SKU: IS.FRHWE7556EM
ISBN 9790365075560.
Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians.
SKU: CL.011-2301-00
This exciting new work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing after-beats or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The up-tempo character of this piece makes it a great choice, even for more advanced bands.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.011-2301-01
This exciting work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing after-beats or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The up-tempo character of this piece makes it a great choice, even for more advanced bands.
SKU: FJ.BB212FHN
ISBN 9781619282094. UPC: 241444383216. English.
This supplemental band book provides a comprehensive and extensive approach to improving band intonation. Written by Texas band director Robert Herrings and composer Brian Balmages, the book contains comprehensive studies in every major and minor key, over 30 chorales with block chord studies, and free downloadable drones in every key for directors who do not have access to more expensive solutions or need an on the go option!
SKU: FJ.BB211FHN
ISBN 9781619281851. UPC: 241444377130. English.
This incredible resource is an ideal way to expand or vary the daily routine of your ensemble while developing essential fundamental concepts of sound and intonation. Daily routines cover breathing, long tones, pitch matching, intervals, scales, arpeggios, chords and chorales. All chorales are written in four-part harmony with all parts appearing in each instrument book for ultimate flexibility with instrumentation. Centered around 10 common major and minor keys, each includes a daily routine and three cycles that can be used to provide constant variety and freshness. Personal warm-ups and musical terms are also included along with vibrant and engaging percussion writing from longtime master educator and percussionist Kevin Lepper!
SKU: HL.14027467
SKU: BT.DHP-1064055-140
9x12 inches. English-German-French-Dutch.
Originally written by the great English writer J.R.R. Tolkien (1892-1973), The Lord of the Rings has encountered new-found popularity recently with the release of three ?huge-hit? motion pictures. With Bilbo the Hobbit we enter the lands of Middle-earth during the Third Age, some decades before The Lord of the Rings trilogy. Fascinated by the works of the masters of film music, Maxime Aulio structured this work in their way. When the end credits roll, Maxime?s music displays all the basic characters and passages of the novel. From the landscapes of the Shire to Middle-earth, the Great Dragons to Gandalf the Wizard, Bilbo Baggins tells us his story through light and virtuosoarabesques in the solo part. Bilbo the Hobbit is a wonderful addition to the french horn repertoire and one to be a sure-fire hit with horn players everywhere. Fasziniert vom Schaffen der groĂźen Meister der Filmmusik, versuchte Maxime Aulio dieses konzertante Werk ĂĽber den Fantasy-Roman Werk Der kleine Hobbit von J.R.R.Tolkien in ihrem Sinne zu strukturieren.Wie in einem Abspann illustriert Aulios Musik alle wichtigen Figuren und Passagen der Erzählung in einer beeindruckenden Vision. Von den Landschaften in Auenland bis hin zu ganz Mittelerde, von den groĂźen Drachen bis zu Gandalf, dem Zauberer, erzählt uns Bilbo Beutlin in seinem Solo seine Geschichte in leichten, virtuosen Arabesken.Durant toute une vie, un homme s'est consacrĂ© un autre monde, un monde imaginaire drapĂ© du mystère de la littĂ©rature fantastique et des lĂ©gendes. Nous entrons dans une autre dimension. La Terre du Milieu est nĂ©e, et dans la force de sa flamme crĂ©atrice, John