Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.

The music of Carl Philipp Emanuel Bach unlike that of his famous father Johann Sebastian or that of the master he influenced Haydn did not define an era so much as reveal a deeply personal response to the musical conventions of his time. The three movements of this Sonata in A Minor for unaccompanied flute - the only one he wrote for 'flute alone' - may be played either in the order written or in the order II-I-III for a more balanced work.

Music For Flute-Carl Friedrich Abel is probably most famous for his initiation along with Johann Christian Bach of the highly sucessful 'Bach-Abel' concert series which continued until 1781. Abel's set of six Flute sonatas Opus 6 was first published in London in 1765. The three movement form of these sonatas was a North German design much favored by King Frederick The Great and there are many such sonatas that follow the same pattern where a slow movement is followed by two quicker ones. In this edition a Continuo part has been provided for Keyboard instruments.

Solos For Jazz Flute contient des transcriptions, couvrant un large éventail de styles de flûte de jazz tels que le jazz cool et le jazz latin. / Partitions variété - pop - rock / Variété internationale / Vents / CARL FISCHER

Sonate Carl Philipp Emanuel Bach en la mineur pour flûte solo quasi constitue une contrepartie de la partita de son père Johann Sebastian dans la même tonalité. Créé en 1747, mais non publié jusqu'en 1763, il annonce le style sentimentale d'une nouvelle ère, par rapport à l'env. 30 ans de plus de travail de son père. L'édition est basé sur la première édition qui est caché parmi les oeuvres pour piano de C. Ph. E. Bach et d'autres compositeurs de l'anthologie 'Musikalisches Mancherley'. Une édition séparée, également publié en 1763, s'est avéré être un rejeton de la première édition avec le texte musical identiques et pourraient être éliminés en tant que source pour l'édition. Mais l'édition a également été basée sur une fin du 18e siècle exemplaire de la Collection Giedde à Copenhague qui est d'une grande importance à la littérature flûte. Bien qu'il semble également revenir à la première édition, il s'avère néanmoins avéré être un correctif contemporain à des carences de la première édition, dans certains passages. Les notes relatives aux performances pratiques de l'Kuijken élève Susanne Schrage non seulement se rapprocher du texte musical au moyen de la méthode de flûte de Bach de Berlin collègue du compositeur Johann Quantz Joachim, mais aussi d'analyser les chapitres pertinents du 'Versuch über die Art wahre, das zu Clavier spielen 'par C. Ph. E. Bach lui-même, offrant ainsi des aides d'interprétation droite du point de vue du compositeur. / Flûte

Par VON WEBER CARL MARIA. / Date parution : 1905-06-24/ Feuillet / Flûte Traversière

La référence GB2288 de l'éditeur Billaudot dont l'auteur célèbre est Bach Carl Philip Emmanuel, qui a pour titre SONATE EN LA MINEUR, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte. Cette partition musicale appartient à la catégorie Classique. / Flûte / Partition

Continuing in the tradition of previous publications in the Classics series: Classic Solos and Classic Duets, Mary Karen Clardy has selected 24 of the most significant standard études from Carl Joachim Andersen's op. 21, 30, 33, 37 and 41, Antoine Benoit Tranquille Berbiguier's Studies and Ernesto Köhler's Romantic Études op. 66. Performance notes, composers' biographies and a glossary of terms are included providing helpful historical background to the pieces. An optional second flute part has been composed for each étude providing opportunities for the teacher or another player to support and reinforce phrasing, rhythm, tone quality, intonation and style. These parts may be downloaded for free from our website. The second flute parts have been recorded on the CD to provide supportive accompaniments for playing along - an invaluable aid in daily practice. Andersen, Carl Joachim: C Major: Op. 37/1 Andersen, Carl Joachim: A Minor: Op. 37/2 Köhler, Ernesto: G Major: Romantic Etudes/2 Köhler, Ernesto: E Minor: Octaves (Romantic Etudes/9) Andersen, Carl Joachim: D Major: Op. 37/5 Andersen, Carl Joachim: B Minor: Op. 37/6 Köhler, Ernesto: A Major: Cantabile Moderne (Romantic Etudes/16) Köhler, Ernesto: F# Minor: Dance of the Insects (Romantic Etudes/19) Köhler, Ernesto: E Major: Russian Dance (Romantic Etudes/25) Andersen, Carl Joachim: C# Minor: Op. 30/10 Berbiguier, Antoine Benoit Tranquille: B Major: No. 15 Andersen, Carl Joachim: G# Minor: Op. 33/12 Andersen, Carl Joachim: Gb Major: Op. 21/13 Andersen, Carl Joachim: Eb Minor: Op. 37/26 Andersen, Carl Joachim: Db Major: Op. 33/15 Berbiguier Antoine Benoit : Bb Minor: No. 12 Andersen, Carl Joachim: Ab Major: Op. 33/17 Andersen, Carl Joachim: F Minor: Op. 41/18 Andersen, Carl Joachim: Eb Major: Op. 30/19 Berbiguier, Antoine Benoit: C Minor: No. 8 Andersen, Carl Joachim: Bb Major: Op. 41/13 Köhler, Ernesto: G Minor: At the Well (Romantic Etudes/6) Köhler, Ernesto: F Major: Consolation (Romantic Etudes/4) Berbiguier, Antoine Benoit: D Minor: No. 4

