?Hallenser No. 1?, HWV 374 A minor. Par HAENDEL GEORG FRIEDRICH. Cette édition présente un morceau qui fait partie du répertoire standard de tous les flûtistes : la sonate pour flûte et basse continue (?Hallenser n° 1?, HWV 374) en La mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l??uvre systématiquement à trois tempos différents avec un accompagnement professionnel. Chaque playback fait d?abord entendre la version de concert d?un morceau (flûte et piano). Mais vous y trouverez également un accompagnement de piano pour travailler à un tempo lent puis un autre à un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d?origine avec l?accompagnement de piano. Toutes les versions ont été enregistrées en live./ Répertoire / Flûte Traversière et Piano

Par PERGOLESI GIOVANNI BATTISTA. Cette édition présente le concerto pour flûte, cordes et basse continue en Sol majeur de Giovanni Battista Pergolèse. Les playbacks vous permettent de travailler l??uvre systématiquement à trois tempos différents avec un accompagnement professionnel. Tous les enregistrements sont disponibles en ligne au format MP3. / Date parution : 2023-06-01/ Répertoire / Flûte et Piano

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Nos. 4-6-The six Flute Sonatas of J.S. Bach fall into two groups of three. In Nos. 1-3 the composer provided a concertante keyboard part where the right hand is as musically important as the flute and bass lines apart from theoccasional passage when he reverts to a figured bass. Nos. 4-6 however adopt the four-movement pattern favoured for instance by Telemann. This edition is has been edited and realised by William Bennett.The solo flutepart is also included on a separate insert.

Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Flute and Piano for this edition. Based on a Cuban Contradanza it features a special habanera rhythm and is generally performed with sung lyrics. In this edition the Flute is a substitute for the voice. While composing this piece Maurice Ravel was also working on two works also with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition which can be used for recitals and exams will enlighten Flute players. Maurice Ravel (1875-1937) is a French composer famous for hisImpressionist contributions. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bollero'.

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.

Volume 1 of Bach's Sonatas for Flute. This book contains the sonatas in B Minor E Flat Major A major and the unaccompanied A Minor Sonata. They are edited with a realisation of the figured bass by Louis Moyse.

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

10 Famous Pieces for Flute and Piano-The most popular works of flute literature in one volume: Best of Flute Classics features music from four centuries by Handel J.S. and C.P.E. Bach Mozart Donizetti Fauré Roussel Chaminade Reinecke and Taffenl. The collection of original works for flute is ideal study or concert repertoire for intermediate and advanced flautists. The edition also comes with a basso continuo part for the sonatas by J.S. Bach C.P.E. Back and Handel.BEST OF FLUTE CLASSICS - press reviews:Love this new book from Schott. Great material beautifully produced and amazing price. ? FLUTEWISE

Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.

for Flute Strings and Basso continuo-Full score Flute solo and String parts available as HM265.Antonio Vivaldi (1678 1741) ?was sprightly and highly inventive and he filled almost half the world with his concertos? wrote Quantz in a brief appreciation of Vivaldi a generation later. It was only by chance that this Flute Concerto In D which was preserved anonymously in Schwerin truly half a world away from Venice has been identified as a composition by Vivaldi. Easy to perform this concerto radiates musical freshness and high spirits.

Flûte ou flûte à bec et clavecin ou orgue ou piano Ce recueil s'adresse aux musiciens débutants, jouant d'un instrument mélodique (flûte à bec soprano et / ou alto, flûte traversière, violon, hautbois) ou d'un clavier (clavecin, piano, orgue), désireux de jouer ensemble un répertoire varié pour voix mélodique et accompagnement, constitué de pièces du XVIIIe siècle et de musiques traditionnelles. Nathalie Rotstein-Raguis, flûtiste à bec et Zdenka Ostadalova, claveciniste, ont enseigné plusieurs années au conservatoire de Chilly-Mazarin. Leur expérience pédagogique et leur collaboration musicale étroite les ont amenées à constituer un répertoire adapté au niveau des jeunes élèves de leurs classes. La Méthode de Flûte à bec Soprano éditée aux Editions Lemoine, en fut la première réalisation. Ce nouveau recueil s'inscrit dans le même esprit, à savoir offrir aux élèves des pièces faciles et variées leur permettant de jouer non seulement à deux mais également en ensemble (ajout possible de violoncelle, viole de gambe ou basson doublant la main gauche du clavier pour renforcer la basse) afin de développer très tôt la pratique de la musique d'ensemble, si enrichissante musicalement et humainement. L'attention des auteures s'est portée sur le choix des pièces et leur niveau afin que des élèves de 1er cycle puissent les jouer avec plaisir, tout en expérimentant une première approche stylistique de la musique baroque. Contenu SOMIS Giovanni Battista (1686-1763) : Adagio - ANONYME (XVIIIe) : Allemande - DANDRIEU Jean-François (1683-1738) : Menuets Les papillons - SARRI Domenico (1679-1744) : Minuetto - SARRI Domenico (1679-1744) : Andante - HOTTETERRE Jacques dit le Romain (1684-1760) : Petit air tendre - TRADITIONNEL : The Irish Washerwoman, jig - TRADITIONNEL : Princess Royal, air - TRADITIONNEL : Freilach

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.Thefirst thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practicepurposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renownedsoloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 G. Ph. Telemann (1681-1767): Allegro - 'Der getreue Musikmeister (Polonoise')2 L. Mozart (1719-1787): Allegro ('Children`s Symphony')3 M. Moszkowski (1854-1925): 'Spanischer Tanz' op. 124 E. Grieg (1843-1907): 'Anitras Tanz' - Peer Gynt (Suita No 1)