14 legendary songs for intermediate drummers, with play-along audio. Par . Après quelques années d?apprentissage de la batterie, lorsqu?on atteint un certain niveau technique, rejoindre un groupe de pop ou de rock en tant que batteur et se produire avec lui devient une aspiration naturelle. Cependant, pour mettre toutes les chances de son côté, il vaut mieux disposer d?une certaine expérience dans une grande variété de styles. Mais justement, comment acquérir cette expérience tant que l?on n?a pas encore de groupe ? Drum Hero ? Pop

Este libro quiere hacerle descubrir trabajar y sobre todo tocar ?en situación? unos breaks y fills a la batería cuya vocación consiste en vincular una parte de un toque a otra. Tan importantesde dominar como los ritmos que ellas van a ?quebrar? (?break? en inglés) dichas partes de batería son más o menos largas según el papel que tienen que desempeñar.Así por su duración (1 tiempo 2 tiempos o 1ª medida) vamos a tratar los breaks aquí tanto en un marco binario como ternario. Son 6 capítulos en total con para cada uno unos ejerciciostécnicos preliminares ? para engrasar un poco la máquina ? antes de poder tocar unos grooves y sobre todo unos breaks en un marco puramente musical en unos toques y con un montón de playbacks amodo de soporte de toque. Para cada una de las aplicaciones musicales Ud dispondrá de cinco grabaciones diferentes en el CD MP3 adjunto repartidas de la manera siguiente: la batería sola en aire normal y luegomás lento la misma parte de batería tocada ahora en su playback y por último el playback solo en aire normal y más lento? para que cada uno pueda aprender y tocar a su ritmo según sunivel y sus capacidades. O sea más de 6 horas de música en total.

Par HESSLER CLAUS. A new, comprehensive 224-page publication by the open-handed playing specialist, Claus Hessler! Here you can find everything a contemporary drummer needs to be able to play today. Claus teaches you new rhythmic skills that facilitate greater security and musical freedom. Whether you play rock, pop, funk, Latin, jazz, Afro-Cuban, or second-line music, the high-quality MP3 CD enables you to practice every exercise in every style in three different tempos. Each groove, style and tempo, using dynamics from very soft to very loud, are practiced in a daily routine, and through this technique, the player's response to the rhythmic grooves and patterns becomes automatic, allowing greater concentration on the musical aspects of modern drumming. Constant and ritualized practice will not only advance your skills at the drumset and help develop key competencies like endurance, discipline, structured thinking, and ear-training, but will give you the space and time to develop your own musical personality as well. Practice routine formulas and drumset applications using straight eighth/sixteenth notes and triplet-based rhythms for: * Basic Independence * Accents * Single Strokes * Double Strokes * Inverted Doubles * Buzz Rolls * Flams * Syncopation Concepts * Various Ostinato Patterns * Three-Note Groupings * Five-NoteGroupings. / Methods

L'objectif premier de ce DVD est d'aider les débutants dans l'approche de la batterie, en leur fournissant par l'image et le son, tous les éléments nécessaires pour s'initier puis progresser rapidement sur cet instrument. Au menu : les positions de jeu, le réglage de la batterie, la tenue des baguettes, les différentes formes de frappe, les techniques de caisse, des exercices d'indépendance et de coordination, des exemples de rythmes rock, de breaks, l'utilisation des différents éléments de la batterie (toms, grosse caisse, cymbales...). Vous pourrez également travailler un morceau dans son intégralité avec l'aide de l'auteur, puis seul, grâce au playback final ! A l'aide de nombreux gros plans et d'une pédagogie solide, vous passerez ainsi rapidement du stade débutant à un niveau plus avancé. Sans nul doute la meilleure façon de s'initier à la batterie... Durée : 70 mn / Batterie

