SKU: BT.SY-2935
German.
Flöte spielen is a very popular flute method. There is one piano accompaniment book for all 6 volumes. We publish these accompaniments by single volumes now.Flöte spielen ist eine sehr beliebte Flötenschule. Neben der weiterhin erhältlichen Gesamtausgabe der Klavierbegleitungen zu allen sechs Bänden der Schule gibt es auch einzelne Hefte mit den Klavierbegleitungen zu jedem der Bände.
SKU: BT.2003-14-400-M
ISBN 9789043137058. International.
This edition includes some of the best-loved Christmas melodies from various countries arranged for flute and piano. The melody runs twice through in different versions, each passage preceded by a prelude or interlude on the piano. On the CD, FrancoCesarini plays every piece with piano accompaniment once, followed by a play-along version that only contains the accompaniment.De meest populaire kerstliederen uit verschillende landen verzameld in een album. De nadruk ligt op Engels kerstliederen zoals The First Noel, The Holly and the Ivy, What Child is This?, e.a. Frankrijk wordt vertegenwoordigd door Les Angesdans nos campagnes en Cantique de Noel. En uiteraard mogen het beroemde Oostenrijkse Stille Nacht en het Amerikaanse Jingle Bells niet ontbreken in deze uitgave. Op de meegeleverde cd staan twee versies van ieder kerstlied:een volledige versie en de pianobegeleiding. Franco Cesarini arrangierte einige der beliebtesten weihnachtlichen Melodien aus verschiedenen Ländern zu kleinen weihnachtlichen Vortragstücken für Flöte und Klavier. Auf der CD läuft die Melodie in der Regel zweimal in unterschiedlichen Versionendurch, wobei jedem Durchgang ein Vor - bzw. Zwischenspiel des Klaviers vorausgeht. Franco Cesarini spielt jeden Titel einmal selbst komplett vor, dann folgt eine Begleitversion zum Mitspielen. Les plus beaux noëls ont été rassemblés dans ce livre par Franco Cesarini, idéalement arrangés pour Fl te Traversiére & Piano. La mélodie est jouée deux fois dans des versions différentes, chaque passage étant précédé dun prélude ouinterlude au piano. Sur le CD ci-joint, chaque titre paraît dabord en version intégrale, pous dans une seconde version ne comportant que laccomagnement au piano. Un´edizione che raccoglie alcune delle melodie natalizie più amate provenienti da vari paesi. L´accento è posto sui canti natalizi inglesi quali The First Noel, The Holly And the Ivy, What Child is this e altri. La Francia è rappresentata daLes Anges dans nos campagnes e dal Cantique de Noel. Non possono mancare l´austriaca Stille Nacht e Jingle Bells dagli Stati Uniti. La melodia è generalmente proposta in due versioni: ogni passaggio è preceduto da unpreludio o da un interludio al piano.
SKU: PR.114422880
ISBN 9781491135143. UPC: 680160686995.
LITTLE ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
SKU: HL.49047067
ISBN 9781705183472. UPC: 842819117940.
SKU: HL.50510612
ISBN 9790080089774. UPC: 073999657449. 9.0x12.0x0.089 inches. Gyorgy Orban.
As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto Traverso / e / Cembalo Concertato / di / J. C. Bac h. Our edition follows closely the manuscript except for the arrangement according to present-day notation (use of accidentals, the addition of slurs to tie the appoggiatura to the main note, etc.). Obvious errors are listed in the Critical Notes. Sl urs have been but in square brackets. The basso continuo marked in the original by figuring is given here in small print. Gyorgy OrbanAls Quelle der vorliegenden Ausgabe wurde das in der Berliner Staatsbibliothek preussischer Kulturbesitz unter der Signatur Mus. ms. Bach st. 296 aufbewahrte Manuskript herangezogen. Der Titel lautet: Sonata / a / Flauto Traverso / e / Cembalo Conc ertato / di / J. C. Bach. Unsere Ausgabe folgt treu dem Manuskript, mit Ausnahme von der heutigen Notation entsprechenden Transkription (die Anwendung von Versetzungszeichen sowie der Ersatz von Bogen, die den Vorschlag mit der Hauptnote verbinden us w.) Auf die offensichtlichen Fehler wird in dem Kritischen Bericht hingewiesen. Die Bogen wurden dagegen auf Grund von eindeutigen analogen Stellen stillschweigend ersetz. Alle anderenZutaten stehen in eckigen Klammern. Der Basso continuo, der in de m Originalmanuskript durch Bezifferung gekennzeichnet wurde, wird hier in Kleinstich gebracht. Gyorgy Orban.
