SKU: FL.FX071220
As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation also enabled me to exacerbate the impact felt by the ebb and flow.
SKU: HL.48181600
UPC: 888680844547. 9.0x12.0x0.161 inches.
â??Summer days in the mountain by Eugène Bozza (1905-1991) is a famous Flute Quartet, published in 1955. Technically and musically challenging, this piece was written for advanced flautists. Summer days in the mountain was composed in four movements: 1. Pastorale, 2. Au bord du torrent, 3. Le Chant des fôrets, 4. Ronde. These four movements are all well-crafted to captivate the attention of the flautists (with their technicality, tempo and musicality) but also those of the audience. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets, among others.â?.
SKU: PR.114419580
ISBN 9781491131510. UPC: 680160677856. 9 x 12 inches.
SEAFARERS for Four Flutes and PianoCommissioned by the Taiwan Joueurs de Flûte Ensemble, SEAFARERS is a gorgeously fluid journey into the rarely-heard sonority of 4 flutes with piano. The nautically-themed movements of SEAFARERS are titled Bon Voyage, Mermaids, and Pirates.
SKU: M7.KECF-129
ISBN 9790502361297. German English.
George Frederic Handel's world famous Water Music was actually first performed on water: On the 22nd of August 1715 a boat with musicians accompanied the sovereign King George I. and his Royal household on a boat trip down the Thamses from Whitehall to Limehouse. During the return trip they played for the very first time a Suite from the Water Music. Two more Musical trips took place on 17th and 19th of July 1717. This Arrangement for four flutes combines the most famous movements into an individual Suite. Occasional divisi-passages are optional.
SKU: CA.1633200
ISBN 9790007142902. Language: all languages.
12 Minuteries, small minute pieces or minutely detailed movements, the first of which - originally intended as a demonstration piece for a crash course in twelve-tone music at a Swiss lycee - was then expanded by 11 additional movements and an epilogue. Simple ideas and contrasts, which increasingly develop into properly confusing structures, ascending chromatically from piece to piece from the starting tone of B to B flat, whereby as the actual 13th Minuterie, the epilogue must start from B (even in Edgar Allan Poe a certain bell says 13...).
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