Quatuor De Flutes [Piccolo, Ut, Alto, Basse] ou Flutes a Bec [Soprano, Alto, Tenor, Basse]. Par GOUDOUR PHILIPPE. / Niveau : 3ème Cycle / Répertoire / 4 Flûtes Traversières

Quatuor De Flutes [Piccolo, 2Xut, Basse] ou Flutes a Bec [Soprano, Alto, Tenor, Basse]. Par GOUDOUR PHILIPPE. / Niveau : 3ème Cycle / Répertoire / 4 Flûtes Traversières

Par FAURE GABRIEL / DU CHEYRON. Gabriel Faure 's Pavane Op. 50 for four Flutes, arranged by Guy Du Cheyron./ Répertoire / 4 Flûtes Traversières

Issu De L'Album Pour La Jeunesse Opus 68 No. 24. Par SCHUMANN ROBERT. / Répertoire / 4 Flûtes Traversières

Issu De L'Album Pour La Jeunesse Opus 68 No. 20. Par SCHUMANN ROBERT. / Répertoire / 4 Flûtes Traversières

Cette partition PREMIER QUATUOR EN FA MAJEUR OPUS 88 de Fürstenau Anton Bernhard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7088. Cette oeuvre d'une durée de 00:19:30 est idéale pour les musiciens pratiquant Flûte Traversière. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 4 Flûtes Traversières / Partition

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Par ROZMAN ANZE. Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape.Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape./ Répertoire / 4 Flûtes Traversières

Par CASTEREDE JACQUES. Cinq Bagatelles pour Quatre Flutes by Jacques Castérède: The Cinq Bagatelles for four flutes, composed in 1980, take up where Castérède left off nearly 20 years earlier with his Flu^tes en vacances. The composer requires a whole assortment of instruments, varying from movement to movement and included everything from piccolo to contrabass. Stylistically, these Bagatelles range from the strangely archaic sounds of the opening movement to the frilly neo-Classicism of the closing Scherzo. In five movements: Incantation, L'hésitante, Musique de nuit, Intermezzo, Scherzo. Instrumentation: Player 1: C Flute, Piccolo; Player 2: Alto Flute, C Flute, Piccolo; Player 3: Bass Flute, C Flute, Alto Flute; Player 4, Contrabass Flute, Alto Flute / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières