Par EMMANUEL TOMMY. Grammy-nominated fingerstyle guitar virtuoso Tommy Emmanuel has toured in Europe, Asia, South America, and the United States, bringing his music from the Australian outback to the rest of the world and creating legions of new fans in the process. None other than the incredible Chet Atkins has referred to him as 'One of the greatest guitarists in the world,' and Tommy is quick to acknowledge Chet as his principal inspiration. Modestly referring to himself as 'an entertainer who happens to play the guitar,' Tommy captivates his audiences with his humor, charisma and musicianship, delivering knockout performances around the globe. Tommy's energy and the ideal acoustics of the Sheldon Concert Hall make this a video performance to be cherished. This DVD features nearly two hours of performance, including all of the material from both of the VHS volumes entitled Tommy Emmanuel in Concert! Live at the Historic Sheldon Auditorium. / All Styles - Concert/Documentary / Accessoire / Guitare

Ce document, unique par son ISBN 8436028690114 a pour titre Dvd Hall Jim A Life In Progress Documentary. Il fait partie de la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Guitare / Dvd

Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River? · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Par KOSHKIN NIKITA. Filmed live at Texas Tech University's Hemmie Recital Hall on Thursday, January 27, 2000, this DVD reveals the full spectrum of Nikita Koshkin's composition and performance skills. Born in Moscow in 1956, Koshkin developed dual passions for composing and playing the guitar at the age of 14 when his grandfather gave him a guitar and a Segovia recording. Since then, his life's ambition has been twofold: to expand the traditional vocabulary of effect on the guitar and to incorporate them into fresh musical expressions. His programmatic explorations of the guitar are now performed by leading concert artists worldwide. / Classic - Concert/Documentary / Accessoire / Guitare Classique

Par TARREGA FRANCISCO. Tàrrega's works are often very virtuosic guitar-based compositions, and therefore often heard in the concert hall. His musical memory of the Moorish palace in Granada is arguably one of the most beautiful tremolo guitar etudes of romantic literature and is essential in the repertoire of any aspiring guitarist./ Répertoire / Guitare

Vignola Frank (Performed). Par VIGNOLA FRANK. Filmed in the perfect acoustics of the Sheldon concert Hall, guitar virtuoso Frank Vignola shows his timeless musicianship and talents in this live concert. The Frank Vignola Quintet has shattered the barriers between popular music and traditional jazz to create an exciting new sound in acoustic string music. Their repertoire, together with Vignola\'s amazing virtuosity, puts them in a league by themselves, creating a new genre of music, melding contemporary gypsy jazz, bluegrass, toe-tapping swing, blues and acoustic rock. The Frank Vignola Quintet includes Vinny Raniolo (guitar), Rick Zukor (percussion), Aaron Weinstein (violin), and Pete Coco (bass) who all give an outstanding performance. This DVD is sure to please all types of viewers. Pieces include Tico Tico, Salad and Donuts, Hungarian Rhapsody, Limehouse Blues and more. DVD length is 1 hour 50 minutes. Also, included with this DVD are two bonus audio CDs of the concert. Listen to your favorite tunes in this audiophile quality recording anywhere and anytime! / Jazz - Concert/Documentary / Accessoire / Guitare

Si vous voulez jouer jazz et improviser comme un vrai pro ? Ce livre vous montrera comment, rapide ! Tout d'abord apprendre quelques notions de base : les échelles de première importance, doigté et séquences de corde, à commencer par un solo de simple Bossa nova. puis passer à arpèges et des modèles plus complexes tels que l'échelle be bop. Expérimenter des formes mélodiques et découvrez que la progression axée sur le jazz blues utilisé des concerts de jazz au plus standards. Les exemples de musique alors démontrent rythmiques et libres des idées qui coule avec beaucoup de conseils sur les techniques avancées utilisées par jazzers professionnels. En aucun temps tout vous créera votre propre solos dans le style de ces grandes légendes jazz Wes Montgomery, Charlie Christian, Sonny Rollins et Jim Hall. Cinq solos complètes sont inclus dans le livre dans l'onglet facile à suivre. Sur le CD, vous trouverez une piste audio correspondante à chaque exemple de musique dans le livre. Chaque piste est enregistré deux fois : premier avec la guitare, l'avec le soutien pistes seulement ce que vous pouvez jouer la partie de guitare. / Guitare / 48 pages / Partition + Cd

