SKU: HL.4005834
ISBN 9781540047632. UPC: 888680922511. 9.0x12.0x0.389 inches.
Panther Rising was composed in celebration of a new school whose mascot is the Panther. Skillfully designed for first-year players, this driving and energetic piece features an intense attitude with interesting parts for all sections. Dur: 2:10.
SKU: HL.4005835
UPC: 888680922528. 9.0x12.0x0.025 inches.
SKU: CN.S11042
This symphonic sketch for concert band is packed full different motives thrown around the ensemble hinting at the programmatic leitmotifs of Wagner. Every section of the ensemble gets a workout in this delightful 10-minute work.A Symphonic Sketch for Concert Band. The resurgence of interest in George Lloyd's music must give us faith that such talent will ultimately prevail against sometimes unhappy circumstances. Lloyd was Cornish and showed precocious gifts at an early age - he had completed his first symphony by the age of nineteen. During the 1930s he completed two operas, one of which - The Serf - was produced at Covent Garden in 1938. He was set for a glittering career as a composer. The Second World War intervened and he was invalidad out of the Navy in a shell-shocked state, and having written very little serious music since 1937 went to Switzerland to recuperate, looked after by his wife, Nancy. Painfully, he began writing again - symphonies Nos. 4 and 5 - and then returned to England. He needed to earn a living and he set up a mushroom farm in Dorset. But slowly he began to compose again and drafted more symphonies in short score. By this time he was virtually unknown - despite being considered the equal of Walton, Britten, and other young stars of English music some 30 years earlier. Lloyd decided to embark on a series of recordings of his symphonies, and slowly popular acclaim enabled him to regain his position. The Forest of Arden was written in 1987 as a result of a commission by the Solihull Youth Wind Band. Although Lloyd's music feels instinctively written one should not be misled - it is carefully crafted, but the craft and structure are always subordinated to create a flow with a strongly melodic content. Instead of two or three themes, The Forest of Arden contains an abundance of ideas which can be described in two groups. The first group contains the opening rhythmic motif, quickly developed into a short rising quaver passage in the woodwinds, and later then a chromatic ostinato bass - only 8 bars at this stage but later expanded. The second group is broad and expansive, initially based on intervals of rising fifths introduced by euphonium, tubas, and baritone saxophone, immediately echoed by horns. Low brass and winds expand the theme into rising sixths and octaves. There is a hint of development, bit this is arrested as the music moves to a piu tranquillo section introduced by the alto saxophone which further develops the rising sixth theme. There follows a true development of the opening material, starting with the ostinato bass and gradually passing through different tonal centers until the rising fifths of the second theme group are heralded - fortissimo and poco piu largamente shortly before the end. The structure is almost Wagnerian (albeit on a much smaller scale), with themes being used as leitmotifs, but this is music which, even within the space of ten minutes is conceived on a grand design.
SKU: CN.R10004
A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
SKU: CL.011-4117-01
First came the beat, And Then There Were Drums. Feature your entire percussion section in this upbeat, easy rocker. The rock groove provides a solid foundation for the musical interplay between the band and the individual percussion instruments. Percussion parts are solidly scored, but not difficult, allowing your drummers, and your entire band to shine.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.011-4423-01
Excitement abounds in this Latin flavored overture featuring a variety of musical styles. A bold declaration of a highly expressive theme at the start is a strong indication that more musical excitement is about to occur. Your percussionists will certainly enjoy the variety of instruments required to provide just the right feel for this spirited work. Instruments scored where they sound their absolute best combine to create a composition that delivers musical impact from the initial downbeat to the final cut-off. A guaranteed winner!
