Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!

Par JOHNSON TIMOTHY. Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great gospel song with your band / Niveau : 2 / Répertoire / Concert Band ou Harmonie

Based on the African-American spiritual ?Ev?ry Time I Feel the Spirit? Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great gospel song with your band

Yakolo is originally a dance song from Africa. It reflects the people of Africa?s zest for life, following the maxim ?Come and join us!?. In this work, the ?call and response? principle is featured as a trademark element of traditional African music. The rhythmic melodies invite listeners to sing and dance along and thus give shape to the African art of celebrating together. The repeating themes will be sure to put a smile on everyone?s face!

Auxiliary Woodwind Parts-Commissioned by the acclaimed Midwest Clinic in 2005 this exciting work by Samuel Hazo demonstrates the composer's continued fresh approach and unique vision for wind bands. Scored for brass and percussion with woodwind playerscontributing East African chant/singing along with egg shakers this composition is a tribute to the memory of Rosa Parks and her struggles on behalf of civil rights more than 50 years ago. An auxiliary set of woodwind parts isnow available allowing this dramatic music to be performed by a traditional symphonic band instrumentation. Dur: 4:00

BandQuest Series-A contemporary adaptation of the traditional African American spiritual Wade in the Water.