SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: CF.W2650
ISBN 9780825882920. UPC: 798408082925. Sc.9x112 - pt.8.5 x 12 inches. Key: C major.
Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltons great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier LAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunnst the noise of folly Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltonas great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poetas earlier LaAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all avain deluding joyes,a so as to better hear the aSweet Bird that shunnast the noise of follya|a Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Milton's great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poet's earlier L'Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunn'st the noise of folly... Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (than meets the ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts areflective musical eye on the world, renouncing all “vain deluding joyes,†so as to better hear the“Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures exploredin his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.
SKU: BT.DHP-1074425-400
ISBN 9789043133470. 9x12 inches. English-German-French-Dutch.
Team up together! The pieces in this book are perfect for playing with a friend, a classmate, or even your brother or sister, since the piano part is not very difficult. The enclosed CD will be a great study aid. Nearly all the tunes have been written in the pop and swing rhythms of our time: you will definitely be successful performing them. Have lots of â??fun on stageâ??! Samen sta je sterk. De stukken in dit boek zijn heel geschikt om uit te voeren met een vriend of vriendin, een klasgenoot, je zus of je broer achter de piano. De pianopartijen zijn namelijk niet zo moeilijk. Bovendien helpt de bijgevoegdecd met het instuderen ervan. Bijna alle nummers zijn geschreven in de pop- en swingritmes van onze tijd: je zult er vast en zeker succes mee hebben bij optredens. Veel â??fun on stageâ?? gewenst!Die Stücke in Fun on Stage eignen sich prima für das Zusammenspiel mit Freunden, Klassenkameraden oder Familienmitgliedern, da die Klavierstimmen nicht sehr schwer sind. Die meisten Melodien wurden in modernen Pop- oder Swingstilen geschrieben. Die Demoversionen auf der CD werden auf verschiedenen Instrumenten vorgespielt. AuÃ?erdem sind auf der CD Begleitungen zum Mitspielen enthalten. Have fun on stageâ?? - viel SpaÃ? auf der Bühne! Faites équipe avec un élève, un membre de la famille ou un ami pianiste pour interpréter les compositions originales réunies dans cet ouvrage. Les parties de piano sont relativement simples. Le compact disc inclus est une aide précieuse pour le travail de préparation. La plupart des mélodies sâ??appuient sur des rythmes swing-pop actuels qui séduiront votre public. Avec Fun on Stage, le plaisir de monter sur scène est intact ! Una pubblicazione ideale per suonare assieme agli amici, compagni di classe, ecc. Si tratta di brani scritti negli stili pop e swing, eseguiti sul CD da strumenti diversi. E' proposta anche una traccia play-along.
SKU: AY.FRD05
ISBN 9790302114406.
The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..
SKU: BT.EMBZ14005
English-German-Hungarian.
The Flute ABC is the work of flautist and flute teacher Vilmos Bántai, who died not long ago. Earlier it was circulated in manuscript, but now the widow of the artist, Éva Sipos, herself a music teacher of international renown, has completed it for publication. Folksongs of different nationalities and children's songs help greatly with learning the new notes. The musical material of the volume is compiled so that it links directly with the next stage, the first volume of the time-tested Flute Method by Zoltán Jeney (Z. 5457).
SKU: HL.50485577
ISBN 9780634080166. UPC: 073999855777. Bach (23 x 30,2 cm) inches. Hungarian, English, German.
The Flute ABC is the work of flautist and flute teacher Vilmos Bantai, who died not long ago. Earlier it was circulated in manuscript, but now the widow of the artist, Eva Sipos, herself a music teacher of international renown, has completed it for publication. Folksongs of different nationalities and children's songs help greatly with learning the new notes. The musical material of the volume is compiled so that it links directly with the next stage, the first volume of the time-tested Flute Method by Zoltan Jeney (Z. 5457).
SKU: HL.14040503
UPC: 884088885472. 9x12 inches.
François Devienne (1759 - 1803) was a French flutist and composer, as well as a founding professor at the Paris Conservatory, which was established in 1795. During his lifetime, Devienne composed over 300 works, most of which were scored for Wind Instruments.
Devienne belonged to a line of French flutists and composers who, over a period of a century, had adopted a German transverse Flute and made it a quintessentially French musical instrument. He followed the path of predecessors such as Michel de la Barre and Michel Blavet in establishing a French school of Flute playing and composition.
