SKU: BR.EB-6723

ISBN 9790004169254. 9 x 12 inches.

This edition of the 28 variations on the aria Ich schlief, da traumte mir for flute and bassa continuo by Johann Joachim Quantz, published here for the first time, is based on a manuscript in the Preussischen Staatsbibliothek in Berlin, whose title reads: Solo Traverso cole Basso Achtundzwantzig Variation es uber die Arie Ich schlief da traumte mir del Sigr: Qvanz The high degree which the art of flute playing had reached at that time is very clearly displayed in this set of variations, a form unusual in Quantz's output. For this reason, this work is very suitable as a study as weil as for performance. The realization of the figured bass and the indications of phrasing merely represent one of many possibilities, and are only intended as suggestions. The source is in places full of errors, and these have been tacitly corrected. Frank Nagel, Basel, June 1974.

SKU: BT.AMP-297-400

ISBN 9789043138048. 9x12 inches. English-German-French-Dutch.

Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.

The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie.

This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave.

Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.

Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.

Sommaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

SKU: FG.042-08270-6

ISBN 979-0-042-08270-6.

Dialogos is a group of chamber music pieces for young players and takes its name from the interplay between equal playing partners. The pieces are arranged more or less in order of difficulty. The source of ideas for several of these pieces has been baroque techniques of ornamentation and imitation.

SKU: HL.48186476

Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..

SKU: HL.50510612

ISBN 9790080089774. UPC: 073999657449. 9.0x12.0x0.089 inches. Gyorgy Orban.

As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto Traverso / e / Cembalo Concertato / di / J. C. Bac h. Our edition follows closely the manuscript except for the arrangement according to present-day notation (use of accidentals, the addition of slurs to tie the appoggiatura to the main note, etc.). Obvious errors are listed in the Critical Notes. Sl urs have been but in square brackets. The basso continuo marked in the original by figuring is given here in small print. Gyorgy Orban

Als Quelle der vorliegenden Ausgabe wurde das in der Berliner Staatsbibliothek preussischer Kulturbesitz unter der Signatur Mus. ms. Bach st. 296 aufbewahrte Manuskript herangezogen. Der Titel lautet: Sonata / a / Flauto Traverso / e / Cembalo Conc ertato / di / J. C. Bach. Unsere Ausgabe folgt treu dem Manuskript, mit Ausnahme von der heutigen Notation entsprechenden Transkription (die Anwendung von Versetzungszeichen sowie der Ersatz von Bogen, die den Vorschlag mit der Hauptnote verbinden us w.) Auf die offensichtlichen Fehler wird in dem Kritischen Bericht hingewiesen. Die Bogen wurden dagegen auf Grund von eindeutigen analogen Stellen stillschweigend ersetz. Alle anderenZutaten stehen in eckigen Klammern. Der Basso continuo, der in de m Originalmanuskript durch Bezifferung gekennzeichnet wurde, wird hier in Kleinstich gebracht. Gyorgy Orban.

SKU: BR.OB-5295-26

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?

ISBN 9790004338438. 10 x 12.5 inches.

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?