Media Type : Book/CD Set Level : Intermediate Musical Genre : Brazilian Number of pages : 32 As one can easily imagine, it would be very hard for a guitar student to start reading the scores of the traditional choro repertoire, most of them with large number of technical difficulties. It would be much better if they could start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 more commonly used keys for the choro guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros, there are polkas, maxixes, Brazilian tangos and xotis. The more used and characteristic rhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution, all studies were composed with only two voices (melody and bass) and with no chords (although harmonies are quite evident due to the choro melodic particularities). A CD with all 13 studies is included.

Transcribed for Classical Guitar. Par MASCOTT PAUL. This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 ? c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals.Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections. / Date parution : 2021-11-03/ Recueil / Guitare

Par BAY WILLIAM. This book contains a collection of 38 flatpicking solos over well-known compositions from the 13th through 16th centuries. Three original solos by the author are also presented in the style of lute players from this era. Written in standard notation and tablature. Includes access to online audio. / Date parution : 2022-03-15/ Recueil / Guitare

Par KLEYNJANS FRANCIS. La Ravissante Op.210 (1'10) - La Capricieuse Op.213 (2'35) - L'Ingénue Op.216 (1'05) - La plus que triste Op.224 (2'45) - L'Arrogante Op.218 (2'10) - La Désenchantée Op.228 (3'00) - L'Ultime Op.215 (2'45) Notice 7 valses en mi mineur pour guitare Bien qu'unies par la tonalité de mi mineur, ces 7 valses traduisent une atmosphère différente à chaque fois, par un caractère bien spécifique à chacune d'elles, qui passe de l'arrogance au désenchantement, de la joie naïve à la profonde tristesse. Toute la palette des sentiments qui animent notre vie y est représentée. Je souhaite à tous ceux qui dévoileront, en les jouant, leur univers intime, le même bonheur que j'ai eu à les composer. Francis Kleynjans, Février 2007 Ces valses ont été enregistrées par le compositeur sur le CD, L'ultime, 34 valses en mi mineur (réf. PFKCD204) / classique / Répertoire / Guitare

A Comprehensive Method For Today'S Guitarist!. Par BAY WILLIAM. La maîtrise de la guitare est un moyen novateur et passionnant pour apprendre la guitare. Co-écrit par William Bay et Mike Christiansen, cette méthode extrêmement complet s'applique à l'ensemble des styles musicaux et techniques dans la musique d'aujourd'hui. Ecrit en notation et tablature, il couvre une vaste gamme de styles solo et accompagnement de guitare. Une particularité de cette méthode est qu'elle enseigne flatpicking et fingerstyle solo et accompagnement des techniques. Nous estimons que la maîtrise de la guitare est une démarche plus globale au répertoire de technique de guitare et de la performance à trouve nulle part. Volume 1 b: enseigne les touches de D, A, E, F, ré mineur et si bémol - contient plus de 130 des solos et des duos - contient plus de 40 échelle globale et cueillette études - comprend de nombreuses études de progression de corde et pièces d'accompagnement chord. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Méthode / Guitare

This book is considered to be the largest selling basic Guitar chord book ever published! Twelve basic Guitar chord types are shown in three ways: photograph notation and chord diagram. In addition a special bonus section iscontained showing in photo and diagram the essential moveable rhythm guitar chord forms. This special section contains the basics of Mel Bay's acclaimed Rhythm Chord Playing System showing the guitarist how to fingernumerous advanced chord forms with a minimum of hand movement!Chords shown in photo notation and diagram form include Major Minor Dominant Seventh Diminished Augmented Ninth Major Seventh Minor Seventh Seventh #5 Seventh b5 Sixth and Minor Sixth. Chords are shown in the bonus Moveable Rhythm Chord section include Major Minor 7th Minor 7th 7sus4 7b5 7#5 Minor 7b5 Sixth Minor 6th Diminished 7th Diminished add 9 9th Minor 9th 9b5 9#5 Minor 9b5 7th b9 7th b9#5 11th 9 add 6 Minor 9 add 6 13th 13sus11 13 b9 13th b9 b5.In addition this book comes with an online instructional video.

Par BAY MEL. Ce livre est considéré comme la plus grand vente base guitare chord livre jamais publié ! Douze types de corde de guitare de base sont indiqués de trois façons : photographie, notation et diagramme de corde. En outre, une section de bonus spécial est contenue montrant en photo et un diagramme au rythme de meuble essentiel formes de corde de guitare. Cette section spéciale contient les éléments de base de Mel Bay acclamé rythmique Chord jouant système montrant le guitariste comment doigt de nombreuses formes de corde avancées avec un minimum de mouvement de la main ! Chords illustrés dans la photo, la notation et la forme de diagramme incluent majeur, mineur, septième Dominant, réduites, Augmented, neuvième, septième majeur, septième mineure, septième # 5, septième b5, sixième et Minor sixième. Chords sont indiquées dans le bonus Moveable rythmique Chord section inclure majeur, mineur, 7e, Minor 7e, 7sus4, 7b5, 7 # 5, 7b5 Minor, Minor sixième, 6e, 7e, a diminué réduites ajouter 9, 9e, mineures 9e, 9b5, 9 # 5, 9b5 Minor, b9 7e, 7e b9 # 5, 11, 9 ajouter 6, 9 mineures ajouter 6, 13, 13sus11, 13 b9, 13e b9... / Niveau : Tous Niveaux / All Styles - Chord Book / Etude / Guitare

13 Stücke für Gitarre solo - 13 Pieces for Guitar Solo-A group of landscape sound-paintings of Ireland a tango homage to Debussy Elgar and Satie personal memories set to music - with these 13 intermediate guitar pieces Maria Linnemann lets us delve deeply into her multi-coloured touching world ofsound.

