Tous les textes théoriques, méthodes, traités, articles, concernant la guitare sont reproduits en fac-similé, et regroupés en deux volumes. ANCELET - Abbé Joseph CARPENTIER (1-2) - Francisque CORBETTA - Michel CORRETTE - Robert DE VISEE - Nicolas DEROSIERS - DON*** - Encyclopédie - François-Alexandre-Pierre de GARSAULT - François LECOCQ - Joseph-Bernard MERCHI (1) - Marin MERSENNE - Pierre TRICHET. Table des matières : Mersenne Marin : Harmonie Universelle – 1636 Trichet Pierre : Traité des instruments – c.1640 Corbetta Francisque : La guitarre royale – 1671 De Visee Robert : Livre de guitarre – 1682 Derosiers Nicolas : Les principes de guitarre – c.1690 Le Cocq François : Recueil des pièces de guitare – 1729 Encyclopédie : Encyclopédie ou Dictionnaire raisonné des sciences – 1751/1772 Ancelet : Observations sur la musique – 1757 Don*** : Méthode pour apprendre à joüer – 1760 Garsault François-Alexandre-Pierre de : Notionnaire ou mémorial raisonné – 1761 Merchi Joseph-Bernard : Le guide des écoliers – c.1761 Corrette Michel : Les dons d’Apollon – 1762 Carpentier Joseph : Méthode pour apprendre, 1e partie – 1771 Carpentier Joseph : Méthode pour apprendre, 2e partie – 1773 Auteur : DELUME Caroline Format : 24 x 33 Nombre de pages : 272 Date de parution : 01/2004

This comprehensive edition brings together all of the standard pieces in the adopted Albeniz 'guitar repertoire' along with additional pieces that complete many of the suites and other groupings as published during the composer'slifetime. These solo arrangements were made while consulting the earliest editions of the piano originals and are faithful to Albeniz tempo indications dynamics phrasing slurs and other expression markings. The selectionsare: Pavana-Capriccio Op. 12 (1992); Suite espanola Op. 47 (1886); Recuerdos de viaje Op. 92 (1888); Doce piezas espanolas Op. 164 (1889); Espana seis hojas de album Op. 165 (1890); Serenata espanola (Cadiz cancion) Op.181 (1890); Mallorca barcarola Op. 202 (1890); Zambra granadina danse orientale WoO (1891); Cadiz-gaditana WoO (1891); and Chants d'Espagne Op. 232 (1891-1894). Carefully researched and meticulously fingered in thescholarly manner one would expect from Stanley Yates.

Par WYNBERG SIMON. Variety is the spice of musical life and the essence of First Repertoire for Guitar. This is the second book for guitar solo containing 28 original compositions from the 16th to 20th centuries, that skillfully provide an introductory literature for the young guitarist. Edited by Simon Wynberg. Text is in both English and German./ Recueil / Guitare

This edition features modern electric Guitar transcriptions from the Baroque era. The first section features 17 short repeatable passages from Baroque literature. Other sections include 16 unaccompanied solos 10 duets and 4multi-movement arrangements for electric Guitar and Piano including Pachelbel's Canon and the Vivaldi Mandolin Concerto in its entirety. The final section includes Guitar parts for the Piano - Guitar arrangements. Thetranscriptions are meant to be performed with a pick in a variety of techniques such as: alternate picking economy and circle picking sweep picking hybrid picking right handed tapping string skipping rest strokes and palmmuting. Many of the selections are available on video at www.youtube.com/johnkieferguitar in the electric baroque playlist.

Born in the Italian city of Naples Giuseppe Domenico Scarlatti (1685-1757) was one of the few Baroque composers to transition into the Classical period. Scarlatti composed operas cantatas symphonias andliturgical pieces but his 555 keyboard sonatas are most well-known; a vast collection of single movements in binary form. Lily Afshar's arrangement of Sonata K. 11 (a favorite of Segovia) utilizes staccato articulationreminiscent of the harpsichord and othertechniques including cross-string trills and minimal slurs. The pair of sonatas work well together written in E minor and E major.Sylvius Leopold Weiss (1687-1750) wasthe most accomplished Lutenist of the Baroque period and the most prolific composer of Lute music writing over one thousand pieces for the instrument. The four pieces arranged in this book show the beautiful polyphony andfantastical writing of Weiss. Afshar utilizes campanella (cross-string) fingerings throughout to emphasize the musical line and produce a fuller sound on the instrument.

Hip Licks for Guitar is designed to helpguitarists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Guitar as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Special Features of Hip Licks for Guitar by Greg Fishman, featuring guitarist, Mike Allemana: ? 168 Hip Licks ? Each lick is unique and customized for each key. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc. ? Slow Tempo and Fast Tempo Play-Along CDs are Included 2 Guitar CDs featuring master guitarist Mike Allemana playing the licks at slow

For electric and acoustic Guitar. Tout Sur Les Gammes answers any questions you may have about range. Includes 120 audio tracks with tablature solfege and harmonic analysis. The book features 16 pages of exercises and the CD contains and more than 120 scales and modes covering a variety of different styles.

Arrangeur: H. Morgen. Par GERSHWIN GEORGE. by Howard Morgen. 16 classic Gershwin standards in sophisticated solo guitar arrangements exactly as recorded by Howard Morgen in standard notation and tab./ Répertoire / Guitare

This book consists of music written for the guitar. When modern guitarists play music from the Renaissance they usually play transcriptions from the vihuela or lute repertoire. As a consequence many guitarists are unaware ofthe early music written for the guitar. Guitar Music of the 16th Century presents an amazing collection of 133 solos actually scored for early guitar by Alonso Mudarra Miguel De Fuenllana Adrian Le Roy GregoireBrayssing Guillaume Morlaye and Simon Gorlier. Includes access to online audio and is a valuable addition to any guitarist's library!

Partition pour guitareNombre de pages : 16 Niveau : 3Contenu :Allegro ritmico - Ostinato-Legato n°2 - Ostinato-Legato n°3 - Pizzicato danse