Description Since if first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionised music-making in the classroom and the home. Now, for the first time, C Paul Herfurth’s original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace, and keen attention to detail, but with a host of innovations: the inclusion of an audio CD – with actual performances and backing tracks – will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. The book contains: Advice on equipment Instructions for an effective technique and a comfortable posture Explanatory section on reading drum notation Easy-to-follow lessons on clear, uncluttered pages Audio CD with a virtuoso performance, backing tracks and audio examples Compatible with A New Tune A Day for Electric Guitar and A New Tune A Day for Bass Guitar Tests to check progress and comprehension Useful pull-out library of drum grooves. An all-round drummer Chris Baker played jazz in his early years in the English Midlands, before relocating to Los Angeles to study under some of the legends of modern drumming: Steve Houghton (Woody Herman), Ralph Humphries (Frank Zappa) and Joe Porcaro (Frank Sinatra). Chris has toured internationally and records with a wide range of important ensembles. He continues to develop headhandsfeet, a successful teaching practice. Chris currently divides his time between London and the Midlands.

Dante Agostini: Solfege Rythmique is a simple Drum method. Volume 1 is a progressive study of the round demisemiquaver with silences. A study of syncope and ternary and binary mixtures etc. is also included. Mesures simples. Étude progressive de la ronde à la triple croche avec les silences. Étude de syncopes et de mélanges binaire et ternaire etc.

Hal Leonard basse méthode supplément stylistique. Le guide complet d'apprentissage basse rock ! Ce pack livre/CD utilise des chansons réelles choisis parmi une multitude de genres rock pour aider à enseigner les éléments clés de la basse rock. Les joueurs apprendront à jouer dans le style de Sting, Les Claypool, John Entwistle, Paul McCartney, Flea et beaucoup d'autres. / Batterie Et Percussions

Includes demonstration DVD introducing basic techniques and notation. Since if first appeared in the 1930s the concise clear content of the best-selling A Tune A Day series has revolutionised music-making in theclassroom and the home. Now for the first time C Paul Herfurth???s original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The ANew Tune A Day books have the same logical gentle pace and keen attention to detail but with a host of innovations: the inclusion of an audio CD with actual performances and backing tracks will make practice even more funand exciting and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. The book contains: Advice on equipment Instructions for an effective techniqueand a comfortable posture Explanatory section on reading drum notation Easy-to-follow lessons on clear uncluttered pages Audio CD with a virtuoso performance backing tracks and audio examples Compatible with ANew Tune A Day for Electric Guitar and A New Tune A Day for Bass Guitar Tests to check progress and comprehension Useful pull-out library of drum grooves. An all-round drummer Chris Baker played jazz in hisearly years in the English Midlands before relocating to Los Angeles to study under some of the legends of modern drumming: Steve Houghton (Woody Herman) Ralph Humphries (Frank Zappa) and Joe Porcaro (Frank Sinatra). Chris has toured internationally and records with a wide range of important ensembles. He continues to develop headhandsfeet a successful teaching practice. Chris currently divides his time between London and the Midlands.

Par DAYAN JEAN-LUC. Batteur, compositeur, professeur, auteur intermittent (de méthodes de batterie, par exemple), accessoirement chef d'orchestre et consultant événementiel, Jean-Luc Dayan est professionnel depuis... Et mince, il n'a pas envie de se rappeler la date ! Jean-Luc pense toujours très fort à Gus Wallez et à Marcel Blanche, ses deux mentors musicaux, dont les inestimables conseils l'ont aidé et l'aident encore à accompagner des chanteurs(ses) aussi différents(tes) que Serge Gainsbourg, Jean Guidoni, Dorothée, Frédéric François, François Valéry, Patrick Bruel, Serge Reggiani, Jane Manson, Jeanne Moreau, Lavelle, Dee-Dee Bridgewater, Liza Minnelli, Nathalie Cole, Puff Daddy, Danny Brillant, Guy Marchand, Victor Laszlo, Lee John, Samy Goz, Gérard Darmon, Cunny Williams... à jouer avec des maîtres musiciens tels que Lionel Hampton, Larry Corryell, Hubert Laws, Claude Bolling, Herbie Mann, Charlie Bird, Ivan Jullien, Clark Terry, James Moody, Jack Wilkins, Akira Jimbo, Russell Malone, Walfredo Reyes, Maurice André, Yo-Yo Ma, Jean-Pierre Rampal, Alexandre Lagoya, l'English Chamber Orchestra... ou à battre la mesure dans la pénombre de fosses d'orchestre, tant pour des revues 'à plumes” que pour des ' Broadway shows ' tels 42 th Streets ou Le Roi Lion. Bien qu'il continue d'espérer que les dieux du groove lui accorderont encore quelques temps la chance et le bonheur de parcourir le monde en compagnie de ses petites baguettes magiques, Jean-Luc Dayan a désormais, en parallèle à une activité régulière au sein de deux structures pédagogiques, la grosse envie de laisser une toute petite trace de son aventure musicale au travers des travaux, davantage personnels, que représentent la composition de musiques, l'écriture de chansons… et la réalisation d'ouvrages du genre de celui que vous tenez entre les mains !/ Etude / Percussions