Ronald Reuel Tolkien (1892-1973) a donnĂ© vie toutes les crĂ©atures fabuleuses qui la peuplent : nains, elfes, dragons et hobbits. Nous sommes au Troisième ge de la Terre du Milieu, quelques dĂ©cennies avant la trilogie du Seigneur des Anneaux. Nous sommes l’ère de Bilbon Sacquet ou Bilbon le Hobbit, un ĂŞtre de petite taille qui vit paisiblement avec ses semblables dans un pays de collines verdoyantes,la ComtĂ©. Paix prĂ©caire depuis que Bilbon a trouvĂ© l’Anneau Unique jadis forgĂ© par Sauron, le maĂ®tre du Mal. Car l’Anneau souverain est dotĂ© d’un pouvoir immense qui permet son dĂ©tenteur de se rendre invisible et gouverner les possesseurs des autres Anneaux. Sauron le MalĂ©fique, avide de pouvoir, dĂ©cide de reconquĂ©rir l’Anneau Unique par tous les moyens.FascinĂ© par les œuvres des maĂ®tres de la musique de film, Maxime Aulio structure cette pièce concertante leur manière. Et tel un gĂ©nĂ©rique de fin, sa musique revient sur les passages et personnages fondamentaux du roman. La vision de Maxime Aulio est grandiose. Des paysages de la ComtĂ© la Terre du Milieu, des Grands Dragons Gandalf le Magicien, Bilbon Sacquet raconte son histoire au travers d’arabesques virtuoses et Ă©thĂ©rĂ©es interprĂ©tĂ©es par le soliste. Bilbo the Hobbit (Bilbon le Hobbit) a Ă©tĂ© crĂ©Ă© par la Musique des Équipages de la Flotte de Brest et Jean-Pierre Cenedese, Cor. Affascinato dal lavoro di Tolkien e dai maestri delle musiche da film, Maxime Aulio struttura questo brano concertante alla loro maniera. La musica riprende passaggi e personaggi chiave del romanzo Bilbo, l’Hobbit. La sua visione è grandiosa. Dai paesaggi della contea alla Terra di Mezzo, dai Grandi Draghi a Gandalf il Mago, Bilbon Saquet racconta la sua storia attraverso virtuosi ed eterei arabeschi interpretatati dal solista.
SKU: BT.DHP-1064055-010
Originally written by the great English writer J.R.R. Tolkien (1892-1973), The Lord of the Rings has encountered new-found popularity recently with the release of three ?huge-hit? motion pictures. With Bilbo the Hobbit we enter the lands of Middle-earth during the Third Age, some decades before The Lord of the Rings trilogy. Fascinated by the works of the masters of film music, Maxime Aulio structured this work in their way. When the end credits roll, Maxime?s music displays all the basic characters and passages of the novel. From the landscapes of the Shire to Middle-earth, the Great Dragons to Gandalf the Wizard, Bilbo Baggins tells us his story through light and virtuosoarabesques in the solo part. Bilbo the Hobbit is a wonderful addition to the french horn repertoire and one to be a sure-fire hit with horn players everywhere. ijdens zijn leven schiep J.R.R. Tolkien (1892-1973) met zijn boek The Hobbit en de trilogie The Lord of the Rings (In de ban van de ring) een totaal nieuwe wereld, bevolkt met fabuleuze wezens: dwergen, elven, drakenen natuurlijk hobbits. Maxime Aulio gaf dit concertante werk vorm in filmische stijl. Met de aftiteling voor ogen verklankt Aulio’s muziek de hoofdpersonen en belangrijkste gebeurtenissen in de wereld van Bilbo de hobbit,zijn visie op het verhaal is imposant. Van de landschappen van de Gouw tot Middenaarde en van de draken tot Gandalf de tovenaar vertelt Bilbo Baggins ons zijn verhaal door middel van lichte en virtuoze arabesken in de solpartij.Fasziniert vom Schaffen der groĂźen Meister der Filmmusik, versuchte Maxime Aulio dieses konzertante Werk ĂĽber den Fantasy-Roman Werk Der kleine Hobbit von J.R.R.Tolkien in ihrem Sinne zu strukturieren.Wie in einem Abspann illustriert Aulios Musik alle wichtigen Figuren und Passagen der Erzählung in einer beeindruckenden Vision. Von den