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You've Selected:
Thom
Concert Band / Harmonie
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Basse (1)
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Choeur SSBB (SATB) et Basse Co… (1)
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Fake Book (1)
Marimba Solo (1)
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Carnival (DOSS THOMAS)
Concert Band/Harmonie
[Score and Parts]
Mitropa Music
Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelk...
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Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelkam pour célébrer son 170e anniversaire. Elle évoque la vie culturelle et l’animation de la ville de l’orchestre, Timelkam, en Autriche. Carnival dépeint une procession festive qui démarre sur la place du marché et se poursuit jusqu’à la nuit. Avec ses nombreux éléments carnavalesques, la pièce est une joie pour les interprètes. La musique communique des activités joyeuses – des gens bavardant gaiement dans l’auberge, d’autres qui chantent, qui dansent et s’amusent. Cette ambiance se calme pour faire place à un climat mélancolique évoquant d’éternels adieux et la recherche de l’amour. Avec la représentation musicale de jeux d’enfants, d’un beau lever de soleil, des églises et des institutions de la ville, cette œuvre ne se limite pas à décrire une fête de carnaval, mais constitue un portrait miniature de la vie. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
212.66 EUR - Sold by LMI-partitions
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Carnival (DOSS THOMAS)
Concert Band/Harmonie
[Score]
Mitropa Music
Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelk...
(+)
Par DOSS THOMAS. Cette œuvre est une commande de l’harmonie Marktmusik Timelkam pour célébrer son 170e anniversaire. Elle évoque la vie culturelle et l’animation de la ville de l’orchestre, Timelkam, en Autriche. Carnival dépeint une procession festive qui démarre sur la place du marché et se poursuit jusqu’à la nuit. Avec ses nombreux éléments carnavalesques, la pièce est une joie pour les interprètes. La musique communique des activités joyeuses – des gens bavardant gaiement dans l’auberge, d’autres qui chantent, qui dansent et s’amusent. Cette ambiance se calme pour faire place à un climat mélancolique évoquant d’éternels adieux et la recherche de l’amour. Avec la représentation musicale de jeux d’enfants, d’un beau lever de soleil, des églises et des institutions de la ville, cette œuvre ne se limite pas à décrire une fête de carnaval, mais constitue un portrait miniature de la vie. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
41.48 EUR - Sold by LMI-partitions
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Song of Gratitude (DOSS THOMAS)
Concert Band/Harmonie
Mitropa Music
Par DOSS THOMAS. Song of Gratitude est une pièce écrite pour un vieil ami. Sou...
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Par DOSS THOMAS. Song of Gratitude est une pièce écrite pour un vieil ami. Souvent, une amitié qui débute très tôt dure toute la vie, formant ainsi une sorte de fil connecteur à travers l’existence. Dans cette œuvre, cette notion est reflétée par un court motif qui s’élargit progressivement et gagne en ferveur avant de s’apaiser dans une conclusion exprimant la reconnaissance. / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
88.17 EUR - Sold by LMI-partitions
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Overture con Spirito (DOSS THOMAS)
Concert Band/Harmonie
Mitropa Music
Par DOSS THOMAS. Cette Å“uvre est une commande du Musikverein Prechtal e. V. (Al...
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Par DOSS THOMAS. Cette œuvre est une commande du Musikverein Prechtal e. V. (Allemagne) pour marquer son centenaire, en 2021. Elle débute avec un motif rythmique puissant qui se développe bientôt pour exposer le thème principal de cette ouverture énergique. De joyeuses mélodies et une ambiance positive confèrent à cette pièce une énergie pleine d’entrain. Une solide pulsation entraîne fermement la musique, qui s’apaise graduellement dans un deuxième mouvement songeur semblant provenir d’un autre monde. Ce passage atmosphérique peut suggérer des pensées rêveuses et une variété d’images. Mais la gaieté du premier motif revient pour nous ramener au moment présent, avec une bonne dose d’optimisme et de détermination pour de nombreuses années à venir. Regardons l’avenir avec confiance ! / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
128.12 EUR - Sold by LMI-partitions
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Song of Gratitude (DOSS THOMAS)
Concert Band/Harmonie
[Score]
Mitropa Music
Par DOSS THOMAS. Song of Gratitude est une pièce écrite pour un vieil ami. Sou...
(+)
Par DOSS THOMAS. Song of Gratitude est une pièce écrite pour un vieil ami. Souvent, une amitié qui débute très tôt dure toute la vie, formant ainsi une sorte de fil connecteur à travers l’existence. Dans cette œuvre, cette notion est reflétée par un court motif qui s’élargit progressivement et gagne en ferveur avant de s’apaiser dans une conclusion exprimant la reconnaissance. / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
17.63 EUR - Sold by LMI-partitions
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
115.40 EUR - Sold by LMI-partitions
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In the Air
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. El...
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Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. Elle ne cherche pas à raconter une histoire, mais à représenter un état, un état de gaieté et de légèreté.?Avec ses motifs malicieux et ludiques, In the Air exprime quelque chose de joyeux, d'insouciant et de positif. La pièce donne l'impression d'une brise, d'un vent léger. Gerald Oswald est né en 1968 à Groß-St. Florian. Il a suivi sa formation de trompettiste au Johann-Joseph-Fux Konservatorium et à la Hochschule für Musik und darstellende Kunst de Graz. Il a ensuite poursuivi des études de direction d'orchestre et de composition au Johann-Joseph-Fux Konservatorium de Graz (avec Franz Cibulka), à la Musik und Kunst Privatuniversität de la ville de Vienne (avec Thomas Doss), à l'école de musique de Leonding ainsi qu'au conservatoire C. Monteverdi de Bolzano. Ses œuvres pour orchestre à vent sont jouées avec succès dans le monde entier.à vent sont jouées avec succès dans le monde entier. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
206.06 EUR - Sold by LMI-partitions
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
181.34 EUR - Sold by LMI-partitions
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
47.08 EUR - Sold by LMI-partitions
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CD Cleopatra
Concert Band/Harmonie
[CD]
De Haske Records
Par . / Date parution : 2022-07-20/ Accessoire / Concert Band/Harmonie
23.16 EUR - Sold by LMI-partitions
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