SKU: AP.36-50105073

ISBN 9781621561194. UPC: 659359520808. English.

There's never been another screamer quite like it! Fillmore's venerable warhorse has been given a thorough looking over by one of the foremost band conductors of our time. Drawing on his years of experience with the United States Air Force Band, Colonel Gabriel has meticulously edited this formidable march for the modern band. Rolling Thunder has long been an admired and often performed work in the symphonic band repertoire. Composed by (James) Henry Fillmore in 1916, this march was a favorite of conductor Merle Evans and the Ringling Brothers and Barnum and Bailey Circus. The work is dedicated to Ed Hicker, who as far as the little documentation shows, was an actor and musician in the Cincinnati, Ohio area and who may have performed with Fillmore in the many pit orchestra engagements of his youth. Rolling Thunder is unique within the march oeuvre, in that its softest dynamic marking is forte! In later printings, Fillmore added the subtitle A Trombone Ace, perhaps a tip of the hat to his own instrument and that the trombones and other bass instruments are playing to the fore from beginning to end. Fillmore also indicates that the march should be played Furioso. So sit back, close your eyes and enjoy the exciting, death defying sounds of the circus as only Henry Fillmore (our Uncle Henry) can do.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: CL.012-3480-75

The big-top comes to life with this exciting circus march. Unlike many circus marches, technical demands are modest, making this accessible to the majority of bands. Composed during Al Sweet's tenure as bandleader for the Ringling Bros. circus, this classic march is finally available in a modern concert band edition which keeps the color and feel of the original. Audiences and performers alike will thrill to the sounds of this exciting march.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-3800-01

All the images of circus under the big top will come to life with this exciting march by the King of circus music! This thrilling and lively circus march is an excellent choice for any performance, and will please audiences and excite performers. Not nearly as difficult as most circus marches, The Center Ring is a great choice for an opening or closing selection for your next concert. Superb!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4703-01

This march classic from the golden age of band music will be a guaranteed hit with audiences and performers alike! The Squealer lives up to its name, and is a rare example of a rough-and-tumble circus march that’s within the technical reaches of most bands! An excellent teaching tool for 6/8 time, The Squealer will be a perfect choice for any concert, contest, or festival performance. Hit it!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4846-00

If you’ve been looking for a march challenge, this is it! Battle of the Winds is a classic circus screamer that wails from start to finish! Low brass and woodwinds get a workout from top to bottom, and the upper voices squeal in battle with the lower voices. Everyone will thrill to the gaudy fun of this vintage circus tune. Not for the faint of heart, and while it’s a technical workout, it’s well worth the effort. One of the most challenging and exciting marches you’ll ever hear!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-3930-01

Audiences around the world love to hear the marches of Karl L. King, and no concert would be complete without a rousing rendition of one of his well-crafted gems. Prestissimo contains all the musical excitement that we've come to expect from this march giant and, as a result, all the good memories and fun times we associate with the circus radiates through this classic march. Equally effective at a standard march tempo, or as an up-speed circus gallop! A real toe tapper!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: AP.37826S

UPC: 038081429793. English.

Commissioned by and written for the Dixon (IL) Municipal Band, The Stormchasers is a march in the style of a circus screamer, featuring fanfares, flourishes and tuneful melodies, all played at a very aggressive tempo. Having been raised in Florida and attending the University of Miami, the composer's nod to Uncle Henry is sure to bring a smile to anyone who is a lover of those great Fillmore marches.

SKU: CL.012-1368-75

Audiences will thrill to the authentic sound of the circus! King's greatest march is available in a full size concert arrangement. Great contest warm-up.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4500-75

Karl King's Cyrus The Great March had been a band favorite for nearly a century, and this Karl L. King Centennial Edition by Andrew Glover gives new life to this classic march! Long a favorite of circus bands, with its ponderous low brass lines and ominous minor key tonalities, this engaging march provides opportunities for all sections to display technical and musical virtuosity. Proof that not all marches sound alike, Cyrus The Great will delight and impress your audiences from start to finish.

SKU: CL.012-4703-75

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CN.R10103

Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

Stuart Johnson has the fine ability to capture moods and scenes in music. He was born in Staffordshire, the county for which he was Director of Music until his retirement in 1997. After experience as a player in brass bands, he served in the band of the King's Dragoon Guards before training as a teacher and working in schools. Following a period as a lecturer at Northumberland College of Education he became Music Adviser to the Metropolitan District of Sandwell prior to his appointment to Staffordshire. He has long experience as a conductor, particularly in the choral and band fields and also wide experience as an adjudicator and examiner. He has written prolifically for bands and orchestras and his didactic publications are used in many countries. He has over eighty published compositions and arrangements, many of which have been broadcast on radio or television. His commissioned works include the cantata David and Goliath which was first performed at the Royal Festival Hall, Oregon Overture for wind orchestra, Landscapes, Sinfonietta No 2, Wessex Dances and A Castle Suite. Stuart Johnson has recently completed several commissions, funded by National Lottery grants, for bands in Cumbria, the Isle of Wight, and Staffordshire. Requiem for Soprano, Chorus and Orchestra, was premiered successfully in front of a capacity audience in Lichfield Cathedral in March 1997, and received its first London performance at St. John's Smith Square in March 1998. This prestigious venue also saw the first performance of Songs and Sonnets for unaccompanied mixed choir in 2001. Stuart Johnson has written extensively for the theatre, his music for the production of Anna of the Five Towns was used for both the radio and television adaptations His music ranges in style from the evocative and demanding Sinfonietta for Wind Orchestra, which has received many performances since its premiere in the Royal Festival Hall, including a broadcast by the Band of the Scots Guards, to his ubiquitous Bandstand Boogie which has set feet tapping all over the world. Apart from the latter his most performed work is probably Circus Suite which was the British Youth Band Championship test piece in 1980. Northumbrian Suite and Landscapes have also been used as National Brass Band Championship test pieces. The Flint Knappers commissioned as a test piece for the 1998 East Anglian Band Festival was selected as a test piece for the 1999 Australian Championships. Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

SKU: RU.10322S

9 x 12 inches.

Composed in 1907, Idaho is a fast paced circus march. It represents one of about fifty marches composed by C.L. Barnhouse. In this particular arrangement, the opening of the trio has been assigned to the percussion section, as they are often overlooked as an important melodic contributor in many standard quickstep marches. This arrangement of Idaho was prepared by Dr. Timothy Rhea for the Texas A&M University Wind Symphony for their 2011 performance at the Texas Music Educators Association Clinic & Convention.

SKU: RU.10302

9 x 12 inches.

Composed in 1913, Mystic Call was dedicated to Charles Duble of Jeffersonville, Indiana, who was also a composer of marches and an excellent low brass musician, having playing trombone with a number of circus bands during the early part of the twentieth century. As for the title, it is from Masonic ritual, with Karl King having been very active in the Masons and Shrine. Like most of the King marches composed during this period, it was written for circus use and contains exceptional parts for low brass, requiring a great deal of technique if performed at true circus tempo. The trio scoring is somewhat more lyrical in nature than many of King’s marches.