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Double bass, Piano (duet)
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Grade by Grade - Double Bass Grade 3
Double bass, Piano (duet)
[Sheet music + Audio access]
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Easy
Boosey and Hawkes
The complete resource for the Grade 3 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 3 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
18.87 EUR - Sold by LMI-partitions
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Grade by Grade - Double Bass Grade 1
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Beginner
Boosey and Hawkes
The complete resource for the Grade 1 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 1 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
18.87 EUR - Sold by LMI-partitions
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Betty Roe: Play-A-Day: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Easy
Thames Publishing
Twelve rural reflections for Double Bass and Piano by Betty Roe. These short pie...
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Twelve rural reflections for Double Bass and Piano by Betty Roe. These short pieces have straightforward simple arrangements making them ideal for beginners who will enjoy playing and learning these bright and relaxed tunes.
6.99 GBP - Sold by Musicroom UK
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Frantisek Hertl: Sonata: Double Bass: Instrumental Work
Double bass, Piano (duet)
Barenreiter
for Double Bass and Piano-The renowned Czech bass player composer and conductor...
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for Double Bass and Piano-The renowned Czech bass player composer and conductor Franti?ek Hertl (1906 1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument?s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.Composed in 1946 Hertl?s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday.New edition of a major repertoire piece for Double Bass.Foreword (Cz/Eng/Ger) by Hertl?s last pupil Jan Balcar
23.50 GBP - Sold by Musicroom UK
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Rodney Slatford: Time Pieces for Double Bass Volume 1: Double Bass:
Double bass, Piano (duet)
[Sheet music]
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Easy
ABRSM Publishing
Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements an...
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Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day.Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.
10.50 GBP - Sold by Musicroom UK
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Four Pieces for Double Bass and Piano (HERTL FRANTISEK)
Double bass, Piano (duet)
[Sheet music]
Barenreiter
Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor ...
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Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor and teacher František Hertl (1906–1973) wrote many concert and teaching pieces for his instrument. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. These four pieces for double bass comprising a Prelude, Burlesque, Nocturne and Tarantella were composed in 1968. They have remained very popular among double bass players to the present day while being extremely challenging to play. Our edition adopts the musical text from the Supraphon edition of 1969. The double bass part and the Foreword have been revised by Stefan Schäfer, the solo double bassist of the Hamburg Philharmonic State Orchestra./ Répertoire / Contrebasse et Piano
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Gerty Goat Scuffer: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Spartan Press
Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer...
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Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer' (in case you wondered) is one of many nick-names we had for a much loved family dog - officially named 'Heavy Hetty' from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer 'sat you yer bum' writing at a desk and (in those pre-computer years) writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called 'Sophie' (my first love) who accompanied Pat and I on our honeymoon acrossScotland. Thirty years later we were privileged to enjoy the company of three therapeutic beasts; 'Merlin' (a prize winning Pyrenean Mountain Dog) 'Gael' (an over energetic Scottish Border Collie) and 'Hetty' (a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a 'kennel-maid's Accident'). Hetty (see picture) is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though right through to the age of nearly 10 - speciality: chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her but this is the first instrumental work that she has inspired! The pervading thematic motive of the piece (heard from the outset) cheekily alludes to an (over) famous Saint-Saëns work for double bass (but no insult is intended to Hetty!). The increasingly roving tonality and unusually sudden shifts of key combined with the use of jazz chords combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with simply by just being
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Johann Baptist Vanhal: Kontrabasskonzert Es-dur: Double Bass: Score
Double bass, Piano (duet)
[Reduction]
G. Henle
Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann ...
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Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann Baptist Vanhal and his sole Double-Bass concerto add a further highlight to the classical Bass literature in the Henle catalogue. The virtuosowork was transmitted only in a copy of a part owned by the famous Double-Bass player Johannes Sperger (1750 1812) and found in his estate which raises a few questions on account of the many later additions in the solo part(especially concerning the octave transpositions). In this Urtext edition Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. ThePiano reduction is printed in two keys (C and D major) which allows for performances in the solo and orchestral tuning or at will. Moreover an additional part written in fingering notation has been specially designed for usewith the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.
27.75 GBP - Sold by Musicroom UK
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Grade by Grade - Double Bass Grade 5
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Intermediate
Boosey and Hawkes
The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen ...
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The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Contrebasse et Piano
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F. Keyper: Romance Et Rondo: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
An easy virtuoso work published here for the first time and now much performed. ...
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An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
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