Par MITZNER ROB. Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around ?Groove Workshops? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, R

Par OOSTERHOUT ARJEN. Il metodo di batteria Real Time Drums i è una collezione efficace e appassionante concepita da Arjen Oosterhout, batterista, compositore e insegnante emerito. Le due raccolte del metodo (la seconda non è ancora disponibile in italiano), propongono nuovi ritmi e schemi di batteria sviluppati a partire da esercizi di tecnica immediatamente applicati a stili quali il rock ed il funk. Ogni esercizio è corredato di indicazioni relative all’interpretazione, rispettando uno spazio per l’improvvisazione. I metodi sono completati dal CD sul quale sono incise una versione integrale di ogni esercizio seguita da una versione senza accompagnamento per mettere in praticale tecniche apprese. Real Time Drums 10 brani e Real Time Drums More Great Grooves sono i complementi ai relativi metodi. I ritmi e i fills presentati nei metodi, vengono elaborati in questi due libri. Le parti di batteria comprendono indicazioni relative allo stile del brano. Queste indicazioni servono come punto di partenza per mettere il batterista sulla buona strada. Spetterà poi a lui riempire gli spazi lasciati liberi per creare una propria “storia”. Con la collezione Real Time Drums, la creatività e il proprio bagaglio musicale si arricchiscono! / Niveau : Très Facile à Facile / Recueil / Batterie

On September 16 and 17 2006 The Modern Drummer Festival Weekend returned to the incredible NJ Performing Arts Center for its most ambitious festival ever. Sixteen drummers and percussionists performed with more than twenty musicians making for one of the most exciting festival weekends in its eighteen-year history. Backstage while these incredible performances were taking place each artist was interviewed at a practice kit. Each in-depth interview features playing and demonstration as well as discussion on technique warming up their MD Fest performance and much more. And making for a truly historic segment Thomas Lang interviewed Steve Smith. Disc One: ThePerformances Dave DiCenso Bobby Sanabria with Ascensión Brann Dailor Mike Mangini Danny Seraphine with CTA Steve Smith’s Jazz Legacy Run time: 3hrs Disc Two: VIP backstage pass the interviews Extensive and in-depth interviews at a practice kit with each of this year’s featured performers including demonstration and discussion of technique practice and warm-up routines and specific playing examples from their MD Festival performance. Run time: 3 hours 30 minutes Total run time: 6 hours 30 minutes