Devienne wrotehundreds of works for the Flute, as well as a renowned tuition manual. His 7th Concerto is thought by many to be the best of the dozen or more concertos that he composed during his lifetime. This concerto was composed in or around 1787, shortly before the French revolution. As in Mozart's later works, the passions of the time can be clearly heard - particularly in the vigorous opening theme in E minor. In contrast to the stately Allegro, the theme is gentle and lyrical, yet intriguing, with the Flute almost mimicking bird call.
SKU: HL.14025870
8.25x11.75x0.265 inches.
The world's most popular classical melodies, arranged for easy instrumental solo with piano accompaniment. Includes the music of Bach, Brahms and Saint-Saens.
SKU: BT.EMBZ2142
From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
SKU: IS.FP4052EM
ISBN 9790365040520.
Belgian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano.
SKU: BR.EB-6723
ISBN 9790004169254. 9 x 12 inches.
This edition of the 28 variations on the aria Ich schlief, da traumte mir for flute and bassa continuo by Johann Joachim Quantz, published here for the first time, is based on a manuscript in the Preussischen Staatsbibliothek in Berlin, whose title reads: Solo Traverso cole Basso Achtundzwantzig Variation es uber die Arie Ich schlief da traumte mir del Sigr: Qvanz The high degree which the art of flute playing had reached at that time is very clearly displayed in this set of variations, a form unusual in Quantz's output. For this reason, this work is very suitable as a study as weil as for performance. The realization of the figured bass and the indications of phrasing merely represent one of many possibilities, and are only intended as suggestions. The source is in places full of errors, and these have been tacitly corrected. Frank Nagel, Basel, June 1974.
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
SKU: BT.DOW-05528-400
ISBN 9789043160643. English-German-French.
This edition presents you with an array of musical highlights from two centuries of music history. It offers approachable yet musically challenging arrangements for flute and piano, and enables you to learn the piecessystematically and at three different tempi with professional accompaniments. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to helpyou practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.Mit dieser Ausgabe stellen wir Ihnen eine Sammlung musikalischer Highlights aus verschiedenen Ländern vor. Unsere Ausgabe mit spieltechnisch eher leichten, aber musikalisch anspruchsvollen Bearbeitungen für Flöte und Klavierermöglicht es Ihnen, die Werke systematisch und in drei verschiedenen Tempi mit professioneller Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun imlangsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.Cette édition présente une collection de morceaux célèbres de deux siècles d’histoire de la musique. Bien que techniquement très accessibles, ces arrangements pour fl te traversière et piano sont musicalement exigeants. Lesplaybacks vous permettent de les travailler systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vousy trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutesles versions ont été enregistrées en live.
SKU: SU.97023310
Inspired by the French Romantic and Impressionist traditions, my romances for fute and piano, composed during late July and early August 1984, was carefully conceived for the marvelous lyrical and technical gifts of Robert Stallman and Richard Goode, to whom the work is warmly dedicated. All three Romances, although brief in duration, unfold with a sense of large gesture and design. The first Romance is in 3/4 time and flows generally in the manner of a lyrical waltz with occasional turbulent interruptions. The second Romance is in 4/4 time, unfolding in a stately Baroque-like manner, and the third Romance is in 2/4 time, melodically expansive and often tempestuous. All three Romances strive to honor the goals of traditional performance practice while, at the same time, they create an energy and drama of modernity and contemporary richness. And for these goals I am indebted to so many of the most outstanding performers and conductors of our time with whom I have worked and from whom I have learned much– those who have demonstrated the importance of preserving in addition to further developing those significant natural attributes of musical expression and traditional performance practice which are so often ignored in contemporary compositional values. — William Thomas McKinleyFlute & Piano Duration: 14' Composed: 1984 Published by: Notevole Music Publishing.
SKU: BT.1771-11-400-M
ISBN 9789043134583. 9x12 inches. International.
