SKU: M7.DUX-1195
ISBN 9783868491265.
16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1190 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.
SKU: BT.EMBZ12550
SKU: PR.ZM27460
UPC: 680160652754.
SKU: BT.1946-13-400-M
ISBN 9789043137317. 9x12 inches. International.
Under the title LUX NORDICA, this edition contains a selection of Romantic pieces by various composers of northern origin. Franco Cesarini collected seven works from Niels W. Gade and Carl Nielsen (Denmark) as well as Johan Svendsen, ChristianSinding and Edvard Grieg (Norway) and arranged them for flute and piano. The enclosed CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.
Contents: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August) Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Inhoud: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Inhalt: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Sommaire: Romance Op. 26 (Svedsen, Johan) Intermezzo (Grieg, Edvard) Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels) Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian) Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: PR.114419360
ISBN 9781491130438. UPC: 680160675845. 9 x 12 inches. Key: C minor.
Long beloved in its original scoring for violin and orchestra, Sarasate’s ZIGEUNERWEISEN oozes with Hungarian soul and fire. Jasmine Choi’s flute transcription retains all the passion and sparkle in this valuable addition to the flute repertoire. Ms. Choi performs this transcription both in her own recitals and in orchestral concerto programs.
SKU: HL.253939
9.0x12.0 inches.
Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.
SKU: BR.EB-8912
World premiere: Stockholm, May 4, 1974
ISBN 9790004185780. 9 x 12 inches.
The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.
SKU: HL.48180546
UPC: 888680795948. 9.0x12.0x0.11 inches.
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984), a prominent French flautist, arranged the compilation for flute and piano in 1933 to great acclaim. Stories for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles, 2) The Little White Donkey, 3) In the Sad House, 4) The Crystal Cage, 5) The Market of Fresh Water, and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques, Moyse's arrangement for flute and piano of Ibert's Stories is an exciting addition to the intermediate level flautist's repertoire.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version