(El Triangulo de las Bermudas). By Jose Alberto Pina. For concert band. Grade 5. Score and set of parts. Duration 18 minutes. Published by Molenaar Edition

Grade 4

SKU: CL.012-3315-01

Composed by C. McBride. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR331). Extra full score. Composed 2004. Duration 5 minutes, 59 seconds. Opus III Wind Orchestra Publications #012-3315-01. Published by Opus III Wind Orchestra Publications (CL.012-3315-01).

A very exciting and contemporary work that is descriptive of the tragedy that occurred in Central America in 1541 when a long quiet volcano that had filled with water suddenly erupted, sending mud and water covering the city of Ciudad Vieja killing many and completely wiping out the city. The name of that volcano was Agua, which on that day brought whelm on to everything that its waters touched. This is the second published work by young composer Cory McBride and was written when he was a 16 year old high school student. Bold, unique and distinctive, includes solos for flute, tenor sax, bari sax & horn and it’s an excellent programming choice for any festival or concert performance by better bands.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Paul Cook, Jack Bullock, Lew Davison, And Jerry Burns. By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. For Concert Band. Concert Band. Belwin Very Beginning Band. Level: .5 (Very Easy) (grade .5). Conductor Score. Published by Alfred Publishing.

By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Challenger Band Series. Multicultural. Level: 1.5 (Easy) (grade 1.5). Conductor Score & Parts. Duration 2:00:00. Published by Alfred Publishing.

By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score. Published by Alfred Publishing.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115

Composed by Matthew R. Putnam. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+2+1+2+5+16+2 pages. Duration 2 minutes, 22 seconds. Carl Fischer Music #BPS115. Published by Carl Fischer Music (CF.BPS115).

ISBN 9781491152010. UPC: 680160909513.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.