This collection contains works from the so-called “Belle Époqueâ€, the time period right around the turn of the 20th century which have been arranged for flute and piano by Franco Cesarini. It includes pieces by Dukas and Massenet, two early works by Ravel that are on the cusp of the impressionistic period and compositions by Bizet and Saint-Saëns which represent the late-romantic period. The book comes with a CD which contains a demo of each piece, followed by the piano accompaniment which you can play along with.Er is geen ander tijdperk waarin emoties zo sterk naar voren kwamen als de 19e-eeuwse romantische periode. In die tijd vervolmaakte de instrumentenbouwer Theobald Böhm de dwarsfluit, die de vorm kreeg waar we nu aan gewend zijn. Defluit was bij de componisten uit de romantiek een bijzonder geliefd instrument. Dit album bevat werken die grotendeels zijn ontstaan tijdens de zogeheten belle époque -de periode van rond de eeuwwisseling (van 1900). In het boekvind je stukken van Dukas en Massenet, evenals twee vroege werken van Ravel, in impressionistische stijl gecomponeerd, terwijl de composities van Bizet en Saint-Saëns de laat-romantische periode vertegenwoordigen.Op de meegeleverdecd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Diese Ausgabe, die einige romantische Sätze aus der so genannten Belle Epoque“ in Bearbeitungen für Flöte und Klavier vorstellt, will allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus der Perspektive eines Solisten kennenzulernen. Neben Dukas und Massenet ist auch Ravel sowie spätromantische Musik von Bizet und Saint-Saëns enthalten. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Ce recueil rassemble des oeuvres datant essentiellement de la Belle Époque (1900-1920), divinement arrangées par Franco Cesarini pour Fl te Traversière et Piano. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). Questo volume che contiene opere scirtte in gran parte durante la cosiddetta “Belle Époqueâ€, include brani di Dukas e Massenet e due tra le prime opere di Ravel collocabili alla fine del periodo dell'impressionismo. Le due composizioni di Bizet e Saint-Saens appartengono invece al periodo del tardo romanticismo. Il CD incluso propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano.
SKU: YM.GTW01091432
ISBN 9784636914320.
25 songs arranged for solo flute and piano. Flute part with a book for piano accompaniment and Karaoke CD. 25Shou Chang Di Du Zou Qu ,Gang Qin Ban Zou . Han Chang Di Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Sakura Sakura; 5. Hana; 6. Kono Michi; 7. Natsu no Omoide(A Memory from Summer); 8. Hamabe no Uta(A Song at the Seaside); 9. Aka Tombo(Red Dragonfly); 10. Momiji; 11. Nanatsu no Ko; 12. Furusato(My Old Town); 13. Kojo no Tsuki(Moon over the Ruined Castle); 14. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 15. Yuyake Koyake; 16. Kita no Kunikara(From Northern Country); 17. Nada SouSou(Down Come My Tears); 18. Jidai; 19. Kawa no nagare no Yo ni(As a River's Running); 21. Haru yo Koi(Come spring!); 22. Hana wa Saku(Flowers Will Bloom); 23. Sen no Kaze ni natte(A Thousand Winds); 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Meng Long Yue Ye ; 4. Ying Hua ; 5. Hua ; 6. Zhe Tiao Lu ; 7. Xia Ri Hui Yi ; 8. Hai Bin Zhi Ge ; 9. Hong Qing Ting ; 10. Hong Xie ; 11. Qi Ge Hai Zi ; 12. Gu Xiang ; 13. Huang Cheng Zhi Yue ; 14. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 15. Wan Xia Jian Dan ; 16. Bei Guo Zhi Lian ; 17. Lei Guang Shan Shan ; 18. Shi Dai ; 19. Chuan Liu Bu Xi ; 21. Hua Zheng Zai Kai ; 22. Feng Di ; 23. Hua Wei Qian Feng ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: HL.49045188
ISBN 9790001200806. UPC: 841886023314.
The great talent of Cecile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda.
SKU: GI.G-8296
UPC: 785147829690.
This work was born out of family stories about walking in the woods that were passed down from one generation to the next. The subtext of these stories is a connection with God’s creation: a world full of beauty and wonder. This is where Kathleen Basi found the inspiration for her collection. A Walk in the Woods is filled with an assortment of pieces for piano and flute that call to mind images from nature. Each are suitable for use as preludes, postludes, or anywhere you need a quiet, meditative moment. CONTENTS: Stanislaus • Mockingbird • Dance of the Sycamores • Clouds on the Mountain • Winter Walk • Starlit • Lluvia Colores.  .
SKU: MN.25-151
UPC: 688670251511.
Creative, yet accessible Christmas carol settings for flute and piano.
SKU: BT.AMP-442-400
ISBN 9789043151351. English-German-French-Dutch.
Sounds Classical is a collection of graded solos selected specifically for the developing flute player. Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawnfrom four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material for practice or recital.Sounds Classical is een verzameling van solos die speciaal voor fluitleerlingen zijn geselecteerd - in oplopend niveau.De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of theRoyal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormen ideaal materiaal voor zowel lessen als optredens.Sounds Classical ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für den Instrumentalunterricht von Flötisten ausgewählt wurden.Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire ausvier Jahrhunderten aus - von Susato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sounds Classical est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les fl tistes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtent parfaitement l’étude comme une interprétation en concert.
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