If you crave the burn and you’re into hard-core heavy-metal double-bass drumming Hudson Music’s new Turn It Up & Lay It Down: Double Pedal Metal combo pack will get your toes tapping and light your feet on fire! The pack features the popular Double Pedal Metal play-along CD with 14 super-heavy tracks in the styles of drum Gods such as Jason Bittner (Shadows Fall) Chris Adler (Lamb Of God) Vinnie Paul (Pantera) Lars Ulrich (Metallica) Mike Wengren (Disturbed) and Dave Lombardo (Slayer) plus an all-new book and free online downloads. Expanding on the success of the Turn It Up & Lay It Down series of play-along CDs created by Spencer Strand theDouble Pedal Metal book by Steve Kilgallon contains charts along with easy intermediate and advanced groove suggestions fill variations and tons of hints and tips. The book also examines and explains the advanced styles and techniques that are being played by the world's heaviest drummers and bands. The book and play-along CD are further augmented by studio-quality audio files of the sample beats in the book that are posted on the hudsonmusic.com website. The free bonus MP3s are available through an access code that is included with the combo pack and are downloadable to computers iPods and other MP3 devices. When used in combination the DPM book companion CD and online tracks provide a complete integrated truly comprehensive method for progressive drummers. Double Pedal Metal is the perfect way for young drummers to get started on developing their feet and hands yet a challenge for seasoned pros; whether they play double pedal or double bass drums. DPM also represents the first in a series of Hudson’s new Turn It Up & Lay It Down play-along packs with each title aimed at providing drummers of all ages and abilities with a fun hands-on multi-media approach to learning grooves fills and musical concepts for a variety of different styles.

Quest?opera ha lo scopo di farvi scoprire studiare e soprattutto suonare in vere condizioni musicali dei fills o breaks sulla batteria la cui vocazione è legare una parte del brano ad un?altra. Bisogna in effetti saper padroneggiare questi passaggi di batteria i quali possono essere più o meno lunghi a seconda del ruolo che svolgono. Li abbiamo quindi classificati in sei capitoli a seconda della loro lunghezza (un movimento due movimenti o una battuta) e della loro pulsazione binaria o ternaria. Ogni capitolo inizia con alcuni esercizi tecnici per mettere un po? d?olio negli ingranaggi e quindi esserecapaci poi di suonare i grooves e soprattutto i fills in un vero contesto musicale grazie ai numerosi playalongs. Per ogni brano troverete quindi 5 registrazioni diverse sul CD MP3 allegato distribuite nel modo seguente: la batteria da sola a velocità normale poi ridotta la stessa parte di batteria suonata però sulla sua base musicale ed infine la sola base musicale prima a velocità normale poi ridotta... per permettere ad ognuno d'imparare e suonare secondo il proprio ritmo il proprio livello e le proprie capacità. Ossia più di 6 ore di musica in tutto!

Building on the 20-year legacy of the famous BOSS BF-2 the new BF-3 Flanger Pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to 'swirl' around the listener. An instant classic.Features:BOSS' best flanging effects in a compact pedalNew Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds respectivelyMomentary mode turns flanging on instantlyTap tempo adjustable via pedalIndependent Guitar and Bass inputs andstereo outputsSpecs:Nominal Input Level: -20 dBuInput Impedance: 1 M ohmsNominal Output Level: -20 dBuOutput Impedance: 1 k ohmsRecommended Load Impedance: 10 k ohms or greaterDelay Time: 0.3 mS to 14.4 ms (GUITAR IN) 0.3 ms to 6.3 ms (BASS IN)LFO Speed: 100 mS to 18 SResidual Noise: -95 dBu (IHF-A Typ.)Controls: Pedal Switch MANUAL Knob RES (resonance) Knob DEPTH Knob RATE Knob MODE KnobIndicator: CHECK Indicator (Serves also as tempo and battery check indicator)Connectors: GUITAR IN Jack BASS IN Jack OUTPUT A (MONO) Jack OUTPUT B Jack AC adaptor Jack (DC 9 V)Power Supply: DC 9 V: Dry battery (9 V type) AC Adaptor (PSA-series: optional)Current Draw: 40 mA (DC 9 V)Accessories: Dry battery (9 V type) S-006P/9 V (6F22/9 V) Owner's ManualDimensions: 73 mm (2-7/8 inches( (W) 129 mm (5-1/8 inches) (D) 59 mm (2-3/8 inches) (H)Weight (Including batteries): 0.4 kg (0 lbs. 15 oz.) Click here to go to the listing for the compatible PSA-240 power supply.