SKU: CL.011-3971-01
When searching for a musical, emotional ballad for your young band, look no further than this stunningly beautiful chorale by Matt Conaway. Utilizing rich, comfortable scoring and lush, simple melodies, this exquisite setting provides your band a wonderful opportunity to touch the hearts of every member of your audience. Equally at home on the concert or festival stage, this is a composition you’ll want to share with your students for years to come. Absolutely gorgeous!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.012-3326-99
For band with optional choir, strings, narrator and audience sing-a-long. This glorious setting of two of America's favorite hymns, Amazing Grace and Battle Hymn of The Republic, is destined to be the work of choice when selecting that special number for your program's grand finale. Playable by band alone, this patriotic arrangement also offers the creative option of adding choir, strings, narrator, bagpiper and even a group sing-a-long. Musically appealing for bands of varied levels, this spectacular production number will offer grateful audiences, young and old alike, a wonderful opportunity to experience the ultimate in listening pleasure. A guaranteed winner!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-2487-00
An exceptional band piece that utilizes music John wrote especially for the PBS production of Within These Walls, which showcases the history of our Presidential residence during its 200th year. Originally scored and recorded by the U.S. Marine Band with strings, John later arranged the music for band only and it will be performed by the Marine Band on tour. This published arrangement is slightly simplified and shortened from that version. Sections of the piece represent various important time periods in the history of The White House. The very nature of this time capsule approach makes this number a wonderful tool for teaching musical style concepts. Challenging!
SKU: CL.012-2487-01
SKU: CL.CTS-8031-01
Nocturne from Incidental Suite is the second movement of this suite originally scored for concert band. This work highlights a beautiful melodic line filled with lush and occasionally dissonant harmonies. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8030-01
Tarantella from Incidental Suite is the first movement of this suite originally scored for concert band. Claude T. Smith has elevated the basic meaning of tarantella creating engaging rhythmic interest throughout the duration of the movement. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8032-00
Rondo from Incidental Suite is the third movement of this suite originally scored for concert band. This work is rhythmically engaging from beginning to end as the percussion establish the rhythmic motives that move and transform throughout. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8029-01
God of Our Fathers is based on the hymn with the same name and is one of the most iconic American Christian hymns dating back to the 19th-century. Claude T. Smith’s concert band arrangement of this hymn has become a staple of band literature. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8026-01
Concert Variations was written for the Lambda Chapter of Phi Beta Mu and originally premiered at the Missouri Music Educators Convention in 1975. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8018-00
This is the composition that started it all! Emperata Overture is a wind band classic for concert and festival alike. The original publication of this work established Claude T. Smith’s use of the 7/8-time meter as his signature rhythmic device for instrumental ensembles. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8018-01
SKU: CL.CTS-8029-00
SKU: CL.CTS-7829-99
This work is an impressive set of variations on the hymn tune Praise to the Lord, The Almighty. The opening majestic statement is followed by challenging variations. Extra flair can be added with an optional antiphonal brass ensemble amid the dramatic conclusion. An impressive finale for concerts and ceremonies.
SKU: CL.CTS-8031-00
SKU: CL.CTS-8032-01
SKU: CL.CTS-8026-00
SKU: CL.CTS-8030-00
SKU: CL.CTS-8010-00
Translated as Sound of The Winds, Sonus Ventorum begins with a dramatic opening for full band segueing into an energetic allegro section. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8042-01
O Come, O Come, Emmanuel is a Christmas prelude originally commissioned by the Papillion, Nebraska Junior High School Symphonic Band under the direction of Kenneth A. Molzer. This widely popular song relates to Advent and Christmas. Claude T. Smith expanded upon the original hymn adding deeper musical interest to this already timeless classic. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8005-00
Avondale Overture is perfect for younger concert bands. Simple key changes, tempo changes, and one 7/8 measure provide appeal and interest for students and teachers alike. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8044-00
Amazing Grace is one of the most well-known spiritual songs known to date. Claude T. Smith cleverly created this band setting forming variations throughout. With Smith’s passing in December of 1987, this was one of the final works he produced. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8042-00
SKU: CL.CTS-8010-01
SKU: CL.CTS-8044-01
SKU: CL.CTS-8059-00
The original of this arrangement continues to be one of Claude T. Smith’s most performed works. The opening theme sparkles with rhythmic energy and harmonic structure that never grow old. The Andante section is a beautiful contrast to the main theme occurring in neighboring sections. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8003-01
America The Beautiful continues to be an expression of patriotism at its finest. It conveys an attitude of appreciation and gratitude for the nation's extraordinary physical beauty and abundance, without triumphalism. Claude T. Smith’s arrangement of this masterpiece generates a fresh take on this song reviving the hope we share for our dear America. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8002-01
Declaration Overture has a five-note motive in an opening slow section, followed by a driving Allegro where the original five-note motive is put through a series of variations. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8063-00
Claude T. Smith’s setting of For The Beauty Of The Earth as this chorale prelude develops the original hymn by Conrad Kocher. It celebrates our beautiful Earth, the skies above us, and the joy of loving one another. This flexible arrangement allows ensembles to perform the work with as few as nine musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8009-00
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
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