Landschaften in Auenland bis hin zu ganz Mittelerde, von den groĂźen Drachen bis zu Gandalf, dem Zauberer, erzählt uns Bilbo Beutlin in seinem Solo seine Geschichte in leichten, virtuosen Arabesken.Durant toute une vie, un homme s'est consacrĂ© un autre monde, un monde imaginaire drapĂ© du mystère de la littĂ©rature fantastique et des lĂ©gendes. Nous entrons dans une autre dimension. La Terre du Milieu est nĂ©e, et dans la force de sa flamme crĂ©atrice, John Ronald Reuel Tolkien (1892-1973) a donnĂ© vie toutes les crĂ©atures fabuleuses qui la peuplent : nains, elfes, dragons et hobbits. Nous sommes au Troisième ge de la Terre du Milieu, quelques dĂ©cennies avant la trilogie du Seigneur des Anneaux. Nous sommes l’ère de Bilbon Sacquet ou Bilbon le Hobbit, un ĂŞtre de petite taille qui vit paisiblement avec ses semblables dans un pays de collines verdoyantes,la ComtĂ©. Paix prĂ©caire depuis que Bilbon a trouvĂ© l’Anneau Unique jadis forgĂ© par Sauron, le maĂ®tre du Mal. Car l’Anneau souverain est dotĂ© d’un pouvoir immense qui permet son dĂ©tenteur de se rendre invisible et gouverner les possesseurs des autres Anneaux. Sauron le MalĂ©fique, avide de pouvoir, dĂ©cide de reconquĂ©rir l’Anneau Unique par tous les moyens.FascinĂ© par les œuvres des maĂ®tres de la musique de film, Maxime Aulio structure cette pièce concertante leur manière. Et tel un gĂ©nĂ©rique de fin, sa musique revient sur les passages et personnages fondamentaux du roman. La vision de Maxime Aulio est grandiose. Des paysages de la ComtĂ© la Terre du Milieu, des Grands Dragons Gandalf le Magicien, Bilbon Sacquet raconte son histoire au travers d’arabesques virtuoses et Ă©thĂ©rĂ©es interprĂ©tĂ©es par le soliste. Bilbo the Hobbit (Bilbon le Hobbit) a Ă©tĂ© crĂ©Ă© par la Musique des Équipages de la Flotte de Brest et Jean-Pierre Cenedese, Cor. Affascinato dal lavoro di Tolkien e dai maestri delle musiche da film, Maxime Aulio struttura questo brano concertante alla loro maniera. La musica riprende passaggi e personaggi chiave del romanzo Bilbo, l’Hobbit. La sua visione è grandiosa. Dai paesaggi della contea alla Terra di Mezzo, dai Grandi Draghi a Gandalf il Mago, Bilbon Saquet racconta la sua storia attraverso virtuosi ed eterei arabeschi interpretatati dal solista.
SKU: SU.50600021
Imstrumentation: Solo Horn & Wind Ensemble Duration: Composed: 2004 Published by: Dunsinane Music Composer's Note: Great Scott! was commissioned by Mary Ann Craig, Director of Bands at Montclair State University for the MSU Wind Ensemble, and is dedicated to Mr. Jeffrey Scott. A work in one movement, Great Scott! may be heard as a stream of consciousness in the mind of the soloist. The work opens with the soloist quietly reflecting. The remnants of a dance tune are heard in the lower brass, as if from a radio, and the soloist unselfconsciously incorporates this material into his musings. He is joined by the ensemble, which reiterates and makes emphatic the soloist’s reflections. A variation of the dance tune, now integrated with the soloist’s ideas, is heard in the saxophones, soon joined by the French horn, gradually leading to a quieter section that again incorporates and expands the gathering musical materials. This leads to the central, lyric section of the piece—where the soloist returns to his initial musings, now amplified by the ensemble. This time, the dance music is not heard separately—in essence, it has been re-constructed by the soloist with contributions from the ensemble. A fanfare-like section follows, featuring brass and timpani. After a brief pause, the opening material is heard a final time, now with an active, rapid surface, as the piece rushes to a close.
