Performed by Anne Barnhart flute Accompaniment: Jeff Barnhart piano This extraordinary Music Minus One collection of ragtime classics arranged for flute and piano provides a unique opportunity for flutists of varying technical abilities to explore one of the greatest original American musical forms - ragtime - presented by flute-and-piano duo Anne and Jeff Barnhart who have given new life to a spectacular collection of time-honored rags while remaining true to the composers' original intentions and the spirit of the rag genre. This new digital recording includes complete versions of each rag for reference and listening pleasure followed by accompaniment versionsminus the soloist for a performance opportunity that any flutist will love. The newly engraved solo part is presented on luxurious acid-free natural/ivory paper stock. Both professional and student flutists will desire this splendiferous edition containing some of the most sought-after pieces in the ragtime genre for its lively and authentic performances sonic clarity and carefully arranged solo part. Presented in MMO's new bound-in book format with beautiful glossy cover flap-protected compact disc and fascinating historical notes. Includes a newly engraved authoritative printed music score with orchestral reduction historical notes and performance suggestions printed on high-quality ivory paper; and a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment minus the soloist.

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Noël est la période de la musique, le temps de jouer ensemble dans différents ensembles. Le volume actuel contient l'allemand plus beaux et les plus connu et les chants de Noël internationale avec un accompagnement piano facilement jouable, pourtant joli. Un coffre au Trésor pour les leçons, de concerts et de musique-fabrication à la maison au cours de la période de Noël. / Flûte Traversière Et Piano

La référence FP 724 de l'éditeur Fertile Plaine dont l'auteur célèbre est Pannetier D., qui a pour titre Les bruyères ( flute et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

The Mr. Benn children's TV series holds a very special place in the memories of many who as children would bounce out of bed in the morning to catch the latest episode. The music of this classic children's show voted by Channel 4 as the sixth most popular children's television programme ever is here arranged for Flute and Piano. Playing it is guaranteed to bring back many a happy memory!

13 Pezzi Per Flauto E Pianoforte-In this collection Elisabeth Weinzierl-Wächter and Barbara Heller present works for flute and piano by 13 female composers: starting with the 18th century with sonatas by Anna Amalia von Preußen and Anna Bon di Venezia via the 19th century with variations by Blahetka and 'Sérénade aux Étoiles' by Cecile Chaminade and via works by Mélanie Bonis Lili Boulanger Germaine Tailleferre to the present time with works by Barbara Heller Gloria Coates Dorothee Eberhardt Caroline Ansink Annette Schlünz and Christine K. Brückner.

7 Easy/Intermediate Pieces for Flute and Piano. Par . Cette édition présente une collection de morceaux célèbres de deux siècles d?histoire de la musique. Bien que techniquement très accessibles, ces arrangements pour flûte traversière et piano sont musicalement exigeants. Les playbacks vous permettent de les travailler systématiquement à trois tempos différents avec un accompagnement professionnel. Chaque playback fait d?abord entendre la version de concert d?un morceau (flûte et piano). Mais vous y trouverez également un accompagnement de piano pour travailler à un tempo lent puis un autre à un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d?origine avec l?accompagnement de piano. Toutes les versions ont été enregistrées en live. / Date parution : 2021-11-03/ Recueil / Flûte Traversière et Piano