SKU: HL.4006907

UPC: 840126945607. 9.0x12.0x0.044 inches.

Here's the beloved holiday classic from A Charlie Brown Christmas in a very easy arrangement featuring flexible instrumentation.

SKU: BT.GOB-000981-010

Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody.
Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale.
He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God)

There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription').
Here is used a traditional English melody ('Mendip').

There is a land of pure delight
Wheresaints immortal Reign.
Infinite day excludes the night,
And pleasures banish pain ..

Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang).
Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God)

'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription').
In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip').

There is a land of pure delight
Where saints immortal reign.
Infinite day excludes the night,
And pleasuresbanish pain.

SKU: CF.YPS38

ISBN 9780825852152. UPC: 798408052157. 9 X 12 inches. Key: Eb major. Text: Al Stillman. Al Stillman.

The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal. The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a hymn-style section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program. -LARRY CLARK New York, NY 2003.
The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal.The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a “hymn-style” section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program.-LARRY CLARKNew York, NY 2003.

SKU: BT.GOB-001211-010

English-Dutch.

Many off-beats—and in all parts—coupled with a catchy melody, convey a cheerful optimism. As the title says, Here We Go! Andreas Schulte’s original entertaining work makes an ideal opening piece for any fun concert.

Een stuk vol offbeats – in alle partijen – met een aanstekelijke melodie: dat is het recept voor het scheppen van een vrolijke sfeer. En dat onder het motto ‘here we go’ – laten we beginnen! Dit verfrissende originelemuziekstuk van Andreas Schulte is de ideale opening voor een onderhoudende concertavond.

Viele Offbeats und das in allen Stimmen gepaart mit einer eingängigen Melodie sollen eine fröhliche Aufbruchstimmung vermitteln. Frei nach dem Motto: Here We Go Los gehts, packen wir’s an! Andreas Schultes originales Entertainment-Stück istdamit die ideale Eröffnung eines jeden unterhaltsamen Konzerts!

Andreas Schulte a su combiner de nombreux contretemps - dans tous les pupitres - une mélodie accrocheuse. Fidèle la devise Here we Go! (C’est parti !) voici un morceau incomparable, destiné une joyeuse ouverture de concert.

Molti off-beat in tutte le parti associati ad una melodia accattivante trasmettono un ottimismo contagioso. Come indica il titolo, Here We Go! a firma di Andreas Schulte è un brano perfetto per aprire un concerto.

SKU: HL.4001024

UPC: 884088602673. 9.0x12.0x0.061 inches.

Featuring the beloved music by Alan Menken and Howard Ashman from the 1991 animated classic Beauty and the Beast and also the stunning 2017 live-action movie, here is a beautifully arranged medley for concert band. Includes: Belle, Gaston, Be Our Guest, Something There, and Beauty and the Beast.

SKU: AP.50787

ISBN 9781470669263. UPC: 038081588087. English.

Celebrate the 100th anniversary of this classic tune with Jerry Brubaker's masterful band arrangement of California Here I Come. Transport your audience to the Golden State with its iconic melodies and energetic rhythms. It's an exciting opportunity to pay homage to a century of timeless musical charm while showcasing your young band. (1:20).

SKU: FJ.B1783

UPC: 241444404850. English.

Sometimes, music is not about anything. It exists solely for the beautiful sounds it creates and the emotions derived from that aesthetic experience. Where Words End... falls firmly into this category of music. This expressive piece makes creative use of the ranges and colors available for young bands to create a truly remarkable new work for students and directors alike. Where words end, music begins...

About FJH Young Band

Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

SKU: CL.012-3736-01

Here’s the perfect opening or closing selection for your holiday concert. Using the famous English carol as the focus of the work, Rob Romeyn has crafted a very clever arrangement by including musical fragments from familiar carols to capture the true spirit of holiday caroling, all while being very playable. A beautiful and expressive middle section of All Through the Night provides a very nice contrast to the joyful beginning and ending of the piece. You’ll want to program this one every year!!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: DH.DP200103-SC

The cadence! Horns up! The music! The pride! There's a lot to like about this new march. Lots of color and contrast, and good parts for everyone. A nice mix of traditional and modern. A great way to introduce your band to your audience.