for the Flute. Par MOYSE MARCEL. Flautist and pedagogue Marcel Moyse's Tone Development Through Interpretation collects 90 melodic lines of instructional value for the performer, organized according to register, dynamics, and other musical characteristics. An essential tool for students of the flute, but useful for players of any wind instrument, this anthology of excerpts from songs, operas, and the orchestral repertoire arms a performer with the practice tools to confront any interpretational challenge using the appropriate playing technique. As a supplement, the volume includes piano accompaniments for nine of the more substantial excerpts. Sought after by flautists around the globe, the original edition ofTone Development Through Interpretationis now available worldwide through Edition Peters in association with McGinnis Marx. / Date parution : 2023-03-11/ Etude / Flûte Traversière et Piano

le cahier-Physalie (fin d'études) pour flûte (ou saxophone alto) et piano avec cd : le cahier. Par Luypaerts aux éditions Leduc. Partition / Livre de chansons pour Flûte

La référence AL21003 de l'éditeur Leduc dont l'auteur célèbre est Gallois-Montbrun Raymond, qui a pour titre 6 Pieces Musicales D'Etude, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Pédagogie. / Flûte Et Piano / Partition

Ausgabe für hohe C-Stimme und Klavier. Par . / Date parution : 2021-12-09/ Etude / Flûte Traversière et Piano

Ce livre est fondé sur le principe des Microjazz une série de morceaux de style populaire classés par niveau de difficulté croissante. Il contient une sélection de pièces d´un grand intérêt rythmique qui tiennent compte des possibilités et du caractère propre de l´instrument soliste. Des accompagnements qui encouragent la créativité associés à des parties solistes mélodieuses et rythmées offrent aux musiciens de tout age une véritable mine de styles. Ne jouez pas ces morceaux trop vite faites bien attention aux nuances et à l´articulation et soyez scrupuleusement exact en ce qui concerne le rythme. Les parties solistes sont d´une difficulté technique modérée maiselles méritent une étude approfondie de la part de musiciens de tous niveaux. La plupart des accompagnements qui sont également faciles conviennent au piano aussi bien qu´aux claviers électriques ou électroniques.

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano

Tilmann Dehnhard: A String of Thoughts for flute and piano UE36747 ?A String of Thoughts? by Tilmann Dehnhard is a challenging new work for students of the flute interested in mastering modern playing techniques. Tilmann Dehnhard?s ?A String of Thoughts? is a challenging new work for flute and piano. It makes use of several modern playing techniques covered in Dehnhard?s book ?The New Flute? and also those touched upon in his previous publication ?Flutebeatboxing?. Glissandi, sing-and-play, bisbigliandi and reverse sound are all included, along with some thought-provoking ideas for the pianist! Students with a good grasp of conventional technique will relish the chance to get to grips with these new ideas or perhaps use the piece for college entry audition.

Teacher soloist chamber musician conductor and composer ? Flautist Eric Ledeuil a student of Patrick Gallois and Benoît Fromanger wears many hats. This diversity continually enriches his educational work as can be seen by the success of his flute method La flûte imaginative published by Leduc in two volumes (AL 30 365 and 30 367). Fête à Camelot a piece for Flute and Piano (or Harp) for fourth-year students reconnects with the Knights of the Round Table an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in hisLes Méandres de Viviane (AL 30 495 Beginner) and Les Mystères de Brocéliande (AL 29 589 Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy.