And Three Pieces-A revised edition of this well loved publication re-released for the 2008-2014 ABRSM flute syllabus. Contains Syrinx for solo flute plus three pieces for flute and piano by Debussy: The Little Shepherd Rêverie and Pour Invoquer Pan.

Par BEACH AMY MARCY. Three Browning Songs by Amy Beach, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. Dedicated to the Browning Society of Boston, each of the songs (originally for voice and piano) consist of a libretto originally written by poet Robert Browning. Songs include: The Year's at the Spring; Ah, Love, but a day!; and I send my heart up to thee! / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Presented as a set of three concert pieces for Flute with Piano accompaniment including Mozart's Andante in C Major. A tranquil operatic piece by Gluck from Orfeo Et Euridice and a Minuet by Bizet from a suite of incidental music for the play L?Arlésienne complete the set of Masterpieces. Arranged by Peter Malcolm.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.While less appreciated during his lifetime it is Scott’s late works(written between 1950 and his death) that are the most individual with their ever-shifting harmoniccolours and wayward inflections of phrase and mood capturing perfectly the way the mind shifts backwards and forwards between reminiscence regrets and self-assertion.Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year Sonata For Flute is perfect  example of the genius of Scott’s late works.

This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged dances, the tango is an ideal match for the flute and its duo partner, the piano, as all three join in for a charming musical experience. Argentine tango expert Diego Collatti has arranged five popular tangos originally composed by Carlos Gardel, who greatly influenced the genre with his interpretations and compositions. The lively, electrifying arrangements for flute and piano show Collatti's expertise for instrumentation and reduction as they combine technique and ensemble playing with the glamour and unique atmosphere of South American passion for dancing. With this collection, the musical life of Argentina during the late 20th century - a heritage that is treasured to this day and has currently reached a new popularity - is carried into the world. In a diverse and always authentic musical setting, both voices enter a dialogue of emotions, zeitgeist and character typical for the dance, which is popular around the world. These aspects are essential for diving completely into the music and musically expressing its deeply emotional content. ? 5 popular tango classics presented as a musical dialogue arranged for flute and piano ? Vibrant, expressive and emotional - Discover the qualities of authentic tango music with these intermediate-level duets ? The melodic and rhythmic characteristics combined with unique phrasing and articulation are true to the authentic Argentinian tango ? Interwoven ensemble parts and diverse means of expression bring the unique tango atmosphere to life / Musique traditionnelle / Répertoire / Flûte Traversière et Piano

With Online Audio-Easy to intermediate Christmas solos scored for Flute solo with Piano accompaniment. Includes memorable Christmas songs such as Ding Dong Merrily on High; I Saw Three Ships; Silent Night; We Wish You a MerryChristmas and many more.The online audio recording contains four full sets of Piano accompaniments for all the pieces in the book. The first practice set is played at a slow tempo and the solo Flute line is played onthe Piano. The second practice set is performed once again at a slow tempo this time without the inclusion of the melodic line. The third performance set is played at a faster tempo once again without the melodic line. Thisfaster tempo is intended for use in both the practice setting and the studio performance setting. The fourth and final performance set contains non-stop accompaniment tracks and links all pieces in the book together to form aChristmas suite that can be played at recitals or festive gatherings. Includes access to online audio and pdf file for Piano accompaniment.

100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Level: Beginner The First Book of Classical Flute offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second flute part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.