Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Tom's blues ( flûte et piano ) du compositeur Leriche D. a été cataloguée sous la référence FP 1298 par l'éditeur. Cette oeuvre est écrite pour Flûte Traversière. En 3 clics et quelques jours elle peut être chez vous. / Flûte Et Piano / Partition

Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists  Les Méandres De Viviane is made up of four sections which tell the story of the fairy Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around three minutes.Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances.

This inspiring collection of seasonal music tells the tale of the men and women who braved a rough ocean crossing to come to America from Northern Ireland full of hope and strength. Includes a wide range of music from spirited jigs to touching melodies arranged for flute and piano with a separate pull-out section for the flautist.

Flute Et Piano - Cycle 1-Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Au Château Du Marquis for Flute and Piano accompaniment. Suitable for intermediate flautists  Au Château Du Marquis is made up of four sections which depict the life within the castle. Au Château Du Marquis is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around four minutes. Ledeuil's Au Château DuMarquis is essential to intermediate flautists seeking to improve and expand their repertoire for performances.

Giulio Briccialdi (1818-1881) was born in Terni Italy in the Papal States and studied flute with his father until the age of 14. Following the passing of his father Briccialdi moved to Rome where he studied composition and was appointed to the Accademia di Santa Cecilia as flute teacher. He would ultimately go on to teach flute to Italian royalty including the king's brother. He also toured as a performer throughout Europe and America and finally settled in London becoming a director of the flutemaking firm Rudall and Rose. During this time he was responsible for several mechanical developments which are still in use today notably the B-flat lever. Outside ofBriccialdi's important contributions to flute instrument making this virtuoso arrangement of the popular theme would become one of his most enduring legacies. This exclusive edition of Carnival of Venice (Il Carnevale di Venezia) for flute and piano is edited arranged and performed by Sir James Galway.

This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.

Ernesto Köhler's fantastic Flute Concerto Op. 97 actually requires the accompaniment of a large orchestra. The orchestral material is available on hire with Musikverlag Zimmermann. The Concerto is characterized mainly by the high virtuosity. The audience in the early 20th century loved the display of technical possibilities of a musical instrument. Ernesto Köhler himself was regarded as unsurpassed in the clean interpretation of his work and the fine tone he coaxed from the flute. His Concerto was frequently performed by leading soloists in Europe and America in his time.