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Double Bass
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OCARINA
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K. Gordon: Fine Day And Skerry Selkie: Double Bass: Instrumental Album
Double Bass
[Score]
Spartan Press
Fine Day? is a work for unaccompanied double bass that portrays a conversation b...
(+)
Fine Day? is a work for unaccompanied double bass that portrays a conversation between two Hirta wifies perhaps meeting by chance while going about their daily lives. The first lady is older calm and serene - she's seen it all before and expects to see nothing new. In bar 9 a younger lady appears - much more animated and excited and bursting with gossip.The characters converse with a double bar and often a tempo change indicating the change of speaker. While the younger lady becomes very animated (and slightly frustrated) trying to ply her elder with today's juiciest gossip the older lady remains calm and serene apparently showing little interest untilthe final bars where after her neighbour has walked away she smiles and we see that she was listening after all...Skerry Selkie: 'Skerry' is an old Norse word for a small rocky island in the sea. Most Skerries are populated only by birds and seals. 'Selkie' is a local dialect word used right along the north coast of Scotland to describe seals. It also refers to a creature of Norse myth which could transform from seal to human form at will. Selkies like mermaids would mischievously enchant sailors with their beautiful singing...
4.95 GBP - Sold by Musicroom UK
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
(+)
For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Holger Sassmannshaus: Früher Anfang auf dem Kontrabass 2 / Early Start 2: Double
Double Bass
-
Easy
Barenreiter
18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on t...
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18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start progression at a suitable rate many cross-references to the other string instruments songsand scales in different positions from early on as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin viola and violoncello which were introduced to the international market in 2008 have proven to be very successful particularly in the United States. Kids to the Bass!While children learning other string instruments can start as early as the age of four the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. Based on the tried-and-tested Sassmannshaus methods for violin viola and cello Volume 1: Separate editions in German and English Volumes 2 and 3: Bilingual German/English editions Moderate increase in difficulty Position playing duets Includes new original compositions by B. Furtok Volume 3 with piano accompaniments to 7 pieces The authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in
16.50 GBP - Sold by Musicroom UK
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