SKU: BT.STACLI299
SKU: BT.EMBZ8977
English-German-Hungarian.
As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto Traverso / e / Cembalo Concertato / di / J. C. Bach. Our edition follows closely the manuscript except for the arrangement according to present-day notation (use of accidentals, the addition of slurs to tie the appoggiatura to the main note, etc.). Obvious errors are listed in the Critical Notes. Slurs have been but in square brackets. The basso continuo marked in the original by figuring is given here in small print. (György Orbán)Als Quelle der vorliegenden Ausgabe wurde das in der Berliner Staatsbibliothek preussischer Kulturbesitz unter der Signatur Mus. ms. Bach st. 296 aufbewahrte Manuskript herangezogen. Der Titel lautet: Sonata / a / Flauto Traverso / e / Cembalo Conc ertato / di / J. C. Bach. Unsere Ausgabe folgt treu dem Manuskript, mit Ausnahme von der heutigen Notation entsprechenden Transkription (die Anwendung von Versetzungszeichen sowie der Ersatz von Bögen, die den Vorschlag mit der Hauptnote verbinden us w.) Auf die offensichtlichen Fehler wird in dem Kritischen Bericht hingewiesen. Die Bögen wurden dagegen auf Grund von eindeutigen analogen Stellen stillschweigend ersetz. Alle anderenZutaten stehen in eckigen Klammern. Der Basso continuo, der in de m Originalmanuskript durch Bezifferung gekennzeichnet wurde, wird hier in Kleinstich gebracht. György Orban.
SKU: HL.49045188
ISBN 9790001200806. UPC: 841886023314.
The great talent of Cecile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda.
SKU: HL.14024588
UPC: 884088811372. 8.5x11.0x0.163 inches.
This dreamlike and evocative piece from Peter Maxwell Davies was originally composed for Flute and orchesta. Here it is presented as Flute with Piano reduction and still captures the wonder and sanctuary of the composer's home, surrounded by seabirds and seals that fire the imagination in childlike ways, evoking images of mermaids and angels. The Flute solo is both tranquil and highly virtuosic and is well supported by the Piano accompaniment. The piece was first performed in May 1999 at the Royal Concert Hall, Dublin.
SKU: PR.114418850
ISBN 9781491113981. UPC: 680160667895.
Originally for Clarinet and Piano, Robert Schumann’s deep yet delightful set of three FANTASIESTÜCKE, Op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into other instruments’ libraries as well. The work has been elegantly adapted (into a new key) for Flute and Piano by Mark Sparks, principal flutist of the Saint Louis Symphony.Notes on the Edition, by Mark SparksThe remarkable and imaginative Fantasiestücke, Op. 73, were originally composed for clarinet and piano during 2 days in February 1849. Schumann indicated that the pieces could also be played on cello or viola. This arrangement for flute and piano has been transposed from the original key of A major to C major in order to limit octave transfer and facilitate performance, while still preserving the original, rather darker-hued timbral character of the work.Flutists will delight in the extremely lyrical and evocative nature of the writing, especially the capricious middle section of the second piece, “Lebhaft, leicht (Lively, light),†and the brilliant, effusive third piece, “Rasch und mit Feuer†(Quick and with fire). The virtuosic practice of repeating the eighth-note in the opening melody of the final piece, adopted from editions for cello, is also well-suited to the flute.Phrases of appropriate length, relatively few potential balance problems, and the accessibility of the pieces for all levels of performers and audiences make the Fantasiestücke a natural, pleasant, and versatile addition to the flutist’s recital repertoire.
SKU: BT.EMBZ2142
From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
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