Par POSTLEWATE CHARLES. C'est la première compilation de musique de guitare spécialement composée pour la technique de droite qui inclut le petit doigt. Les 57 compositions comprennent des pièces originales dans l'Easy-intermédiaire à intermédiaire - avancé des niveaux par le guitariste/compositeurs renommés de l'Europe, en Amérique du Nord, Amérique du Sud et des Caraïbes. Musique par Ernesto Cordero, Carlos Dorado, Jim Ferguson, David Flynn, Gerald Garcia, John Hall, Ricardo Iznaola, James Lentini, John Oliver, Charles Postlewate, Mirko Schrader, Burkhard 'Buck' Wolters et Luis Zea montrent les avantages d'une technique de five-finger en la jouant des échelles, des accords, des arpèges, des tremolos et des harmoniques. Ils montrent également les avantages d'utiliser le petit doigt pour la rapidité, la précision, la force et la balance. Toutes ces compositions sont édités et présenté par Postlewate, pionnier dans l'utilisation d'une technique de five-finger. Ce livre est un compagnon d'anthologie de siècle XIX, guitare études, pour les cinq doigts de la main droite (MB21153), compilé et la fing... / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Niedt Douglas (Performed). Par NIEDT DOUGLAS. Douglas Niedt commence son étude de la guitare à l'âge de 7 ans et polie son jeu à la brillance de gem ressemblant à travers ses études à la Julliard School, les Classes de maître de Ségovie en Espagne et avec Narcisco Yepes, Christopher Parkening, Jorge Morel et Oscar Ghiglia. À l'âge de 17 ans, reconnaissance internationale a suivi son 1er balayage de prix du premier Chet Atkins guitare Concours International dans lequel les 300 guitaristes ont été entrés. À l'âge de 21 ans, Douglas a fait ses débuts de New York au Carnegie Recital Hall. Après ses débuts, le New York Times a déclaré, ' il n'Y n'avait aucun doute qu'il était un artiste doué. Son jeu était très coloré, sa hauteur exacte, son phrasé précis. ' / Classic - Concert/Documentary / Accessoire / Guitare Classique

Par JIM NICHOLS. Jim Nichols est une partie de la scène de la guitare jazz depuis plus de quatre décennies. Il a joué avec des artistes tels que Joe Pass, Toots Thielemans, Buddy Montgomery, Chet Atkins, Art Pepper, Julio Iglesias, Hubert Laws, Della Reese, Martin Taylor, Kenny Rankin et beaucoup d'autres. La musique de Jim a amené aux étapes du Carnegie Hall, le Tonight Show et le théâtre Olympia à Paris. En juin 1997, Jim était un artiste vedette à la 18e Festival annuel de Django Reinhardt. Dans cette 94-minute DVD Jim partage ses réflexions sur la guitare Jazz de Fingerstyle. Il est un maître de ce style. Une brochure disponible pour téléchargement contient la notation et tablature pour exercices 26-45 plus le solo ' Blues de John '. / Niveau : Intermédiaire / Jazz - Solos / Accessoire / Guitare

Maîtriser les compétences techniques et stylistiques de la guitare de jazz jouant dans cette fonction remplie de lécher paquet. Vous apprenez les bases de la guitare jazz, y compris lèche jazz-blues, comment appliquer les modes sur différents types d'accords, le style de guitare bossa nova, la façon de jouer des accords et la mélodie ensemble, les tons d'accords chromatiques, accords et notes de passage, le jazz valse, et comment se déplacer dans et hors de la gamme pentatonique en solo. De plus, les leçons couvrent un large éventail de techniques, y compris Django Reinhardt jazz de style gitan séries, Wes octaves grattés Mongromery de style, Al Di Meola style shred, et beaucoup, beaucoup plus! Apprenez à jouer dans le style de: Al Di Meola, Wes Montgomery, Les Paul, Django Reinhardt, Jim Hall, John Scofield et Pat Metheny. / Guitare

Tirés de spectacles ' live '. J'obtiens Sentimental sur vous, My Funny Valentine, Valse chaud (Jim Hall), Medley : Manha De Carnaval and Samba De Orfeu (Barney Kessel), fascinante rythmique (Tal Farlow), Oh Lady être communautaires, Flintstones thème (Barney Kessel and Herb Ellis), vous avez un nom (Pat Martino), Medley : Nuages, Goin'g de mon domicile Head and Flying (Barney Kessel/Herb Ellis/Charlie Byrd). 63 minutes. En Anglais. / Guitare