SKU: BR.EB-8285
ISBN 9790004176016. 9 x 12 inches.
World premiere Cologne, February 26, 1984 For me, one of the most interesting aspects of composition is to draw the most varied consequences from one and the same musical idea. Thus my pieces Umbra, Mythos, Resonance and Moments Musicaux, for all their disparity, form a group of works in that they are based on a common Klanggestalt, a 34-note melodic-harmonic structure from whose formal basis the overall shape of the piece is derived by projection. I have called the method 'Gestalt composition', Thus there are 12 clearly differentiated formal characters or motives, which appear frequently in irregular sequence and are variously interconnected. The 'bell' motives play a special role here: the piano part frequently bears the instruction quasi Campane, Campanelli, Campane grandi.(York Holler, translated by Niall Hoskin)World premiere Cologne, February 26, 1984.
SKU: LM.26463
ISBN 9790230964630.
BEETHOVEN : Theme, extrait de la sonate n. 27 pour piano Op.90 - CHOPIN : Valse - FOSTER : Jeanne aux cheveux d'or - HAENDEL : Hornpipe - SCHUBERT : Moment musical - STRAUSS : Valse, extrait de la Chauve-Souris - SULLIVAN : Peu importe le pourquoi et le comment - TCHAIKOVSKY : Theme, extrait du Lac des Cygnes.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: IS.FP4052EM
ISBN 9790365040520.
Belgian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano.
SKU: HL.48025508
ISBN 9781784547448. UPC: 196288300502.
Kyle MacLeod writes: “When attending a colleague's violin recital, the moment she began playing the ?rst movement of the Cinq mélodies I fell in love with it. I could hear that it would sit extremely well on the ?ute and I realised there was only a single work by Prokofieff in the flute repertoire, Sonata no 2 in D Major op 94. This is also available for violin and piano, rearranged by the composer himself a year after the original publication. Just like the Sonata, we could now have the Cinq mélodies for flute or violin with pianoaccompaniment, providing more Russian music for flautists to enjoy. My adaptation stays true to the violin arrangement which Prokofieff himself based on his original version for voice and piano. Harmonic fingerings have been added to the flute part to create rich harmonic effects similar to those produced in the violin part, and double stops have been adapted to monophonic passages as befits the flute.”.
SKU: YM.GTW01091432
ISBN 9784636914320.
25 songs arranged for solo flute and piano. Flute part with a book for piano accompaniment and Karaoke CD. 25Shou Chang Di Du Zou Qu ,Gang Qin Ban Zou . Han Chang Di Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Sakura Sakura; 5. Hana; 6. Kono Michi; 7. Natsu no Omoide(A Memory from Summer); 8. Hamabe no Uta(A Song at the Seaside); 9. Aka Tombo(Red Dragonfly); 10. Momiji; 11. Nanatsu no Ko; 12. Furusato(My Old Town); 13. Kojo no Tsuki(Moon over the Ruined Castle); 14. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 15. Yuyake Koyake; 16. Kita no Kunikara(From Northern Country); 17. Nada SouSou(Down Come My Tears); 18. Jidai; 19. Kawa no nagare no Yo ni(As a River's Running); 21. Haru yo Koi(Come spring!); 22. Hana wa Saku(Flowers Will Bloom); 23. Sen no Kaze ni natte(A Thousand Winds); 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Meng Long Yue Ye ; 4. Ying Hua ; 5. Hua ; 6. Zhe Tiao Lu ; 7. Xia Ri Hui Yi ; 8. Hai Bin Zhi Ge ; 9. Hong Qing Ting ; 10. Hong Xie ; 11. Qi Ge Hai Zi ; 12. Gu Xiang ; 13. Huang Cheng Zhi Yue ; 14. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 15. Wan Xia Jian Dan ; 16. Bei Guo Zhi Lian ; 17. Lei Guang Shan Shan ; 18. Shi Dai ; 19. Chuan Liu Bu Xi ; 21. Hua Zheng Zai Kai ; 22. Feng Di ; 23. Hua Wei Qian Feng ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: FL.FX073378
The Flute du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume, for beginners, is A visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young flutists reflect those rare moments! ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: GI.G-8296
UPC: 785147829690.
This work was born out of family stories about walking in the woods that were passed down from one generation to the next. The subtext of these stories is a connection with God’s creation: a world full of beauty and wonder. This is where Kathleen Basi found the inspiration for her collection. A Walk in the Woods is filled with an assortment of pieces for piano and flute that call to mind images from nature. Each are suitable for use as preludes, postludes, or anywhere you need a quiet, meditative moment. CONTENTS: Stanislaus • Mockingbird • Dance of the Sycamores • Clouds on the Mountain • Winter Walk • Starlit • Lluvia Colores.  .
SKU: SU.26190270
Brilliant recital pieceFlute & Piano Duration: 10' Composed: 2003 Published by: Freundworks Publishing.
SKU: P2.10004
Music possesses the amazing ability of transporting its listener to a beautiful world of sound where the pressures of everyday life can be momentarily forgotten. The escape that music can provide is the inspiration of this piece. Escape was composed for performance at the 2011 Cortona Sessions for New Music in Cortona, Italy.
SKU: HL.50603660
ISBN 9781705127810. UPC: 840126952278.
This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).
SKU: HL.50603657
ISBN 9781705127780. UPC: 840126952247.
SKU: HL.50603656
ISBN 9781705127773. UPC: 840126952230.
SKU: HL.50603659
ISBN 9781705127803. UPC: 840126952261.
SKU: HL.50603662
ISBN 9781705127834. UPC: 840126952292.
SKU: HL.50603661
ISBN 9781705127827. UPC: 840126952285.