SKU: BT.DHP-1064055-040
Originally written by the great English writer J.R.R. Tolkien (1892-1973), The Lord of the Rings has encountered new-found popularity recently with the release of three ?huge-hit? motion pictures. With Bilbo the Hobbit we enter the lands of Middle-earth during the Third Age, some decades before The Lord of the Rings trilogy. Fascinated by the works of the masters of film music, Maxime Aulio structured this work in their way. When the end credits roll, Maxime?s music displays all the basic characters and passages of the novel. From the landscapes of the Shire to Middle-earth, the Great Dragons to Gandalf the Wizard, Bilbo Baggins tells us his story through light and virtuosoarabesques in the solo part. Bilbo the Hobbit is a wonderful addition to the french horn repertoire and one to be a sure-fire hit with horn players everywhere. Fasziniert vom Schaffen der groĂ?en Meister der Filmmusik, versuchte Maxime Aulio dieses konzertante Werk ĂĽber den Fantasy-Roman Werk Der kleine Hobbit von J.R.R.Tolkien in ihrem Sinne zu strukturieren.Wie in einem Abspann illustriert Aulios Musik alle wichtigen Figuren und Passagen der Erzählung in einer beeindruckenden Vision. Von den Landschaften in Auenland bis hin zu ganz Mittelerde, von den groĂ?en Drachen bis zu Gandalf, dem Zauberer, erzählt uns Bilbo Beutlin in seinem Solo seine Geschichte in leichten, virtuosen Arabesken.Durant toute une vie, un homme s'est consacrĂ© un autre monde, un monde imaginaire drapĂ© du mystère de la littĂ©rature fantastique et des lĂ©gendes. Nous entrons dans une autre dimension. La Terre du Milieu est nĂ©e, et dans la force de sa flamme crĂ©atrice, John Ronald Reuel Tolkien (1892-1973) a donnĂ© vie toutes les crĂ©atures fabuleuses qui la peuplent : nains, elfes, dragons et hobbits. Nous sommes au Troisième ge de la Terre du Milieu, quelques dĂ©cennies avant la trilogie du Seigneur des Anneaux. Nous sommes lâ??ère de Bilbon Sacquet ou Bilbon le Hobbit, un ĂŞtre de petite taille qui vit paisiblement avec ses semblables dans un pays de collines verdoyantes,la ComtĂ©. Paix prĂ©caire depuis que Bilbon a trouvĂ© lâ??Anneau Unique jadis forgĂ© par Sauron, le maĂ®tre du Mal. Car lâ??Anneau souverain est dotĂ© dâ??un pouvoir immense qui permet son dĂ©tenteur de se rendre invisible et gouverner les possesseurs des autres Anneaux. Sauron le MalĂ©fique, avide de pouvoir, dĂ©cide de reconquĂ©rir lâ??Anneau Unique par tous les moyens.FascinĂ© par les ?uvres des maĂ®tres de la musique de film, Maxime Aulio structure cette pièce concertante leur manière. Et tel un gĂ©nĂ©rique de fin, sa musique revient sur les passages et personnages fondamentaux du roman. La vision de Maxime Aulio est grandiose. Des paysages de la ComtĂ© la Terre du Milieu, des Grands Dragons Gandalf le Magicien, Bilbon Sacquet raconte son histoire au travers dâ??arabesques virtuoses et Ă©thĂ©rĂ©es interprĂ©tĂ©es par le soliste. Bilbo the Hobbit (Bilbon le Hobbit) a Ă©tĂ© crĂ©Ă© par la Musique des Ă?quipages de la Flotte de Brest et Jean-Pierre Cenedese, Cor. Affascinato dal lavoro di Tolkien e dai maestri delle musiche da film, Maxime Aulio struttura questo brano concertante alla loro maniera. La musica riprende passaggi e personaggi chiave del romanzo Bilbo, lâ??Hobbit. La sua visione è grandiosa. Dai paesaggi della contea alla Terra di Mezzo, dai Grandi Draghi a Gandalf il Mago, Bilbon Saquet racconta la sua storia attraverso virtuosi ed eterei arabeschi interpretatati dal solista.
SKU: BT.CMP-1162-07-718
ISBN 9789043126250. 12 X 9 inches. English-German-French-Dutch.