pour Flûte seule for Solo Flute-Having studied under Jean Pierre Rampal and Tony Aubin at the Conservatoire National de Paris flautist Guy-Claude Luypaerts now divides his time between his work as a soloist teacher and orchestral conductor without neglecting his com­positional activity. Luypaerts has remained true to his childhood land: for this resident of the seaside village of Panne in western Flanders the North Sea coastline is a continual source of inspiration. This beloved landscape where sea sky and dune embrace was the setting for the composition of the Partita for Flute in August 2014. The title can be seen as a tribute to two essentialworks in the solo Flute repertoire: Bach’s Partita in A Minor BWV 1013 and the Sonata in A Minor Wq 179 by his son Carl Philipp Emanuel. Dedicated to flautist Maxence Larrieu who included it in the programme of his International Competition (2015) the Partita contains three movements. The energetic determination of Patience contrasts with the dreamy exhalations of Volutes before the Chimères are unleashed upon an angry sea.

...aus atmen... for Flute Solo by Niels Rosing-Schow was composed in 2014 for the 5th International Carl Nielsen Flute Competition.

Broadway by Special Arrangement is a collection of eleven songs arranged for the instrumentalist wanting to play in a Jazz style -without the need to learn to improvise. The 'classically' trained amateur or professional performer or the intermediate-level student (III-IV) will enjoy playing these expertly arranged Broadway melodies just for fun or to include as a light piece on a recital or solo-feature concert performance. The ballads and medium-tempo and up-tempo swing tunes are arranged with a play through of the melody followed by a written-out 'variation chorus a return to the melody and an earcatching ending. The piano bass and drumaccompaniment CD will put you right in the band. The CD includes both the solo instrument with the accompaniment track and an accompanimet-alone track for each selection. The inexperienced performer can learn the appropriate style of playing and be comfortable playing in the jazz style before playing along with the rhythm section track. All of the instrument books are for the most part compatible with only minimal changes in the 'variation' section to accommodate the ranges (sometimes including octave options) and unique characteristics of the instruments -but all can be played together. The three-line piano accompaniment book provides a rhythmic 'comping' with chord voicings written out plus the flute part to help in following the soloist or even for the pianist to take a chorus. For the jazzer here is a chance to learn Broadway tunes and to explore playing ballads and the swing style of popular standards. Chord symbols are included to allow for improvistation. By combining his jazz-keyboard chops his 25 years as an instrumental instructor and his superb composing and arranging skills Carl Strommen presents a fully playable exciting and tastefully arranged collection of these immortal and memorable Broadway titles.

Although these two sonatas composed by the young Carl Philipp Emanuel Bach clearly reflect the influence of his famous father they also herald the unconventional and strikingly expressive preclassical composer. Besides ?character? variations Bach also wrote variations with large intervallic leaps in his minuets thus offering flutists a chance to enjoy a delightfully iridescent play of tone colours.Sonate G-DurSonate e-Moll

Par POULENC FRANCIS. Cette Sonate pour flûte et piano est un solo de flûte virtuose par le célèbre influents compositeur français Francis Poulenc. Ecrit en 1956-1957, il s'agit d'un élégant, la chambre de travail de rêve et il a démontré son habileté évidente de composition, en soulignant également l'affinité française avec les doux sons de la flûte. Cette édition 1994 a été soigneusement Nouveau édité par Carl Schmidt et est une édition faisant autorité qui contient un historique détaillé et les commentaires complets du processus de rédaction en anglais, français et allemand. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Flûte Traversière