Using melodic fragments from each of the six movements of Percy Grainger's Lincolnshire Posy as foils for each other Steven Bryant has created a unique and brash experiment in musical juxtaposition! Grainger described his work asa bouquet of musical “wildflowers ” and Bryant describes “ImPercynations” as a “genetically-altered crossbred hybrid offspring...a musical Franken-flower”. An unconventional gem. (duration:ca. 5:15)

Paine Mountain Legacy. Located near the base of scenic Paine Mountain in Vermont, Norwich University boasts the oldest collegiate band in the nation. Paine Mountain Legacy celebrates their 200th anniversary and is filled with dynamic fanfare-like passages, a brief chorale, and striking musical effects.

Mike Hannickel does it again with this hilarious follow-up to Concerto for Triangle and Band. Any well-known personality from your school staff becomes the over-eager crash cymbals soloist. Whether it's the principal thecustodian the cook the school secretary or any one else who is recognizable to the students or the community we're sure you have a great soloist somewhere nearby just waiting for a chance to shine. Very easy band parts meanthat any group should be able to prepare the music for performance in short order. They'll be rolling in the aisles!

Quincy Hilliard has penned another concert favorite with Bridgeway March. Written in the familiar key of B-Flat with modest ranges in all instruments you will be surprised how well young musicians will be able to perform this exciting new work.

An alto sax cadenza opens this lyrical work. The simple yet beautiful theme is introduced by solo trumpet. As the piece develops everyone has a chance to play the melody. A final cadenza by the flute brings the work to a soft conclusion. Quincy provides some excellent opportunities for your percussionists to use unique instruments. A great change of pace for your concert.

Score & Parts-Score and Parts for Percy Grainger's Lincolnshire Posy. For Concert Band Grades 4-5

Percy Grainger composed this work for ?6 hands at one piano? in 1902 and subsequently he began a version for percussion ensemble which was never completed. Using sketches of this incomplete arrangement Preston Hazzard has created a unique settingfor concert band. The transparent and delicate lilting nature of the original work comes through in this appealing arrangement for winds and percussion.

37 Part Books with Conductor Score and CD-Here is a follow-up to the popular Concert Favorites Volume 1 that features even more terrific easy works for beginning bands. Perfect for groups with limited rehearsal time this collection is also an economical way toprovide your players with quality literature. (Beginning level to Grade 1.5)Includes: Gallant March High Adventure The ?Hey? Song Beethoven's Ninth Bandroom Boogie Amazing Grace Infinity Concert March Latin Fire Linus and Lucy Star Trek Generations American Spirit March Gathering in the Glen The Loco-Motion Scarborough Fair and Royal Fireworks Music.

Solo for Trumpet (Flugel Horn) in Jazz Style-Fancy Vienna est une œuvre de commande pour le célèbre trompettiste de jazz Thomas Gansch viennois d?adoption.Avec Fancy Vienna (?Vienne l?espiègle?) Thomas Doss a réalisé sa première œuvre solo évoluant dans les sphères du jazz. Ce sont les multiples facettes de la capitale autrichienne dans lesquelles tant d?artistes ont puisé leur inspiration qui ont également éveillé la créativité de Thomas Doss. Compositeur de formation classique Thomas Doss aime cependant à s?affranchir des frontières stylistiques suivant ainsi la voie tracée par Friedrich Gulda et Joe Zawinul.

En typiques de la mode Percy Grainger, ce travail mélodique est un grand contraste audacieux fonctionne. Arrangé pour Concert Band (Grades 4-5) par Glenn Cliffe Bainum. / Divers

Even before Austin Powers adopted this catchy tune it was recorded by Quincy Jones back in the ‘60s. This easy arrangement is sure to be a favorite with audiences of all ages and a blast for your students as well.

This cultural piece opens with a slow powerful statement before moving into a more chamber-like section. Shifting to a fast tempo Quincy infuses a great deal of energy into the piece as he develops the opening material and brings it to a powerful conclusion.

Quincy C. Hilliard uses two Irish folksongs as the inspiration for this new festival work. A drone opens the work which quickly moves to a simple yet creative setting of The Last Rose of Summer. A slow lyrical treatment of the same folk song serves as the middle section of the piece. The final section is based on The Rake of Mallow and makes use of ample percussion as the piece propels toward a powerful conclusion.

Australie-né Percy Aldridge Grainger a vécu à Londres depuis 1901-1914, où il a développé un intérêt pour la musique folklorique. C'est durant cette période qu'il a conçu le décor original de cette chanson folklorique Lincolnshire pour choeur avec ensemble de cuivres ou accompagnement de piano. Cette disposition de la bande de début renforce phrasé d'ensemble et technique de respiration tout en démontrant la belle mélodie. Réconfortant! / Concert Band