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Flute ensemble
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The Wild Hunt for Low Flute Choir (MOLNAR-SUHAJDA ALEXANDRA)
Flute ensemble
Alry Publications
Par MOLNAR-SUHAJDA ALEXANDRA. 'The Wild Hunt' by Alexandra Molnar-Suhajda for Lo...
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Par MOLNAR-SUHAJDA ALEXANDRA. 'The Wild Hunt' by Alexandra Molnar-Suhajda for Low Flute Choir. Because of such a unique scoring for low flute ensemble, there are some additional transposed parts included for substitute instruments to be used as needed. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes Basses
38.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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The Ragtime Dance for Flute Orchestra (JOPLIN SCOTT)
Flute ensemble
Megido Publications
Par JOPLIN SCOTT. The Ragtime Dance by Scott Joplin originated as a short ragtim...
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Par JOPLIN SCOTT. The Ragtime Dance by Scott Joplin originated as a short ragtime folk ballet, accompanied by narration and choreography. It was first performed in 1899, but because of hesitation concerning the marketability of such a work, it was not published until 1902. As was feared, it was a commercial failure, however this led to a later 1906 publication in a solo piano arrangement. It is this piano solo version which has been arranged here for flute choir by Shaul Ben-Meir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes
27.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ballet Music from Othello for Flute Orchestra (VERDI GIUSEPPE)
Flute ensemble
Megido Publications
Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giu...
(+)
Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes
37.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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