SKU: LM.27958
ISBN 9790230979580.
Joshua Fit the Battle of Jericho (trad.) - TCHAIKOVSKI P.I. : Fantasia, Valse des Fleurs extr. de Casse-noisette - CARMEN E. : All by Myself - BETTI H. / HORNEZ A. : C'est si bon - MENDELSSOHN F. : Les Visiteurs, Concerto pour violon - Nobody Knows The Trouble l've Seen (Trad.) - MANCINI H. : The Pink Panther - SCHIFFRIN L. : Mission impossible - WILLIAMS J. : Les Aventuriers de l'Arche perdue, Raider's March - ALBINONI T. : Quatre mariages et un enterrement, Adagio.
SKU: HL.50511814
ISBN 9790080146156. A/4 inches. Hungarian, English. Marcell Dargay.
Albumblatt - +Varosligeti fasor 33+ refers to the title of an unwritten piece that Dargay during his years at the Music Academy planned together with the composer Balazs Futo. The basic idea of the composition was that in the basement of the Bela Bartok college building at that address they would set up a tape-recorder and record the sounds filtering from the practice rooms, and making use of this recording they would write an electroacoustic piece. The work was never written; however, on the basis of memories and the experiences associated with the planning of the piece, a short composition did take shape| It had its premiere on September 26, 2006, performed by Peter Foldesi and Balazs Futo.
SKU: GH.SKG-10102
ISBN 9790070101028.
Three fantasias in a cheerful mood on wellknown melodies.
SKU: HL.50603657
ISBN 9781705127780. UPC: 840126952247.
This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).
SKU: HL.50603661
ISBN 9781705127827. UPC: 840126952285.
SKU: BT.DHP-1145588-401
ISBN 9789043136785. International.
The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues, vibrant yellows, glowing oranges and burning reds, lights up the evening before cooling to calm blues, dark, cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.De hitte van overdag ebt weg terwijl de zon in het westen langzaam achter de horizon verdwijnt. Een schitterend schouwspel van warme schakeringen - levendig geel, gloedvol oranje en vurig rood - verlicht nog even de avond, waarna koele kleuren volgenmet serene tinten blauw, donkere nuances van paars en ten slotte het zwart van de nacht. Fraaie zonsondergangen als deze vormden voor Jan de Haan de inspiratie tot het schrijven van dit sfeervolle werk voor blaasinstrument en piano.Die Hitze des Tages verebbt, während die Sonne langsam am westlichen Horizont versinkt. Ein schillernder Reigen warmer Farben aus pulsierendem Gelb, glühendem Orange und brennendem Rot erhellt den Abendhimmel, bevor ruhige Blautöne, kühle Lilaschattierungen und schließlich die Schwärze der Nacht Abkühlung bringen. Solcheunvergesslichen Sonnenuntergänge inspirieren Jan de Haan zur Komposition dieses Stückes für diverse Blasinstrumente und Klavierbegleitungen. La chaleur de la journée s’atténue peu peu alors que le soleil plonge lentement derrière l’horizon. Un éblouissant spectacle met en scène des jaunes vibrants, des oranges lumineux et des rouges br lants qui illuminent le début de soirée alors quedéj , apparaissent les premières nuances bleutées et pourpres, synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsqu’il a composé cette pièce pour instrument vent diverses et piano.Il calore del giorno si stempera mentre il sole scompare lentamente all`orizzonte. Una brillante combinazione di calde tonalit di giallo vibrante, arancio luccicante e rosso incandescente riscalda la sera. Colori che lasciano il passo a un blu cherilassa, a rinfrescanti tonalit del viola, e infine al nero della notte. Questi sono i tramonti indimenticabili che hanno ispirato Jan de Haan nel scirvere questo brano per diversi strumenti a fiati e pianoforte.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: HL.49008200
ISBN 9783795754341. UPC: 884088945404. 9.0x12.0x0.21 inches.
Fun with Jazz Flute is a series for newcomers to the flute, no matter what age. It offers the possibility of going beyond traditional teaching material and getting to know the characteristics of pop and jazz music. The pieces were composed to be played with a pianist. In addition to the complete versions, you will therefore find the playbacks (the piano accompaniment) on the included CD as well. Sleep Well Waltz * Hickup * Les Boulevards de Paris * Autumn in Donegal * Slalom Waltz * Lonely Streets * Merry-go-round * I Miss You * Rocking Chair Blues * Orient Blues * Empty Bottle * A Sunday in the Park * Trip to Nowhere * Jazz Minuet * Walkin' with Julian * Swingin' Conversation * Journey to Faraway Galaxies * Mr Pickpocket * Paella * Betty's Gospel * Gymnastics * Stairclimbing * Birds in Springtime * Blues No. 672668 * Magic Rocks in Ireland * Pina Colada.
SKU: FG.55011-613-9
ISBN 9790550116139.
The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.
SKU: PR.144405820
UPC: 680160614134.
In this ballad, Reise ponders the Red Sea Swallow, of which only one was ever found (and dead, at that). The Flight of the Red Sea Swallow imagines the final flight of what may have been the last of its kind. Originally written for violin and piano, and premiered by Maria Bachmann, Flight has also been transcribed for flute and piano. For advanced performers. Duration: 17'.
SKU: HH.HH249-KBD
ISBN 9790708092056.
As a confirmed Mozartian it is natural that Müller's concertos for flute and orchestra should follow the classical pattern, and the E minor work published here for the first time since 1801 is an attractive and virtuoso piece in the less usual minor tonality. It is edited by Nikolai Jaeger and Christopher Hogwood with a useful introduction including points of performance practice drawn from Müller’s flute tutor. A keyboard reduction of the orchestral part is also available.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version