SKU: CL.011-4460-01
Lanterns In The Sky is a concert/festival work for young band inspired by a hot air balloon ride. The work begins with an explosion of energy and sound that is sure to command attention. The energy subsides, and builds again to a forceful statement as we begin our glorious flight. The music then takes on a soaring quality that gives the effect of floating on air. A beautifully expressive middle section invokes imagery of the incredible views and gentle breezes. The opening theme then returns bringing the piece and our journey to a forceful conclusion. Contrasting styles and changing textures provide many teaching opportunities, making this suitable for festival use. Don’t miss this outstanding addition to the young band repertoire!
SKU: CL.011-4123-01
This vibrant and patriotic new work is the perfect piece for any Memorial or Veteran's Day performances. Dedicated to the composer's brother and member of the U. S. Navy's world famous Black Eagles, the piece opens with a brief march that then leads into a fanfare featuring the trumpet section playing the melody. The beautiful harmonies and counter-melodies created from the careful orchestration make it a fun and exciting piece that young musicians will love to play.
SKU: CL.011-4123-00
SKU: CL.011-2478-01
A delightful march with a truly regal sound. The haunting melody and stately tempo make this a very appealing selection for either contest or concert use and its slightly modal sound is sure to make it a favorite with your students. Another extraordinary young band piece from a very popular composer. A REAL WINNER!
SKU: CL.011-2478-00
SKU: CL.011-3457-00
A beautiful arrangement of one of the most memorable melodies of all time that makes a wonderful concert piece for any middle school band. Starts out quietly featuring the woodwind section (and optional choir or audience sing-a-long) and then the brass takes over and builds to a big full sound. Great piece to combine choir and band as the finale of your concert. A great message in a great song! Inspiring and impressive!
SKU: CL.011-4217-01
A stunning concert opener, this exciting work opens with a simple thematic statement from the trumpets [or optional solo trumpet], then takes off with pulsating percussion and low brass. The theme continues to rise to the occasion, incorporating hemiola in 6/8 time, rhythmic ostinato and fanfare, culminating in a triumphant conclusion for your performers to Seize the Day. Carpe Diem!
SKU: CL.011-3875-01
In these challenging economic times, what better way to show creativity and compliance than this hilarious setting of the traditional Jingle Bells? The opening announcement reminds the audience that our budgets have been cut and the band has been forced to reduce the amount of new instrument purchases. As a result, the band went to the toy shop and bought several new instruments including the kazoo, toy drum, toy xylophone, and trash can lid cymbals among others. Following the tuning of the toys, the swing setting kicks off and features the toys in melody, improvisation and response quotes throughout. Now that’s what I call using our resources!.
SKU: XC.ICB2005
UPC: 812598033533. 9 x 12 inches.
Open your next holiday concert with this impactful and clever pairing of two folk tunes: House of the Rising Sun and the Ukrainian Bell Carol. Arranged for developing band by Tyler Arcari, House of the Rising Bells is sure to add something unique to your winter program.
SKU: CL.011-3954-01
The tranquil nature of the opening belies the dramatic and powerful themes to follow in Marauders On The High Seas. Two contrasting sections present a clever and enjoyable opportunity for your band to learn and master 6/8 time, in both simple and compound forms. These sparkling and rhythmic melodies will present your band at its finest, and keep your students motivated and excited from start to finish!
SKU: FJ.B1818S
English.
This dynamic work captures the rising champion spirit in all of us. Bold melodic lines and powerful percussion writing convey virtues of persistence, resilience, determination and excellence. After a great deal of melodic and harmonic development, the music comes to a thrilling conclusion. Guaranteed to have your band rising to new heights!
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: CL.011-3635-00
A lush ballad that is an emotional tribute to fatherhood this richly scored work is suitable for both middle school and high school level bands. Featuring colorful woodwind and brass melodic lines, Love and Peace is unique in that it is a ballad that utilizes your entire percussion section! This piece contains many soaring countermelodies in the middle voices, and builds into a powerful proclamation of sonority and beauty. Perfect for festivals or concert programs.
SKU: CL.011-3635-01
SKU: XC.ICB2005FS
UPC: 812598033434. 9 x 12 inches.
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