SKU: AY.FG04
ISBN 9790302102144.
An original work for flute and guitar that includes five distinct movements including flowing melodies, rhythmic sections, and a bit of humor. Excellentfor recital programming, the movements may be played as a whole orindividually.
SKU: AY.FG26
ISBN 9790302114338.
Jules Mouquet (1867-1946) was a French composer, music professor, and arts advocate. He graduated from the Conservatoire de Paris, where he studied under Xavier Leroux and Théodore Dubois. The majority of his catalogue remains obscure and is rarely heard today. The notable exception is Flûte de Pan, Op. 15 (1906) originally for flute and orchestra and later arranged by Mouquet into a sonata for flute and piano. Cinq Pièces Brèves, Op. 39, or Five Short Pieces are characteristic of Mouquet’s late Romantic Style; all are short in form, chromatic, free flowing and impressionistic.
SKU: LM.27163
ISBN 9790230971638.
For a Blue Note - In the Emilie's Eyes - To Sing for Heaven - Michel Lives in USA - He Would like that - The End for Eddy - I'll be in the Show - Ballad for Jodie - I Prefer the Blue - You Miss Her - Ernie is Coming Back - Just for Babe - Modernesk - Romantic Tune - Ongobongo's Star.
SKU: PR.114422330
ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G.Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spainââ¬â¢s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusiaââ¬â¢s isolated mountain regions to survive. Not surprisingly, the topics of the gypsiesââ¬â¢ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.
SKU: HL.14018617
ISBN 9788759850893. English.
A Tambourin is a lively dance with two beats. Originally from Provence is was often accompanied by a pipe and a tambourine. Melodic simplicity and poignant rhythm were characteristic features, often imitating the hand striking the percussion instrument. They were most popular widespread across France and Europe in the 18th Century, this dance often inspired the more sophisticated court composers, especially in France. This volume consists of 14 Tambourines by some of the great composers including Philibert de Lavigne, Christoph Willibald Gluck, Georg Friedrich Handel and Jean-Marie Leclair, all arranged for Guitar and Flute by Bent Larsen and Jan Sommer.
SKU: SU.80601960
Flute & Guitar Composed: 1978 Published by: E.B. Marks.
SKU: AY.FG20
ISBN 9790302114314.
Five selections from the repertoire of Camerata Amistad, a versatile ensemble of orchestral musicians who are dedicated to the performance of art, folk, and popular culture music from the Hispanic world. Included in this second volume are: Los ejes de mi carreta, El Condór Pasa, Cielito Lindo, Alborozo Colla, and El CoquÃ.
SKU: BT.CAZRKBAG02
Written for and first performed by Marcelo Barbosa and Fabio Zanon at the Wigmore Hall in October 2003, these five pieces are a distillation of my impressions of Brazil (specifically Rio) on my visit there in 1996, although there is no attempt at representation, beyond the waves in the title, which suggested the shape and sounds of some of the material for the work. The duration of the whole set is around 18 minutes: the composer is happy for the central three to be performed as a set, in reverse order ie. 4, 3 and 2.
