Beginners - Grade 3-Two copies of the combined flute and clarinet part booklet are included to encourage individual practise together with a bound piano score and free companion CD.These duets are designed to encourage absolute beginners to start playing together in small ensembles. Three notes are all that are required to play the first two duets! Gradually more and more notes are added throughout the book.In several of the duets the titles - when spoken - fit the initial phrase. Teachers may find this a useful aid in helping pupils to learn the rhythms.60 printed pages. Full colour cover and CD.

Andalag # 1 - Duo for Flute and Clarinet (2011). Part of Andalag - Suite in 11 movements. Programme note Some years ago I was asked by the Faroese ensemble Aldubáran to compose duets for the woodwinds within the ensemble. The idea then came to me to write a Suite with the name “Andalag” in 11 movements. 8 movements are duets and are approximately 4 min. long. 2 movements are quartets and are approximately 8 min. long and 1 movement is an octet which is approximately 16 min. long. In other words the Suite will last approximately 60 min.   The (octet) instrumentation is2 flutes 2 clarinets 2 horns and 2 bassoons. The Faroese word “andalag” has a multilayerd meaning. The first half of the word is “anda” and means to breath or spirit and the second half of the word “lag” means melodi mood or layer. I use two small ideas in this Suite. One idea is in a sort of major mood and the other in a sort of minor mood. Sunleif Rasmussen May 2013

Composed by Armando Ghidoni Lirico Jazzy Duo is a duet for Flute and Clarinet. Lasting 8’46 minutes it is really melodious and was commissioned by Carine and Gilles Swierec from the duet “Attention Deux Vents”. It was composed in 2007 and would be perfect for upper intermediate level and above. Written in a jazz style it is divided in two movements: Adagio and Allegro Vivo the second one being much longer and more lyrical than the first. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Dieter Ammann was born in Aarau Switzerland in 1962. He grew up in a very musical family. After secondary school he began a course in school music at the Akademie für Schul- und Kirchenmusik in Lucerne. At the same time he studied for several semesters at the Swiss Jazz School in Bern. After this he worked for a period as a musician in improvised music and jazz. He has performed at international festivals including Cologne Willisau Antwerp and Lugano. Recordings and studio sessions brought him into contact with diverse artists such as Eddie Harris and Udo Lindenberg. He then took a degree in theory and composition at the Musikakademie Basel and attended master classeswith Wolfgang Rihm and Witold Lutoslawski.In the 1990s the main focus of Ammann?s work changed to composition. He has received numerous national and international prizes for his orchestral and chamber music works (including from the Aargauer Kuratorium the main prize in the International Composition Competition of the IBLA Foundation New York the Franz Liszt Scholarship awarded by the European Capital of Culture Weimar first prize in the Young Composers in Europe Competition Leipzig and Composers? Prize for Composition from the Ernst von Siemens Music Foundation Munich 2008). In 2010 he was composer-in-residence at the Lucerne Festival and in 2013 at the Wittener Tage für neue Kammermusik and the Sommerliche Musiktage Hitzacker as well as 2015 at the Festival reMusic in St. Petersburg. His orchestral works have been conducted by Pierre Boulez Valery Gergiev Jonathan Nott Peter Rundel Peter Hirsch and Jürg Henneberger. Ammann is Professor of Theory and Composition at the Lucerne School of Music and a lecturer at the Bern University of the Arts.

Universal Tunes for Two-Two on Tour est un recueil de 31 duos movitants qui vous emmènent pour une fabuleuse tournée aux quatre coins du monde. Les mélodies viennent d?Amérique du Nord d?Angleterre d?Allemagne de France d?Italie d?Espagne et de bien d?autres pays encore.

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katherine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style such as the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music. Perhaps this is why in the famous film Whistle Down the Wind the main theme is for flute/piccolo and turns out to be not entirely dissimilar to the theme found in this fantasy.

Par JOLAS BETSY. La place que Betsy Jolas s?accorde elle-même dans le paysage de la musique contemporaine est celle de « l?indépendance » et de la « différence ». Cette position s?est clairement imposée dans les années 1960, lorsque sa vie créatrice est enfin devenue publique. Inflexible dans son choix marginal, elle a cependant côtoyé activement, aux lendemains de la guerre, le courant sériel, sans jamais vraiment y adhérer. Elle s?est de même intéressée aux musiques extra-européennes, américaines et dites « non savantes » ? de Bali au jazz ?, comme également, même si d?assez loin, aux recherches électro-acoustiques, notamment pour son opéra Schliemann (1983-1993)./ Répertoire / Flûte Traversière et Clarinette Basse

For Clarinet choir (Eb four Bb alto and bass). The signature tune for the clarinet society Clarinetwise. Duration: 3 mins. Also available for clarinet and piano and clarinet quartet.Grade: 3 - 4