Cette anthologie offre une riche sélection de titres appartenant au répertoire incontournable pour la formation du guitariste. Le choix des pièces couvre cinq siècles d?histoire de l?instrument (de la Renaissance au XXe siècle), offrant de multiples parcours d?étude. Les pièces, qui ont été choisies également pour leur attrait et sont très captivantes, ne présentent pas de difficulté particulière, se situant à un niveau facile-moyen. La présence de la tablature favorise l?étude des guitaristes autodidactes.
1. Balletto [anonimo XVI sec.]
2. Gagliarda [anonimo XVI sec.]
3. Italiana [anonimo XVI sec.]
4. Se io m?accorgo ben mio d?un altro amante [anonimo XVI sec.]
5. The Parlement [anonimo XVI sec.]
6. Vaghe bellezze et bionde treccie d?oro (...) [anonimo XVI sec.]
7. Volt [anonimo XVI sec.]
8. Wilson?s Wilde [anonimo XVI sec.]
9. Fantasia Prima [Melchiorre De Barberis]
10. Pavana n. 1 (da El maestro) [Luis Milán]
11. Pavana n. 6 (da El maestro) [Luis Milán]
12. Troisième Branle de Bourgogne [Adrian le Roy]
13. Greensleeves [Francis Cutting]
14. Españoleta [Gaspar Sanz]
15. Pavana [Gaspar Sanz]
16. Preludio dalla Suite per violoncello BWV 1007 [Johann Sebastian Bach]
17. Sarabande [François Campion]
18. Gigue [François Campion]
19. Studio n. 13 dai 20 studi, op. 35 (Studio II di Segovia) [Fernando Sor]
20. Studio n. 2 dai 20 studi, op. 6 (Studio III di Segovia) [Fernando Sor]
21. Studio n. 1 dai 20 studi, op. 6 (Studio IV di Segovia) [Fernando Sor]
22. Studio n. 22 dai 20 studi, op. 35 (Studio V di Segovia) [Fernando Sor]
23. Studio n. 17 dai 20 studi, op. 35 (Studio VI di Segovia) [Fernando Sor]
24. Ghiribizzo n. 17 dai Ghiribizzi M.S. 43 (Le streghe) [Niccolò Paganini]
25. Ghiribizzo n. 20 dai Ghiribizzi M.S. 43 (Là ci darem la mano) [Niccolò Paganini]
26. Lezione n. 10 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
27. Lezione n. 11 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
28. Lezione n. 12 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
29. Lezione n. 13 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
30. Lezione n. 14 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
31. Lezione n. 15 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
32. Lezione n. 17 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
33. Lezione n. 22 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
34. Lezione n. 23 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
35. Lezione n. 24 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
36. Lezione n. 25 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
37. Lezione n. 26 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
38. Lezione n. 28 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
39. Lezione n. 29 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
40. Lezione n. 30 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
41. Studio n. 3 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
42. Studio n. 7 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
43. Adelita [Francisco Tárrega]
44. Malagueña ? Fácil [Francisco Tárrega]
45. El noi de la mare [Miguel Llobet]
46. Preludio n. 1 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
47. Preludio n. 2 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
48. Prélude n. 3 (dai Cinq préludes) [Heitor Villa-Lobos]
50. Estudio sencillo n. 6 [Leo Brouwer]
51. Estudio sencillo n. 11 [Leo Brouwer]
/ Méthodes et pédagogie / Guitare / Guitare acoustique / CARISCH

Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer of all time. He was the last great figure of the Classical era and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16 String Quartets. Beethoven?s Adagio from his Piano Sonata No. 8 in C minor ?Pathetique? (Op. 13) is one of his most celebrated compositions. It has been arranged for the Guitar by the Spanish guitarist pianist and composer Francisco Tárrega (1852-1909). Tárrega is known for revolutionisingclassical Guitar technique and also for transcribing many keyboard works for Guitar from the great classical composers including Beethoven Mendelssohn and Chopin.

This book contains a selection of 13 pieces for Trinity Classical Guitar Grade 3 exams, carefully chosen, graded and edited for the 2020?2023 syllabus by a panel of experts. Encompassing a wide range of styles and including duets up to Grade 5, our progressive series offers teachers and learners a wealth of engaging repertoire, whether working towards Trinity exams or studying with other guitar methods.