Met genoegen presenteert Curnow Music Press een manier om tegelijkertijd uw lesmateriaal te verrijken, uw bibliotheek efficiĂ«nt te beheren en geld te besparen. The Beginning Band Collection is een compilatie van een aantal van debeste stukken van CMP voor jeugdorkesten - uitgegeven in boekvorm. In deze publicatie vindt u stukken van Mike Hannickel, James Curnow, Timothy Johnson, Paul Curnow, Douglas Court, Elliot Del Borgo en Stephen Bulla. Ze zijn in didactischopzicht inmiddels allemaal succesvol, maar ook als het gaat om het vasthouden van de interesse van leerlingen en de aandacht van het publiek! CMP staat bekend om kwaliteitsmuziek voor jeugdorkesten - en die kwaliteit komtin deze uitgave zeker naar voren. De boekvorm zorgt ervoor dat u minder tijd hoeft te besteden aan het uitzoeken van muziek. De geldelijke waarde van deze collectie ligt voor de hand als u een vergelijking maakt met de prijs van eenenkele set harmoniemuziek.The Beginning Band Collection ist eine Sammlung von zwölf Orchesterarrangements, die das oft spärliche Repertoire an Ăśbungs- und Spielliteratur fĂĽr Vor- und Jugendblasorchester deutlich bereichern und - im Vergleich zu einzeln gekauften StĂĽcken - zugleich das Budget des Dirigenten oder Lehrers schonen. Alle Titel in diesem Band stammen aus der Feder erfahrener Komponisten und Arrangeure auf dem Gebiet lehrreicher, gut klingender Blasmusik in niedrigen Schwierigkeitsgraden.The Beginning Band Collection contient douze arrangements de grande qualitĂ© pour Orchestre Junior. Cette collection permet la fois de dĂ©velopper de façon importante votre matĂ©riel d’enseignement tout en offrant une solution plus Ă©conomique. L’ensemble des œuvres ont Ă©tĂ© Ă©crites par d’excellent compositeurs et pĂ©dagogues qui connaissent parfaitement les besoins des formations Juniors. Les pièces sont en parfaite adĂ©quation avec l’expĂ©rience des musiciens. Le contexte est pĂ©dagogiquement structurĂ© et musicalement motivant pour les Orchestres Juniors.
SKU: CL.025-3621-00
Part of the new Barnhouse Jazz For Developing Concert Band Series, this very hip Latin-rock chart features a great vamp, memorable melodic lines, and solid ensemble scoring. Along with traditional big band, expanded instrumentation includes parts for flute, clarinet, bass clarinet, french horn, baritone, and tuba. The simple, two-chord, solo section is perfect for encouraging all of your students to improvise (suggested solos are included). This is a great chart for a young band, easy to put together, fun to play, and just right as a change of pace on your concert.
SKU: CL.025-3621-01
SKU: HL.48018768
ISBN 9780851624105. UPC: 073999749267. 9.0x12.0x0.279 inches.
SKU: CL.CTS-7709-00
Legendary composer W. Francis McBeth once said, If Claude Smith only wrote the fanfare to Eternal Father, he would still be a legend. Smith takes the Navy’s hymn as the basis for his fanfare. This famous hymn tune, normally in the major key, has now been placed in the minor key then transitions to Allegro Vivace. The hymn tune is put through its paces including several variations and two fugatos (one for the woodwinds and one for brass). A short transition,(including the famous 7/8 measure!) to the now well-known setting for French horn quartet, gives us an emotional rendition of the original hymn tune now in the major key. The full band plays the hymn, and a timpani roll takes us back to the original fanfare now in C major. A classic of literature and a composition which will provide a meaningful experience for musician and audience member alike.
SKU: CL.012-4669-01
A wonderful intertwining of O Little Town Of Bethlehem and Once In David’s Royal City. From the brief solos for euphonium, clarinet and French horn (all cued in other parts) to the majestic and powerful full-ensemble ending, this will be the centerpiece of your next holiday concert. A beautiful and lush work which involves a minimum amount of preparation, but sounds gorgeous! Very highly recommended!
SKU: CL.012-4669-00
SKU: SS.50600020
Composer's Note: Great Scott! was commissioned by Mary Ann Craig, Director of Bands at Montclair State University for the MSU Wind Ensemble, and is dedicated to Mr. Jeffrey Scott. A work in one movement, Great Scott! may be heard as a stream of consciousness in the mind of the soloist. The work opens with the soloist quietly reflecting. The remnants of a dance tune are heard in the lower brass, as if from a radio, and the soloist unselfconsciously incorporates this material into his musings. He is joined by the ensemble, which reiterates and makes emphatic the soloist's reflections. A variation of the dance tune, now integrated with the soloist's ideas, is heard in the saxophones, soon joined by the French horn, gradually leading to a quieter section that again incorporates and expands the gathering musical materials. This leads to the central, lyric section of the piece - where the soloist returns to his initial musings, now amplified by the ensemble. This time, the dance music is not heard separately - in essence, it has been re-constructed by the soloist with contributions from the ensemble. A fanfare-like section follows, featuring brass and timpani. After a brief pause, the opening material is heard a final time, now with an active, rapid surface, as the piece rushes to a close.
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