from Legends of the Fall-The haunting style and memorable themes from the movie Legends of the Fall make it one of James Horner's best. With the main theme arranged here by Sean O'Loughlin you have the option of using piano at the beginning and end for added color and beauty.

In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex

The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expression of power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50 km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressive atmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.

This uniquely constructed work was commissioned by the 2008 South Carolina High School All-State Band and consists of a series of gorgeous melodic textures surrounding one ever-present note. The listener hears this note briefly inthe beginning and the end but it is skillfully hidden in between. From lush soft passages to crescendos that leave your audience breathless this composition will provide you and your ensemble with an unforgettable musicalexperience! Dur: 5:00

Voyage au Centre de la Terre-This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels situated in Iceland marks thebeginning of this voyage to the sublunary world. The German geologist professor Lidenbrock is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions. Dark colors & mist The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Risingfragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale. Away from Iceland Subsequently the ostinato rhythmicity and virtuosity representthe hectic descent of the crater of the volcano. The party descends ever more and more and travels south away from Iceland. On the way they see all kinds of rock formations fossils and minerals. At a depth of thirty hours walking distance atabout 150 kilometers below the surface they reach a sub terrestrial sea which is called the Lidenbrock sea. Genuine eruption of sounds Strange electric manifestations and unpredictable weather conditions accompany thissingular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft the party continues its voyage heading to the south coast of this huge sea. Once ashore an enormous rock obstructs the passage. The blowingup of this obstacle unleashes a genuine eruption of sounds in the orchestration. Spat out by the volcano But the explosion has an unforeseen side effect. The sea - travelers and raft included - is sucked upwards into a dark hole.Again our heroes are accompanied on their involuntary voyage while left to fend for themselves by an ever increasing ostinato rhythmicity. Before an irruption can destroy the raft the threesome manages to escape and climb up through acave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers.

Par VAN DER ROOST JAN. Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999. The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band. The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region. The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. / Niveau : 4 / Répertoire / Concert Band

An outstanding addition to the BandQuest series “Sweet like that” features low brass emphasis at the beginning and end trap set and other requests from students with whom Mr. Theofanidis workshopped the piece. Thiswork is exuberant joyful and with a whiff of gospel; capsulizing the sound of the American street instrumental doo-wop; an urban march. Free interdisciplinary curriculum for the piece is available for download athttp://www.BandQuest.org. (Grade 3)

Par BALAZS ARPAD. With its energetic impetus and imposing instrumentation, Concertino is certainly outstanding in the oeuvre of Árpád Balázs. Among his compositions for concert band, it is by far the most engaging and exacting work. Passing away and a will to live are simultaneously present in Concertino, which Árpád Balázs composed in memory of his beloved father. Its structure brings Liszt's Hungarian Rhapsodies to mind: its solemn opening, which returns at the end,is followed by a slow and a fast movement. The funereal music of the slow movement evolves from a motif of Bach's St. Matthew Passion with enormous intensification equal to the lament in Grieg's Peer Gynt. It is difficult to imagine a dramatic incandescence with a higher degree of heat. The heartbeat-imitating timpani features significantly at the beginning and the end of the funereal music. The fast movement represents resolution, resignation and regainedgaiety. This part, pulsating like a waltz and echoing the modulation technique of Richard Strauss, is followed by the solemn return of the opening chords.Whether playing or listenting to this tremendously soul-stirring music, you will all encounter a dramatic experience./ Répertoire / Concert Band

‘Circus Delight’ is a five-part suite which is set how could it be otherwise in a big circus tent. The suite starts with a part called ‘Entrance’. The orchestra positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’) How different are ‘The Acrobats’. At high speed they run jump and fly through the ring until ....... It gets very exciting. Fortunately all’s well that ends well and they take their leave of the audienceat a trot. Everyone knows and yet it is mostly not spoken about that when a clown has taken off his red nose and rubbed off his make-up his face off-stage is not always a happy one. (‘Tears of the Clown’) The piece ends on a cheerful note with ‘The Parade’ in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.

Following a successful appearance at a national competition a leading Japanese concert band commissioned the composition of this new work. The presentation of the main theme at the beginning of the piece along with its eventual development and variations in the middle section represents a very personal message for the band. It symbolises both the joy felt following the success at the competition and looks forward to further successes in the future. An inspiring work which celebrates the success of any band.

Lunteren a village on the Veluwe (a wooded region in the Netherlands) sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction completed by chimes and drums in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning when the tower clock hits seven times the village is awaked by the reveille of the heralds. In a fugatic version of the anthem we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night the musicians are still heard playing in the streets. Meanwhile we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly as a preparation for Sunday. Then it is played in a celebrating way enabling the devout village residents to remember the past pleasant celebration with satisfaction.

(for Multi-Level Combined Bands)-River Rendezvous conceived as a work for multi-level band festivals however it also serves as a dynamic stand-alone composition for grade 3 bands. Representing moods and scenes of the Fox River in southern Wisconsin the two contrasting movements may be performed separately or together. The primary themes in each movement are simple enough for beginning players and are then embellished and developed in the more advanced levels. Sure to be an exciting extravaganza for parents and students alike! Dur: c. 6:00

This three-movement symphony musically depicts the history of Hungary. Key historical figures wars and other important events from this country inspired all three movements. The first movement depicts Atilla the King of the Huns and is characterised by fear threat and aggression. The second movement focuses on Árpád the founder of the Hungarian State and the final movement is named after István the King who introduced Christianity into Hungary. The beautiful theme of the national hymn appears throughout the symphony however it is often partially hidden. It is used as a ?thread ? hardly recognizable at the beginning becoming more and more obvious near the end and itconcludes the symphony as the ?final apotheosis ? making the band sound like a majestic living organ.

According to the ancient Greeks the crew of the ship the 'Argo ' called 'Argonauts' were the stuff of legend. Their tales are stuff of legend filled with heroism and adventure and that spirit is captured in this solid overture for beginning bands! Ranges and rhythms are kept in check so you can easily program this for the first concert of the year. Nicely done!