancolique évoquant d’éternels adieux et la recherche de l’amour. Avec la représentation musicale de jeux d’enfants, d’un beau lever de soleil, des églises et des institutions de la ville, cette œuvre ne se limite pas à décrire une fête de carnaval, mais constitue un portrait miniature de la vie. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
237.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Majestic Entrance (APPERMONT BERT)
Concert Band/Harmonie
[Score]
Beriato Music
Par APPERMONT BERT. Majestic Entrance est une ouverture festive rappelant les mu...
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Par APPERMONT BERT. Majestic Entrance est une ouverture festive rappelant les musiques de cinéma. Elle a été écrite pour Musikverein Muttenz, une société musicale suisse qui a fêté son 125e anniversaire en 2021 – une excellente raison pour commander une nouvelle œuvre. Cette pièce se déroule en trois mouvements : le premier est de nature héroïque, le deuxième offre des sonorités lyriques, puis la pièce revient au climat du début. Le tout dans une composition au charme majestueux ! / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
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Majestic Entrance (APPERMONT BERT)
Concert Band/Harmonie
[Score and Parts]
Beriato Music
Par APPERMONT BERT. Majestic Entrance est une ouverture festive rappelant les mu...
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Par APPERMONT BERT. Majestic Entrance est une ouverture festive rappelant les musiques de cinéma. Elle a été écrite pour Musikverein Muttenz, une société musicale suisse qui a fêté son 125e anniversaire en 2021 – une excellente raison pour commander une nouvelle œuvre. Cette pièce se déroule en trois mouvements : le premier est de nature héroïque, le deuxième offre des sonorités lyriques, puis la pièce revient au climat du début. Le tout dans une composition au charme majestueux ! / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Pineapple Punch
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with ...
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Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style. Pineapple Punch is entertaining and suitable for any concert. The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Cantina Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was...
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Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Color Concordia
Concert Band/Harmonie
[Score]
De Haske Publications
Fantasy Concertante on 'C(on)C(or)D(i)A'. Par DE HAAN JAN. Pour la Rome antique,...
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Fantasy Concertante on 'C(on)C(or)D(i)A'. Par DE HAAN JAN. Pour la Rome antique, Concordia était la déesse de l’unité, de la concorde. Au fil du temps, pour communiquer l’unité de leurs musiciens, de nombreuses sociétés musicales ont choisi ce nom, y compris l’orchestre qui a commandé cette pièce. La traduction littérale de Color Concordia est « l’harmonie des couleurs ». Le compositeur a donc exploité les nombreux éventails de couleurs d’un orchestre d'harmonie pour l’instrumentation de cette œuvre. Il en a fondé les éléments thématiques sur les quatre noms de notes contenus dans Concordia : C, C, D et A, produisant ainsi une formidable pièce de musique qui conviendra à tous les orchestres. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Color Concordia
Concert Band/Harmonie
[Score and Parts]
De Haske Publications
Fantasy Concertante on 'C(on)C(or)D(i)A'. Par DE HAAN JAN. Pour la Rome antique,...
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Fantasy Concertante on 'C(on)C(or)D(i)A'. Par DE HAAN JAN. Pour la Rome antique, Concordia était la déesse de l’unité, de la concorde. Au fil du temps, pour communiquer l’unité de leurs musiciens, de nombreuses sociétés musicales ont choisi ce nom, y compris l’orchestre qui a commandé cette pièce. La traduction littérale de Color Concordia est « l’harmonie des couleurs ». Le compositeur a donc exploité les nombreux éventails de couleurs d’un orchestre d'harmonie pour l’instrumentation de cette œuvre. Il en a fondé les éléments thématiques sur les quatre noms de notes contenus dans Concordia : C, C, D et A, produisant ainsi une formidable pièce de musique qui conviendra à tous les orchestres. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Interlude for Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par BRAKSTAD JOHN. 'Interlude for Band' is an arrangement based on the theme fro...
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Par BRAKSTAD JOHN. 'Interlude for Band' is an arrangement based on the theme from 'Affinity and Fellowship'. 'Affinity and Fellowship' was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice). 'Interlude for Band' is a piece with elements of ensemble, including an important solo part. Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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