Ces pièces, écrites dans la continuité des 12 petites pièces pour voyager (28452) s'adressent aux flûtistes à partir de la 5e année de conservatoire. Elles proposent une découverte des styles musicaux issus de diverses cultures, des rythmes typiques de chacune et une recherche de sonorités. La partie de piano requiert un musicien averti, ayant un solide sens du rythme et une bonne indépendance des mains. Elle doit être considérée comme un terrain de découvertes, et le (la) pianiste tentera de recréer au mieux l'ambiance des instruments à l'origine de son écriture. La difficulté n'est pas toujours là où l'on croit, et ce qui semblait facile à lire, ou à jouer seul, devient parfois complexe à deux. Les indications de jeux sont parfois inexistantes, laissant le terrain libre à la créativité de chacun. Ces 12 invitations au voyage n'auraient sans doute pas vu le jour sans ma rencontre à Sydney avec le compositeur musicien australien Nigel Westlake et son Magic Puddin' Band ouvert sur le monde, avec lequel j'ai eu le bonheur de jouer quelque temps. Jacques Riou Contenu : Piste gitane flamencant au soleil - New York City's melting pot - Poème pour Shinobu - Anatolie, croisée du Levant - De Kaboul, l'afghane, à Ephèse, la grecque, l'ombre de l'Empire Perse - En traversant les Balkans du levant au couchant - Au-delà du couchant... par-delà l'océan... l'Ouest sauvage ! - Sur les pas de Krishna, à la recherche de la lumière - Outback, New South Wales, Australia... Terra Australis Incognita - Afrique de l'Ouest... entre Tropique du Cancer et Equateur - Légende pour un barde irlandais - Tango libre à Buenos Aires Discipline / Instrument : flûte et piano Difficulté : 3 Genre : Classique Média : Partition Nombre de pages : 32 + 15 Date de parution : 24/03/2010

La référence FP 059 de l'éditeur Fertile Plaine dont l'auteur célèbre est Villard P.M., qui a pour titre Ma petite Etoile ( flute et Piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

La référence FP 770 de l'éditeur Fertile Plaine dont l'auteur célèbre est Fleurette Bernard, qui a pour titre Petite fantaisie classique ( flute et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Italian Classics Favourite Italian melodies Com­po­si­teur: Diverse, Adap­ta­teur: Zamarin, Arnold Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout ?ITALY? at you! ?Italian Classics? includes the unforgettable ?O Sole Mio?, ?La Donna è Mobile?, ?Funiculi, Funicula? and Verdi?s ?Chorus of the Hebrew Slaves?. For intermediate players, ?Italian Classics? should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin?s ?Classical Favourites from Russia? for two flutes (and maybe a glass of vodka!)

Favourite Italian melodies. Par DIVERS AUTEURS (ARR.ZAMARIN ARNOLD). Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout 'ITALY” at you! 'Italian Classics” includes the unforgettable 'O Sole Mio”, 'La Donna e Mobile”, 'Funiculi, Funicula” and Verdi's 'Chorus of the Hebrew Slaves”. For intermediate players, 'Italian Classics” should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin's 'Classical Favourites from Russia” for two flutes (and maybe a glass of vodka!)/ Recueil / Flûte Traversière et Piano

This volume offers the opportunity to play along to 21 all-time favourite melodies including Mozart's Es klinget so herrlich (It Rings Out so Joyfully), Grieg's Morning Mood as well as Mary Had a Little Lamb and various Christmas songs. The CD includes full versions of these simple arrangements as well as play-along versions on the same tracks. This allowschildren to play along to the full version and develop confidence before going solo. For thecircus pieces, both versions appear on separate tracks. The live recordings with flute, pianoor band will encourage students to play in different ensembles. / Flûte Et Piano

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850's and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Magic Flute on Stage-Album for Children?Tomorrow I am going to write a collection of miniatures for children. For some time I have been thinking it would be good to alleviate the dearth of musical literature for children.? (From a letter Tchaikovsky wrote to Nadezhda von Meck on 30 April 1878) Tchaikovsky?s collection of piano pieces for children is subtitled ?Collection of easy pieces in the style of Schumann.? The instruments Pyotr Il?yich Tchaikovsky studied included the flute but he never wrote any music for it. How ever many of the miniatures from the Album for Children suit the flute perfectly - from the expressive and romantic Morning Prayer and Sweet Dream to the moretechnical Mazurka and Neapolitan Song. These touchingly lyrical miniatures and almost virtuosic dance pieces arranged for flute and piano will be loved by young flautists and met with enthusiasm by concert audiences.