SKU: HL.49016006
ISBN 9780793554003. UPC: 073999444711. 305 X 229 inches.
Contents: Aria (Stradella) oe I Attempt from Love's Sickness oe I See a Huntsman oe Largo & Allegro oe Pavane pour une Infante Defunte oe Reveries oe Romance oe Rondo oe Scherzo oe Symphony No. 5 oe Theme & Variations oe Villanelle.
A collection of music for French Horn, intended to display the instrument's characteristic tone qualities, both lyric and fanfare-like. Transcribed (with Piano accompaniment) and edited by Mason Jones.
SKU: PR.114417250
ISBN 9781491110928. UPC: 680160631469. 9x12 inches. Key: F.
Concertino in F for English Horn and OrchestraPreviously known only through a spurious edition in G Major, the authentic Concertino in F was recently discovered in Italy by Pedro Diaz, English Hornist of the Metropolitan Opera Orchestra. Diaz prepared this ground-breaking authentic edition through comparison of the multiple historical sources and an intimate knowledge of Donizetti's works. The new edition in F Major is embellished with footnotes regarding sources and ornamentation. The piano reduction and orchestral score and parts (available on rental) were prepared by composer/oboist Mark Biggam in tandem with Diaz's work, and the publication includes extensive historical notes by scholar Michael Finkelman. PEDRO DIAZ joined The Metropolitan Opera Orchestra in 2005 and has performed as solo English Hornist in hundreds of productions. As a sought after teacher, Mr. DÃaz has lectured extensively at top music conservatories including The Juilliard School, The Manhattan School of Music, The Eastman School of Music,The Hartt Music School, and Duquesne University. His international appearances include masterclasses in Panama, Italy, Mexico, Canada, Puerto Rico, Leipzig, Berlin, and Italy.A native of Puerto Rico, he received his early musical training in the “Escuela Libre de Musica,†an esteemed public school for the performing arts. He has performed as a guest artist with the Chicago Symphony, New York Philharmonic, and many other leading ensembles. His playing has been hailed by critics as evocative, eloquent and expressive and is considered one of the pre-eminent players of his generation. Mr. DÃaz has performed Wagner’s Tristan und Isolde 24 times under the batons of James Levine, Daniel Barenboim, and Sir Simon Rattle.Pedro DÃaz’s recording of the Donizetti Concertino in F and other concerti is available from Fox Products and online sources, performed with members of the Metropolitan Opera Orchestra. MARK BIGGAM’s compositions have been recognized in various venues throughout the United States, Central America, Asia, and Europe. He has received awards from ASCAP and the Cleveland Foundation. An oboist himself, many of Biggam’s compositions have been performed by notable oboists and English Horn players including John Mack, Joseph Robinson, Pedro DÃaz, Carolyn Hove, and Dwight Parry. Premieres of his works have been featured at events including the International Double Reed Society and John Mack Legacy Camp.Biggam’s choral works have gained recognition, awards, and commissions from organizations including the Moravian Music Foundation, Ohio BoyChoir, and Triad Pride Men’s Chorus. He also has published arrangements and piano reductions of J.S. Bach’s music for Bärenreiter-Verlag. His collaborations with Pedro DÃaz include the Donizetti Concertino in F as well as works of the lesser-known composers Pilotti and Mares, recorded by Mr. Diaz and members of the Metropolitan Opera Orchestra. Biggam has alsoprepared arrangements and settings of works for symphonic band, which have been performed by the Piedmont Wind Symphony.
SKU: HL.51481255
UPC: 196288308126. 9.25x12.25x0.22 inches.
As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss� poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss� death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: BR.EB-10702
In Cooperation with G. Henle Verlag
ISBN 9790201807027. 9.5 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
SKU: HL.50565997
ISBN 9781705149959. UPC: 196288016670. 9.0x12.0x0.133 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars.
SKU: BR.EB-10701
ISBN 9790201807010. 9.5 x 12 inches.
With the publication of the score and parts of the D-major Horn Concerto K. 412/514, the Mozart expert Henrik Wiese adds another milestone to his edition of this important work group which was begun in 2013. In the course of time, the piece that was first edited in the Old Mozart Edition of 1881 as Mozarts 1st Horn Concerto turned out to be a pasticcio: while the opening movement is indisputably by Mozart, the elaboration of the Rondo must now be attributed to Sussmayr. This movement is transmitted solely as a sketch in Mozarts hand. The present edition contains both the Sussmayr Rondo (K. 514 = smWV 502) and the Mozartian Rondo fragment (K. 412) which was carefully completed by Wiese. The performer will thus have the choice between the traditional version (with Sussmayr) and the version presumably intended by Mozart, all in one practical edition.In Cooperation with G. Henle Verlag. EB 10701 contains the parts for horn in F and Eb.
SKU: BT.DHP-1125295-400
ISBN 9789043141819. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and horn in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en hoorn waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stücken für Klavier und Horn, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die 20 Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et cor dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.
SKU: BT.AMP-386-400
ISBN 9789043135849. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: HL.51481332
UPC: 196288308133. 9.25x12.25x0.07 inches.
In the summer of 1888, while also working on his tone poem Don Juan, Richard Strauss composed this brief Andante for his father, Franz Strauss, a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement âof a still unfinishedâ sonata that Strauss, however, never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers, the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suitedfor teaching purposes and as an effective Romantic performance piece.
SKU: HL.48183146
UPC: 888680876357. 9.0x12.0x0.061 inches.
“Alpha is a piece for Horn and Piano accompaniment by Jean-Michel Defaye dedicated to Georges Barboteu, a professor at the National Conservatoire. Starting slowly with an exchange between the Horn and the Piano, this piece features a Cadenza section with a Horn solo followed by ?a Tempo? part (112). The final of the piece is to be played ?Lento? (60). This piece has some really strong and expressive moments, quite dramatic from time to time, and was initially written for a Conservatoire contest. It lasts approximately 8 minutes 40. As a pianist, composer, producer and arranger, Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.â€.
SKU: BR.EB-10704
ISBN 9790201807041. 9.5 x 12 inches.
Prank or Color Code? Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.In Cooperation with G. Henle Verlag.
SKU: HL.49045984
The music scene took notice of Erik Satie all of a sudden: The world premiere of his ballet 'Parade' in 1917 caused quite a scandal.The production divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training developed a new musical style, in deliberate rejection of the 'Wagnerisme' of his time, the perfect example being his '3 Gymnopedies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thanks to its easy playability, it can also be used for educational purposes.
SKU: BT.DHP-1185895-404
ISBN 9789043154550. English.
Look, Listen and Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupilsâ?? understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.
SKU: BT.DHP-1185926-404
ISBN 9789043155069. English.
Look, Listen & Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.
