for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.

Cette suit édition Vol. 2 de la méthode réussie flûte ' Querflöte spielen - mein schönstes Hobby ', contenant une sélection variée de pièces de performance pour flute et piano à travers toutes les époques et de styles de musique. Les pièces sont appropriés pour les auditions et les concerts de musique de l'école ainsi que pour privés musique-fabrication à la maison. Hormis principalement compositeurs connus tels que Johann Sebastian Bach, Wolfgang Amadeus Mozart, Johann Joachim Quantz ou Scott Joplin, cette édition contient également des pièces de moindre compositeurs connus tels que John O'Neill ou Matyas Seiber. / Flûte Traversière Et Piano

Chorale from the Cantata BWV 147 Heart and Mouth and Deed and Life Instrument : flute and piano Series : Edition Schott - Single Edition Nombre de Pages : 12 The Air by Johann Sebastian Bach at best can rival his setting Jesus bleibet meine Freude for popularity: The final chorus from the cantata BWV 147 Heart and Mouth and Deed and Life is really catchy because of its simplicity and perfection of which one can hardly get enough. The present arrangement makes this classical hit an ideal performance and concert piece for a solo instrument with piano or organ accompaniment.

Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.

Composed by J. S. Bach for Flute and Piano this edition of Sonata No.6 was arranged for Alto Saxophone in E flat and Piano by Marcel Mule. Its difficulty would fit the skills and abilities of intermediate players. In terms of composition this piece was created in four different sections: Adagio ma non tanto Allegro Siciliano and Allegro. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery ofvibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Scale and Arpeggios' (in three books) 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books) among others.

This lilting melody from Bach’s second flute sonata (BWV 1031) here arranged for flute and piano by Robin De Smet will prove extremely popular when performed at any concert.

Bach was considered the master of choral music composing over 200cantatas. This sumptuous arrangement of Jesu Joy of Man’s Desiring for two flutes and piano now gives players the chance to experience the joy of Bach at his best.

The Suite No.2 In B Minor is one of Bach's best known works. Close attention has been given here to authenticity and detailed performance notes are included. The accompaniment has been arranged specifically for piano rather than simply as an orchestral reduction without sacrificing any essential elements. Edited by Trevor Wye piano arrangement by Robert Scott.

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano

Œuvres de Haendel Schumann Corelli Vivaldi Bach Purcell ainsi que des morceaux traditionnels. 1 H. Purcell (ca. 1659 - 1695): Air (Andante)2 J. S. Bach (1685-1750): Gavotte3 G. F. Händel (1685-1759): Menuett (Allegretto con moto)4 A. Corelli (1653-1713): Sarabande (Allegretto)5 A. Vivaldi (1678-1741): Larghetto cantabile6 R. Schumann (1810-1856): Melodie7 Traditional: El condor pasa

1 Chr. W. Gluck (1714 - 1787): Reigen seliger Geister2 J. S. Bach (1685-1750): Menuett3 G. F. Händel (1685-1759): Larghetto4 L. Boccherini (1743-1805): Menuet5 E. Grieg (1843-1907): 'Solveig`s Lied'